Venice Biennale 2017: Salon des Réfugiés

This single review of a sprawling international exhibition takes as a conceit the comparison of three Pavilions within the 2017 Venice Biennale – that of Korea, the United States, and Antarctica. The author seizes on the opportunity afforded by the esteemed event’s organization around nation-states...

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Published in:Media-N
Main Author: Cheon, Mina
Format: Article in Journal/Newspaper
Language:English
Published: New Media Caucus 2018
Subjects:
Online Access:https://iopn.library.illinois.edu/journals/median/article/view/65
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spelling ftuillinoisiopn:oai:journals.iopn.library.illinois.edu:article/65 2023-05-15T13:59:16+02:00 Venice Biennale 2017: Salon des Réfugiés Cheon, Mina 2018-09-26 application/pdf https://iopn.library.illinois.edu/journals/median/article/view/65 eng eng New Media Caucus https://iopn.library.illinois.edu/journals/median/article/view/65/25 https://iopn.library.illinois.edu/journals/median/article/view/65 Copyright (c) 2022 Mina Cheon https://creativecommons.org/licenses/by-sa/4.0 CC-BY-SA Media-N; Vol. 14 No. 1 (2018): CAA Conference Edition 2018; 97-140 1942-017X 2159-6891 10.21900/j.median.v14i1 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2018 ftuillinoisiopn https://doi.org/10.21900/j.median.v14i1 2023-03-07T10:44:27Z This single review of a sprawling international exhibition takes as a conceit the comparison of three Pavilions within the 2017 Venice Biennale – that of Korea, the United States, and Antarctica. The author seizes on the opportunity afforded by the esteemed event’s organization around nation-states to reflect on the radical ways in which the exhibited artists are engaged with the distinct challenges and struggles of their respective homes (or non-homes). This essay is therefore an attempt to culturally compare with nuanced interpretation, as a way to stay close to the formation and ramification of world culture today. To diversify the potential in the read, the piece calls to unfold in rhetoric of postcolonial terms, related to new media scholarship. Article in Journal/Newspaper Antarc* Antarctica IOPN Journals (Illinois Open Publishing Network) Media-N 14 1
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language English
description This single review of a sprawling international exhibition takes as a conceit the comparison of three Pavilions within the 2017 Venice Biennale – that of Korea, the United States, and Antarctica. The author seizes on the opportunity afforded by the esteemed event’s organization around nation-states to reflect on the radical ways in which the exhibited artists are engaged with the distinct challenges and struggles of their respective homes (or non-homes). This essay is therefore an attempt to culturally compare with nuanced interpretation, as a way to stay close to the formation and ramification of world culture today. To diversify the potential in the read, the piece calls to unfold in rhetoric of postcolonial terms, related to new media scholarship.
format Article in Journal/Newspaper
author Cheon, Mina
spellingShingle Cheon, Mina
Venice Biennale 2017: Salon des Réfugiés
author_facet Cheon, Mina
author_sort Cheon, Mina
title Venice Biennale 2017: Salon des Réfugiés
title_short Venice Biennale 2017: Salon des Réfugiés
title_full Venice Biennale 2017: Salon des Réfugiés
title_fullStr Venice Biennale 2017: Salon des Réfugiés
title_full_unstemmed Venice Biennale 2017: Salon des Réfugiés
title_sort venice biennale 2017: salon des réfugiés
publisher New Media Caucus
publishDate 2018
url https://iopn.library.illinois.edu/journals/median/article/view/65
genre Antarc*
Antarctica
genre_facet Antarc*
Antarctica
op_source Media-N; Vol. 14 No. 1 (2018): CAA Conference Edition 2018; 97-140
1942-017X
2159-6891
10.21900/j.median.v14i1
op_relation https://iopn.library.illinois.edu/journals/median/article/view/65/25
https://iopn.library.illinois.edu/journals/median/article/view/65
op_rights Copyright (c) 2022 Mina Cheon
https://creativecommons.org/licenses/by-sa/4.0
op_rightsnorm CC-BY-SA
op_doi https://doi.org/10.21900/j.median.v14i1
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