”Miulla on vahva perintö Karjalasta”: Nykyitkijöiden suhde karjalaisuuteen Suomessa

“I have a strong heritage from Karelia.” A lamenter’s relationship to Karelianness and Ingrianness in modern Finland In this article, I shall examine the meanings that folk musicians performing and teaching laments in Finland today give to their Karelian background. In a single interview, being Ingr...

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Published in:Musiikki
Main Author: Hytönen-Ng, Elina
Format: Article in Journal/Newspaper
Language:Finnish
Published: Suomen musiikkitieteellinen seura ry. 2023
Subjects:
Online Access:https://musiikki.journal.fi/article/view/142334
https://doi.org/10.51816/musiikki.142334
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spelling fttsvojs:oai:journal.fi:article/142334 2024-01-28T10:06:57+01:00 ”Miulla on vahva perintö Karjalasta”: Nykyitkijöiden suhde karjalaisuuteen Suomessa Hytönen-Ng, Elina 2023-12-28 application/pdf https://musiikki.journal.fi/article/view/142334 https://doi.org/10.51816/musiikki.142334 fin fin Suomen musiikkitieteellinen seura ry. https://musiikki.journal.fi/article/view/142334/90082 https://musiikki.journal.fi/article/view/142334 doi:10.51816/musiikki.142334 Copyright (c) 2023 Musiikki Musiikki; Vol 53 Nro 4 (2023): Musiikki 4/2023: Baltian maiden ja Itämeren alueen musiikki, musiikillinen yhteiskunta, ilmiöt ja verkostot 2669-8625 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Vertaisarvioitu artikkeli 2023 fttsvojs https://doi.org/10.51816/musiikki.142334 2024-01-04T00:02:24Z “I have a strong heritage from Karelia.” A lamenter’s relationship to Karelianness and Ingrianness in modern Finland In this article, I shall examine the meanings that folk musicians performing and teaching laments in Finland today give to their Karelian background. In a single interview, being Ingrian also came up, but as this remained clearly in the minority in the material, this example is now discussed in the text under the Karelian theme without a broader scrutiny of Ingrianness. In other words, the article examines what kind of ideas contemporary lamenters have about their relationship with Karelian. This theme emerges through the following questions: For what reasons is a musician or an actor once interested in laments? Has Karelianness played a role in this process? The research material for this article is based on interviews with ten actors who perform and teach lament songs. The material is mirrored in the way the interviewees talk about Karelianness and its importance for their emergence of interest in laments. In this paper, I shall try to show that the dirge serves as a tool for rebuilding lost connections to Karelia or Karelianness in today’s Finland. Thus, for some respondents, the lament serves as a way to explore and strengthen ties to lost Karelia or Karelianism, while other respondents emphasize the dirge as part of their own wide-ranging professional expertise as musicians and artists. Article in Journal/Newspaper karelia* karelian Federation of Finnish Learned Societies: Scientific Journals Online Musiikki 53 4
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collection Federation of Finnish Learned Societies: Scientific Journals Online
op_collection_id fttsvojs
language Finnish
description “I have a strong heritage from Karelia.” A lamenter’s relationship to Karelianness and Ingrianness in modern Finland In this article, I shall examine the meanings that folk musicians performing and teaching laments in Finland today give to their Karelian background. In a single interview, being Ingrian also came up, but as this remained clearly in the minority in the material, this example is now discussed in the text under the Karelian theme without a broader scrutiny of Ingrianness. In other words, the article examines what kind of ideas contemporary lamenters have about their relationship with Karelian. This theme emerges through the following questions: For what reasons is a musician or an actor once interested in laments? Has Karelianness played a role in this process? The research material for this article is based on interviews with ten actors who perform and teach lament songs. The material is mirrored in the way the interviewees talk about Karelianness and its importance for their emergence of interest in laments. In this paper, I shall try to show that the dirge serves as a tool for rebuilding lost connections to Karelia or Karelianness in today’s Finland. Thus, for some respondents, the lament serves as a way to explore and strengthen ties to lost Karelia or Karelianism, while other respondents emphasize the dirge as part of their own wide-ranging professional expertise as musicians and artists.
format Article in Journal/Newspaper
author Hytönen-Ng, Elina
spellingShingle Hytönen-Ng, Elina
”Miulla on vahva perintö Karjalasta”: Nykyitkijöiden suhde karjalaisuuteen Suomessa
author_facet Hytönen-Ng, Elina
author_sort Hytönen-Ng, Elina
title ”Miulla on vahva perintö Karjalasta”: Nykyitkijöiden suhde karjalaisuuteen Suomessa
title_short ”Miulla on vahva perintö Karjalasta”: Nykyitkijöiden suhde karjalaisuuteen Suomessa
title_full ”Miulla on vahva perintö Karjalasta”: Nykyitkijöiden suhde karjalaisuuteen Suomessa
title_fullStr ”Miulla on vahva perintö Karjalasta”: Nykyitkijöiden suhde karjalaisuuteen Suomessa
title_full_unstemmed ”Miulla on vahva perintö Karjalasta”: Nykyitkijöiden suhde karjalaisuuteen Suomessa
title_sort ”miulla on vahva perintö karjalasta”: nykyitkijöiden suhde karjalaisuuteen suomessa
publisher Suomen musiikkitieteellinen seura ry.
publishDate 2023
url https://musiikki.journal.fi/article/view/142334
https://doi.org/10.51816/musiikki.142334
genre karelia*
karelian
genre_facet karelia*
karelian
op_source Musiikki; Vol 53 Nro 4 (2023): Musiikki 4/2023: Baltian maiden ja Itämeren alueen musiikki, musiikillinen yhteiskunta, ilmiöt ja verkostot
2669-8625
op_relation https://musiikki.journal.fi/article/view/142334/90082
https://musiikki.journal.fi/article/view/142334
doi:10.51816/musiikki.142334
op_rights Copyright (c) 2023 Musiikki
op_doi https://doi.org/10.51816/musiikki.142334
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