First Nations women carvers: Celebrating creation and creativity.

This thesis represents my journey of discovery to learn about the role of First Nations women carvers in today's First Nations societies in the Northern Northwest-Central region of British Columbia. It is based on learning about the creative world of five First Nations Women carvers: Pauline Al...

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Bibliographic Details
Other Authors: Siermacheski, Catherine (Author), Mills, Antonia (Thesis advisor), University of Northern British Columbia (Degree granting institution)
Format: Thesis
Language:English
Published: University of Northern British Columbia 2005
Subjects:
Online Access:https://unbc.arcabc.ca/islandora/object/unbc:15739/datastream/PDF/download
https://unbc.arcabc.ca/islandora/object/unbc%3A15739
https://doi.org/10.24124/2005/bpgub360
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spelling ftunbcolumbiadc:oai:unbc.arcabc.ca:unbc_15739 2024-05-19T07:40:17+00:00 First Nations women carvers: Celebrating creation and creativity. Siermacheski, Catherine (Author) Mills, Antonia (Thesis advisor) University of Northern British Columbia (Degree granting institution) 2005 electronic Number of pages in document: 124 https://unbc.arcabc.ca/islandora/object/unbc:15739/datastream/PDF/download https://unbc.arcabc.ca/islandora/object/unbc%3A15739 https://doi.org/10.24124/2005/bpgub360 English eng University of Northern British Columbia Copyright retained by the author. http://rightsstatements.org/vocab/InC/1.0/ Carvers (Decorative artists) -- British Columbia Northern Indian women artists -- British Columbia Indian art -- British Columbia NK5504.C2 S54 2005 Text thesis 2005 ftunbcolumbiadc https://doi.org/10.24124/2005/bpgub360 2024-04-19T00:30:46Z This thesis represents my journey of discovery to learn about the role of First Nations women carvers in today's First Nations societies in the Northern Northwest-Central region of British Columbia. It is based on learning about the creative world of five First Nations Women carvers: Pauline Allan of the Carrier Nation, Valerie Morgan and her sister Virginia Morgan, born into the Kwakwaka'wakw Nation and Gitxsan on their father's side and by marriage, Dale Campbell of the Tahltan Nation, and Victoria Moody of the Haida Nation. What I learned from these women illuminated the concepts of what is traditional and what is contemporary and taught me that my queries about gender disparity, exhibitions, sales and success were coming from a very Western perspective. I use the words the women told me to show their perception that being a First Nations woman is not about breaking down barriers of gendered roles but a means for them to revitalize their traditions. The original print copy of this thesis may be available here: http://wizard.unbc.ca/record=b1288565 Thesis First Nations UNBC's Digital Institutional Repository (University of Northern British Columbia)
institution Open Polar
collection UNBC's Digital Institutional Repository (University of Northern British Columbia)
op_collection_id ftunbcolumbiadc
language English
topic Carvers (Decorative artists) -- British Columbia
Northern
Indian women artists -- British Columbia
Indian art -- British Columbia
NK5504.C2 S54 2005
spellingShingle Carvers (Decorative artists) -- British Columbia
Northern
Indian women artists -- British Columbia
Indian art -- British Columbia
NK5504.C2 S54 2005
First Nations women carvers: Celebrating creation and creativity.
topic_facet Carvers (Decorative artists) -- British Columbia
Northern
Indian women artists -- British Columbia
Indian art -- British Columbia
NK5504.C2 S54 2005
description This thesis represents my journey of discovery to learn about the role of First Nations women carvers in today's First Nations societies in the Northern Northwest-Central region of British Columbia. It is based on learning about the creative world of five First Nations Women carvers: Pauline Allan of the Carrier Nation, Valerie Morgan and her sister Virginia Morgan, born into the Kwakwaka'wakw Nation and Gitxsan on their father's side and by marriage, Dale Campbell of the Tahltan Nation, and Victoria Moody of the Haida Nation. What I learned from these women illuminated the concepts of what is traditional and what is contemporary and taught me that my queries about gender disparity, exhibitions, sales and success were coming from a very Western perspective. I use the words the women told me to show their perception that being a First Nations woman is not about breaking down barriers of gendered roles but a means for them to revitalize their traditions. The original print copy of this thesis may be available here: http://wizard.unbc.ca/record=b1288565
author2 Siermacheski, Catherine (Author)
Mills, Antonia (Thesis advisor)
University of Northern British Columbia (Degree granting institution)
format Thesis
title First Nations women carvers: Celebrating creation and creativity.
title_short First Nations women carvers: Celebrating creation and creativity.
title_full First Nations women carvers: Celebrating creation and creativity.
title_fullStr First Nations women carvers: Celebrating creation and creativity.
title_full_unstemmed First Nations women carvers: Celebrating creation and creativity.
title_sort first nations women carvers: celebrating creation and creativity.
publisher University of Northern British Columbia
publishDate 2005
url https://unbc.arcabc.ca/islandora/object/unbc:15739/datastream/PDF/download
https://unbc.arcabc.ca/islandora/object/unbc%3A15739
https://doi.org/10.24124/2005/bpgub360
genre First Nations
genre_facet First Nations
op_rights Copyright retained by the author.
http://rightsstatements.org/vocab/InC/1.0/
op_doi https://doi.org/10.24124/2005/bpgub360
_version_ 1799479859981844480