First Nations women carvers: Celebrating creation and creativity.
This thesis represents my journey of discovery to learn about the role of First Nations women carvers in today's First Nations societies in the Northern Northwest-Central region of British Columbia. It is based on learning about the creative world of five First Nations Women carvers: Pauline Al...
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University of Northern British Columbia
2005
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ftunbcolumbiadc:oai:unbc.arcabc.ca:unbc_15739 2024-05-19T07:40:17+00:00 First Nations women carvers: Celebrating creation and creativity. Siermacheski, Catherine (Author) Mills, Antonia (Thesis advisor) University of Northern British Columbia (Degree granting institution) 2005 electronic Number of pages in document: 124 https://unbc.arcabc.ca/islandora/object/unbc:15739/datastream/PDF/download https://unbc.arcabc.ca/islandora/object/unbc%3A15739 https://doi.org/10.24124/2005/bpgub360 English eng University of Northern British Columbia Copyright retained by the author. http://rightsstatements.org/vocab/InC/1.0/ Carvers (Decorative artists) -- British Columbia Northern Indian women artists -- British Columbia Indian art -- British Columbia NK5504.C2 S54 2005 Text thesis 2005 ftunbcolumbiadc https://doi.org/10.24124/2005/bpgub360 2024-04-19T00:30:46Z This thesis represents my journey of discovery to learn about the role of First Nations women carvers in today's First Nations societies in the Northern Northwest-Central region of British Columbia. It is based on learning about the creative world of five First Nations Women carvers: Pauline Allan of the Carrier Nation, Valerie Morgan and her sister Virginia Morgan, born into the Kwakwaka'wakw Nation and Gitxsan on their father's side and by marriage, Dale Campbell of the Tahltan Nation, and Victoria Moody of the Haida Nation. What I learned from these women illuminated the concepts of what is traditional and what is contemporary and taught me that my queries about gender disparity, exhibitions, sales and success were coming from a very Western perspective. I use the words the women told me to show their perception that being a First Nations woman is not about breaking down barriers of gendered roles but a means for them to revitalize their traditions. The original print copy of this thesis may be available here: http://wizard.unbc.ca/record=b1288565 Thesis First Nations UNBC's Digital Institutional Repository (University of Northern British Columbia) |
institution |
Open Polar |
collection |
UNBC's Digital Institutional Repository (University of Northern British Columbia) |
op_collection_id |
ftunbcolumbiadc |
language |
English |
topic |
Carvers (Decorative artists) -- British Columbia Northern Indian women artists -- British Columbia Indian art -- British Columbia NK5504.C2 S54 2005 |
spellingShingle |
Carvers (Decorative artists) -- British Columbia Northern Indian women artists -- British Columbia Indian art -- British Columbia NK5504.C2 S54 2005 First Nations women carvers: Celebrating creation and creativity. |
topic_facet |
Carvers (Decorative artists) -- British Columbia Northern Indian women artists -- British Columbia Indian art -- British Columbia NK5504.C2 S54 2005 |
description |
This thesis represents my journey of discovery to learn about the role of First Nations women carvers in today's First Nations societies in the Northern Northwest-Central region of British Columbia. It is based on learning about the creative world of five First Nations Women carvers: Pauline Allan of the Carrier Nation, Valerie Morgan and her sister Virginia Morgan, born into the Kwakwaka'wakw Nation and Gitxsan on their father's side and by marriage, Dale Campbell of the Tahltan Nation, and Victoria Moody of the Haida Nation. What I learned from these women illuminated the concepts of what is traditional and what is contemporary and taught me that my queries about gender disparity, exhibitions, sales and success were coming from a very Western perspective. I use the words the women told me to show their perception that being a First Nations woman is not about breaking down barriers of gendered roles but a means for them to revitalize their traditions. The original print copy of this thesis may be available here: http://wizard.unbc.ca/record=b1288565 |
author2 |
Siermacheski, Catherine (Author) Mills, Antonia (Thesis advisor) University of Northern British Columbia (Degree granting institution) |
format |
Thesis |
title |
First Nations women carvers: Celebrating creation and creativity. |
title_short |
First Nations women carvers: Celebrating creation and creativity. |
title_full |
First Nations women carvers: Celebrating creation and creativity. |
title_fullStr |
First Nations women carvers: Celebrating creation and creativity. |
title_full_unstemmed |
First Nations women carvers: Celebrating creation and creativity. |
title_sort |
first nations women carvers: celebrating creation and creativity. |
publisher |
University of Northern British Columbia |
publishDate |
2005 |
url |
https://unbc.arcabc.ca/islandora/object/unbc:15739/datastream/PDF/download https://unbc.arcabc.ca/islandora/object/unbc%3A15739 https://doi.org/10.24124/2005/bpgub360 |
genre |
First Nations |
genre_facet |
First Nations |
op_rights |
Copyright retained by the author. http://rightsstatements.org/vocab/InC/1.0/ |
op_doi |
https://doi.org/10.24124/2005/bpgub360 |
_version_ |
1799479859981844480 |