Studies of Wooden Churches in Finland: Josef Strzygowski and Lars Petterson

In this article the question of how studies of wooden churches in Finland were influenced by Strzygowski, one of the most important European art historians of his day, is also of interest from the perspective of Finnish art history. Discussion and growing interest in the old wooden church building t...

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Main Author: Suominen-Kokkonen, Renja
Format: Article in Journal/Newspaper
Language:English
Published: Taidehistorian Seura ry – Föreninger för konsthistoria 2016
Subjects:
Online Access:https://tahiti.journal.fi/article/view/85642
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spelling fttsvojs:oai:journal.fi:article/85642 2023-05-15T17:00:06+02:00 Studies of Wooden Churches in Finland: Josef Strzygowski and Lars Petterson Suominen-Kokkonen, Renja 2016-08-17 text/html https://tahiti.journal.fi/article/view/85642 eng eng Taidehistorian Seura ry – Föreninger för konsthistoria https://tahiti.journal.fi/article/view/85642/44592 https://tahiti.journal.fi/article/view/85642 TAHITI; Vol 6 No 4 (2016): Lars Berggren 65 år Tahiti; Vol 6 Nro 4 (2016): Lars Berggren 65 år 2242-0665 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Vertaisarvioitu artikkeli 2016 fttsvojs 2020-05-29T22:09:38Z In this article the question of how studies of wooden churches in Finland were influenced by Strzygowski, one of the most important European art historians of his day, is also of interest from the perspective of Finnish art history. Discussion and growing interest in the old wooden church building tradition is traced in particular in the work of Lars Pettersson (1918–1993), who began his career in art-historical research in the late 1930s. Throughout his career, Pettersson studied historic wooden churches and chapels in both Finland and Russian Karelia. With reference to a few selected examples concerning the cross-plan churches of Petäjävesi and Ruovesi, my article focuses on how Pettersson’s studies reveal an alternating dialectic of acceptance of and opposition to Strzygowski’s views and ideas. A comparison of their methods reveals a number of similar trains of thought. This cannot be just a coincidence, since Pettersson was already familiar with several studies by Josef Strzygowski when he was writing his master’s thesis. Pettersson’s work as a researcher was naturally influenced by many other factors, such as working for several years for the State Archaeological Commission and the role of the Swedish architect and Professor Erik Lundberg as his doctoral supervisor. It is nonetheless necessary to consider Strzygowski’s and Pettersson’s shared methods of art-historical research which their contemporaries regarded as important. Article in Journal/Newspaper karelia* Federation of Finnish Learned Societies: Scientific Journals Online Lundberg ENVELOPE(19.633,19.633,70.012,70.012)
institution Open Polar
collection Federation of Finnish Learned Societies: Scientific Journals Online
op_collection_id fttsvojs
language English
description In this article the question of how studies of wooden churches in Finland were influenced by Strzygowski, one of the most important European art historians of his day, is also of interest from the perspective of Finnish art history. Discussion and growing interest in the old wooden church building tradition is traced in particular in the work of Lars Pettersson (1918–1993), who began his career in art-historical research in the late 1930s. Throughout his career, Pettersson studied historic wooden churches and chapels in both Finland and Russian Karelia. With reference to a few selected examples concerning the cross-plan churches of Petäjävesi and Ruovesi, my article focuses on how Pettersson’s studies reveal an alternating dialectic of acceptance of and opposition to Strzygowski’s views and ideas. A comparison of their methods reveals a number of similar trains of thought. This cannot be just a coincidence, since Pettersson was already familiar with several studies by Josef Strzygowski when he was writing his master’s thesis. Pettersson’s work as a researcher was naturally influenced by many other factors, such as working for several years for the State Archaeological Commission and the role of the Swedish architect and Professor Erik Lundberg as his doctoral supervisor. It is nonetheless necessary to consider Strzygowski’s and Pettersson’s shared methods of art-historical research which their contemporaries regarded as important.
format Article in Journal/Newspaper
author Suominen-Kokkonen, Renja
spellingShingle Suominen-Kokkonen, Renja
Studies of Wooden Churches in Finland: Josef Strzygowski and Lars Petterson
author_facet Suominen-Kokkonen, Renja
author_sort Suominen-Kokkonen, Renja
title Studies of Wooden Churches in Finland: Josef Strzygowski and Lars Petterson
title_short Studies of Wooden Churches in Finland: Josef Strzygowski and Lars Petterson
title_full Studies of Wooden Churches in Finland: Josef Strzygowski and Lars Petterson
title_fullStr Studies of Wooden Churches in Finland: Josef Strzygowski and Lars Petterson
title_full_unstemmed Studies of Wooden Churches in Finland: Josef Strzygowski and Lars Petterson
title_sort studies of wooden churches in finland: josef strzygowski and lars petterson
publisher Taidehistorian Seura ry – Föreninger för konsthistoria
publishDate 2016
url https://tahiti.journal.fi/article/view/85642
long_lat ENVELOPE(19.633,19.633,70.012,70.012)
geographic Lundberg
geographic_facet Lundberg
genre karelia*
genre_facet karelia*
op_source TAHITI; Vol 6 No 4 (2016): Lars Berggren 65 år
Tahiti; Vol 6 Nro 4 (2016): Lars Berggren 65 år
2242-0665
op_relation https://tahiti.journal.fi/article/view/85642/44592
https://tahiti.journal.fi/article/view/85642
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