The Hauntings of Canada in Michael Crummey’s Sweetland
In Michael Crummey’s novel Sweetland (2014), which belongs to the genre of Canadian Gothic, ghosts function as warnings and reminders on a broader cultural and national level. The article analyzes different kinds of hauntings in the novel to show how they emphasize the notions of belonging to a loca...
Main Author: | |
---|---|
Format: | Article in Journal/Newspaper |
Language: | English |
Published: |
2018
|
Subjects: | |
Online Access: | https://discovery.ucl.ac.uk/id/eprint/10063235/1/Article6.pdf https://discovery.ucl.ac.uk/id/eprint/10063235/ |
id |
ftucl:oai:eprints.ucl.ac.uk.OAI2:10063235 |
---|---|
record_format |
openpolar |
spelling |
ftucl:oai:eprints.ucl.ac.uk.OAI2:10063235 2023-12-24T10:22:28+01:00 The Hauntings of Canada in Michael Crummey’s Sweetland Polić, V. 2018-11-14 text https://discovery.ucl.ac.uk/id/eprint/10063235/1/Article6.pdf https://discovery.ucl.ac.uk/id/eprint/10063235/ eng eng https://discovery.ucl.ac.uk/id/eprint/10063235/1/Article6.pdf https://discovery.ucl.ac.uk/id/eprint/10063235/ open London Journal of Canadian Studies , 33 (6) pp. 77-93. (2018) Michael Crummey Sweetland Canadian Gothic haunting ghosts belonging cultural haunting historical erasure storied pasts capital Article 2018 ftucl 2023-11-27T13:07:36Z In Michael Crummey’s novel Sweetland (2014), which belongs to the genre of Canadian Gothic, ghosts function as warnings and reminders on a broader cultural and national level. The article analyzes different kinds of hauntings in the novel to show how they emphasize the notions of belonging to a local community and specific location, to alert to the disappearance of the traditional ways of life and the importance of cultural memory for the survival of a comprehensive and diversified Canadian identity. The hauntings include: ‘typical’ ghosts haunting individual characters; workings of capital and national consolidation, which are shown haunting the local community (serving as a synecdoche of the Newfoundland region); hauntings of disappeared local communities in the impersonal national construct of Canadian culture (cultural mosaic); hauntings which emphasize notions of belonging to and emplacement into Canada’s Atlantic region; the haunting of the unrecordable quality of lived experience in such a community; and the inevitability of the book to be a record of absence as well as warning of that absence. The article discusses and postulates hauntings as a strategy of resistance against historical amnesia, but also as testaments to belonging. Article in Journal/Newspaper Newfoundland University College London: UCL Discovery Canada |
institution |
Open Polar |
collection |
University College London: UCL Discovery |
op_collection_id |
ftucl |
language |
English |
topic |
Michael Crummey Sweetland Canadian Gothic haunting ghosts belonging cultural haunting historical erasure storied pasts capital |
spellingShingle |
Michael Crummey Sweetland Canadian Gothic haunting ghosts belonging cultural haunting historical erasure storied pasts capital Polić, V. The Hauntings of Canada in Michael Crummey’s Sweetland |
topic_facet |
Michael Crummey Sweetland Canadian Gothic haunting ghosts belonging cultural haunting historical erasure storied pasts capital |
description |
In Michael Crummey’s novel Sweetland (2014), which belongs to the genre of Canadian Gothic, ghosts function as warnings and reminders on a broader cultural and national level. The article analyzes different kinds of hauntings in the novel to show how they emphasize the notions of belonging to a local community and specific location, to alert to the disappearance of the traditional ways of life and the importance of cultural memory for the survival of a comprehensive and diversified Canadian identity. The hauntings include: ‘typical’ ghosts haunting individual characters; workings of capital and national consolidation, which are shown haunting the local community (serving as a synecdoche of the Newfoundland region); hauntings of disappeared local communities in the impersonal national construct of Canadian culture (cultural mosaic); hauntings which emphasize notions of belonging to and emplacement into Canada’s Atlantic region; the haunting of the unrecordable quality of lived experience in such a community; and the inevitability of the book to be a record of absence as well as warning of that absence. The article discusses and postulates hauntings as a strategy of resistance against historical amnesia, but also as testaments to belonging. |
format |
Article in Journal/Newspaper |
author |
Polić, V. |
author_facet |
Polić, V. |
author_sort |
Polić, V. |
title |
The Hauntings of Canada in Michael Crummey’s Sweetland |
title_short |
The Hauntings of Canada in Michael Crummey’s Sweetland |
title_full |
The Hauntings of Canada in Michael Crummey’s Sweetland |
title_fullStr |
The Hauntings of Canada in Michael Crummey’s Sweetland |
title_full_unstemmed |
The Hauntings of Canada in Michael Crummey’s Sweetland |
title_sort |
hauntings of canada in michael crummey’s sweetland |
publishDate |
2018 |
url |
https://discovery.ucl.ac.uk/id/eprint/10063235/1/Article6.pdf https://discovery.ucl.ac.uk/id/eprint/10063235/ |
geographic |
Canada |
geographic_facet |
Canada |
genre |
Newfoundland |
genre_facet |
Newfoundland |
op_source |
London Journal of Canadian Studies , 33 (6) pp. 77-93. (2018) |
op_relation |
https://discovery.ucl.ac.uk/id/eprint/10063235/1/Article6.pdf https://discovery.ucl.ac.uk/id/eprint/10063235/ |
op_rights |
open |
_version_ |
1786191746147811328 |