Traumatic Strategies and 'irate memory' in Un Muro de Silencio
This aim of this artide is to ¡nquiTe into (he forms and possibilities trough which (he traces of (he trauma tic are insculped in rhe postdictatorial cinematographic narratives. We analyze rhe discursive strategies used in rhe film a Wall o/Si/etlce (Un muro de silencio) (1993) by Lita Stantic as an...
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| Format: | Article in Journal/Newspaper |
| Language: | Spanish |
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Pontificia Universidad Javeriana - Facultad de Comunicación y Lenguaje
2006
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| Online Access: | https://revistas.javeriana.edu.co/index.php/signoypensamiento/article/view/4649 |
| Summary: | This aim of this artide is to ¡nquiTe into (he forms and possibilities trough which (he traces of (he trauma tic are insculped in rhe postdictatorial cinematographic narratives. We analyze rhe discursive strategies used in rhe film a Wall o/Si/etlce (Un muro de silencio) (1993) by Lita Stantic as an exponenr of a "politic of remembrance" which uses what we caH "icate memory". This notion implies a subjective form of rhe collective memory abour traumatic events which wiII he a characte ristic of rhe a rgentine cinema macle by women. El objetivo de este artículo es indagar sobre las formas y posibilidades de inscripción de las huellas de lo traumático en las narraciones cinematográficas posdictatoriales. Se analizan las estrategias discursivas del firlme Un muro de silencio (1993) de Lita Stantic como exponenete de una "política de rememoración" que utiliza lo que denominamos "memoria airada". |
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