The Train Track and the Basket

Between 1848 and 1914, more than 2 million people arrived into Hull by ship from mainland Europe, and left by train to the transatlantic ports of Liverpool and Southampton, seeking new lives in the New World. This mass movement of people, many of whom were in Hull for just a few hours, ended abruptl...

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Bibliographic Details
Main Author: Barber, Claire
Format: Other/Unknown Material
Language:English
Published: Hull City of Culture 2017 2017
Subjects:
Online Access:https://pure.hud.ac.uk/en/publications/84a52411-da1b-406c-a01c-1ba639b0be15
https://www.bbc.co.uk/programmes/p04zwt1w
https://www.axisweb.org/p/clairebarber/workset/239348-the-train-track-and-the-basket/
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spelling ftuhuddersfieldc:oai:pure.atira.dk:publications/84a52411-da1b-406c-a01c-1ba639b0be15 2023-05-15T16:51:27+02:00 The Train Track and the Basket Barber, Claire 2017-04-01 https://pure.hud.ac.uk/en/publications/84a52411-da1b-406c-a01c-1ba639b0be15 https://www.bbc.co.uk/programmes/p04zwt1w https://www.axisweb.org/p/clairebarber/workset/239348-the-train-track-and-the-basket/ eng eng Hull City of Culture 2017 info:eu-repo/semantics/restrictedAccess Barber , C , The Train Track and the Basket , 2017 , Exhibition , Hull City of Culture 2017 , Hull Paragon Railway Station, Hull . < https://www.axisweb.org/p/clairebarber/workset/239348-the-train-track-and-the-basket/ > other 2017 ftuhuddersfieldc 2022-12-23T14:04:32Z Between 1848 and 1914, more than 2 million people arrived into Hull by ship from mainland Europe, and left by train to the transatlantic ports of Liverpool and Southampton, seeking new lives in the New World. This mass movement of people, many of whom were in Hull for just a few hours, ended abruptly with the outbreak of WW1. My installation at Hull’s Paragon Station, is part of the Look Up programme of cultural events taking place during Hull City of Culture UK 2017 and explores the phenomenon of ‘transmigration’, and the notion that skills and belongings traverse transport routes alongside people. The work is partly inspired by social narrative painting made at the time of transmigration, which captures loss, lament and excitement at a new beginning. It’s also drawn from personal travelling experiences, through Outer Mongolia, Australia, New Zealand and Iceland, and particularly the idea of looking at what people take with them on a journey, both as luggage and in terms of their culture and craft skill. The transmigrants carried large woven baskets on their journey through Hull, and brought skills such as double cloth weaving, while absorbing the skills of others. They adapted their techniques to the materials available to them in a new country. The train station today, with its constant movement of people, continues to mirror the weaving process: the action of double weaving, layers crossing over layers, countless patterns created every time people enter and exit. As individuals weave in and out, carrying luggage that reflects who they are, they too add and take new influences in an ever-changing space. Other/Unknown Material Iceland University of Huddersfield Research Portal New Zealand
institution Open Polar
collection University of Huddersfield Research Portal
op_collection_id ftuhuddersfieldc
language English
description Between 1848 and 1914, more than 2 million people arrived into Hull by ship from mainland Europe, and left by train to the transatlantic ports of Liverpool and Southampton, seeking new lives in the New World. This mass movement of people, many of whom were in Hull for just a few hours, ended abruptly with the outbreak of WW1. My installation at Hull’s Paragon Station, is part of the Look Up programme of cultural events taking place during Hull City of Culture UK 2017 and explores the phenomenon of ‘transmigration’, and the notion that skills and belongings traverse transport routes alongside people. The work is partly inspired by social narrative painting made at the time of transmigration, which captures loss, lament and excitement at a new beginning. It’s also drawn from personal travelling experiences, through Outer Mongolia, Australia, New Zealand and Iceland, and particularly the idea of looking at what people take with them on a journey, both as luggage and in terms of their culture and craft skill. The transmigrants carried large woven baskets on their journey through Hull, and brought skills such as double cloth weaving, while absorbing the skills of others. They adapted their techniques to the materials available to them in a new country. The train station today, with its constant movement of people, continues to mirror the weaving process: the action of double weaving, layers crossing over layers, countless patterns created every time people enter and exit. As individuals weave in and out, carrying luggage that reflects who they are, they too add and take new influences in an ever-changing space.
format Other/Unknown Material
author Barber, Claire
spellingShingle Barber, Claire
The Train Track and the Basket
author_facet Barber, Claire
author_sort Barber, Claire
title The Train Track and the Basket
title_short The Train Track and the Basket
title_full The Train Track and the Basket
title_fullStr The Train Track and the Basket
title_full_unstemmed The Train Track and the Basket
title_sort train track and the basket
publisher Hull City of Culture 2017
publishDate 2017
url https://pure.hud.ac.uk/en/publications/84a52411-da1b-406c-a01c-1ba639b0be15
https://www.bbc.co.uk/programmes/p04zwt1w
https://www.axisweb.org/p/clairebarber/workset/239348-the-train-track-and-the-basket/
geographic New Zealand
geographic_facet New Zealand
genre Iceland
genre_facet Iceland
op_source Barber , C , The Train Track and the Basket , 2017 , Exhibition , Hull City of Culture 2017 , Hull Paragon Railway Station, Hull . < https://www.axisweb.org/p/clairebarber/workset/239348-the-train-track-and-the-basket/ >
op_rights info:eu-repo/semantics/restrictedAccess
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