Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade

The current ecological crisis and the call to decolonise museums can be catalysts for change, manifested both physically through exhibitions or redisplays of historical collections and conceptually through new curatorial approaches or interventions. This interview examines the strategies and conside...

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Bibliographic Details
Published in:Science Museum Group Journal
Main Authors: Sarah Wade, Pandora Syperek, Miranda Lowe, Richard Sabin
Format: Article in Journal/Newspaper
Language:English
Published: Science Museum, London 2020
Subjects:
art
Online Access:https://doi.org/10.15180/201314
https://doaj.org/article/e8e737b4edb84ff99453c496b80900cd
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spelling fttriple:oai:gotriple.eu:oai:doaj.org/article:e8e737b4edb84ff99453c496b80900cd 2023-05-15T15:45:10+02:00 Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade Sarah Wade Pandora Syperek Miranda Lowe Richard Sabin 2020-05-01 https://doi.org/10.15180/201314 https://doaj.org/article/e8e737b4edb84ff99453c496b80900cd en eng Science Museum, London doi:10.15180/201314 2054-5770 https://doaj.org/article/e8e737b4edb84ff99453c496b80900cd undefined Science Museum Group Journal, Iss 13 (2020) natural history museum natural history ecology curating exhibitions ocean ecology whales coral coral reefs dinosaurs extinction authenticity anthropomorphism decolonisation naturecultures blaschka biodiversity museology museum detox illegal wildlife trade art and science museo art Journal Article https://vocabularies.coar-repositories.org/resource_types/c_6501/ 2020 fttriple https://doi.org/10.15180/201314 2023-01-22T17:49:44Z The current ecological crisis and the call to decolonise museums can be catalysts for change, manifested both physically through exhibitions or redisplays of historical collections and conceptually through new curatorial approaches or interventions. This interview examines the strategies and considerations involved in a major redisplay at the Natural History Museum, London, in 2017. Here, ‘Dippy’ the Diplodocus was removed from the prime central hall location, causing a furore that soon gave way to celebration of its newly installed resident ‘Hope’ the blue whale, heralding a new paradigm of scientific display where an anthropogenic extinction narrative took centre stage in a world-renowned museum. Alongside the blue whale, a series of ‘Wonder Bays’ were installed which tell stories of evolution, biodiversity and sustainability. Curators Miranda Lowe and Richard Sabin discuss these recent displays in relation to extinction narratives, public ecological awareness, ideals of authenticity and the crossover of art and science. They reflect on how the politics of natural history display extend to broader global issues, including the illegal wildlife trade and decolonising the museum, focusing on presentations of marine life and ocean ecology to reflect their principal areas of expertise and the Natural History Museum’s recent ocean-themed programming. Article in Journal/Newspaper Blue whale Unknown Lowe ENVELOPE(-30.309,-30.309,-80.537,-80.537) Science Museum Group Journal 13 13
institution Open Polar
collection Unknown
op_collection_id fttriple
language English
topic natural history museum
natural history
ecology
curating
exhibitions
ocean ecology
whales
coral
coral reefs
dinosaurs
extinction
authenticity
anthropomorphism
decolonisation
naturecultures
blaschka
biodiversity
museology
museum detox
illegal wildlife trade
art and science
museo
art
spellingShingle natural history museum
natural history
ecology
curating
exhibitions
ocean ecology
whales
coral
coral reefs
dinosaurs
extinction
authenticity
anthropomorphism
decolonisation
naturecultures
blaschka
biodiversity
museology
museum detox
illegal wildlife trade
art and science
museo
art
Sarah Wade
Pandora Syperek
Miranda Lowe
Richard Sabin
Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
topic_facet natural history museum
natural history
ecology
curating
exhibitions
ocean ecology
whales
coral
coral reefs
dinosaurs
extinction
authenticity
anthropomorphism
decolonisation
naturecultures
blaschka
biodiversity
museology
museum detox
illegal wildlife trade
art and science
museo
art
description The current ecological crisis and the call to decolonise museums can be catalysts for change, manifested both physically through exhibitions or redisplays of historical collections and conceptually through new curatorial approaches or interventions. This interview examines the strategies and considerations involved in a major redisplay at the Natural History Museum, London, in 2017. Here, ‘Dippy’ the Diplodocus was removed from the prime central hall location, causing a furore that soon gave way to celebration of its newly installed resident ‘Hope’ the blue whale, heralding a new paradigm of scientific display where an anthropogenic extinction narrative took centre stage in a world-renowned museum. Alongside the blue whale, a series of ‘Wonder Bays’ were installed which tell stories of evolution, biodiversity and sustainability. Curators Miranda Lowe and Richard Sabin discuss these recent displays in relation to extinction narratives, public ecological awareness, ideals of authenticity and the crossover of art and science. They reflect on how the politics of natural history display extend to broader global issues, including the illegal wildlife trade and decolonising the museum, focusing on presentations of marine life and ocean ecology to reflect their principal areas of expertise and the Natural History Museum’s recent ocean-themed programming.
format Article in Journal/Newspaper
author Sarah Wade
Pandora Syperek
Miranda Lowe
Richard Sabin
author_facet Sarah Wade
Pandora Syperek
Miranda Lowe
Richard Sabin
author_sort Sarah Wade
title Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
title_short Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
title_full Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
title_fullStr Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
title_full_unstemmed Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
title_sort curating ocean ecology at the natural history museum: miranda lowe and richard sabin in conversation with pandora syperek and sarah wade
publisher Science Museum, London
publishDate 2020
url https://doi.org/10.15180/201314
https://doaj.org/article/e8e737b4edb84ff99453c496b80900cd
long_lat ENVELOPE(-30.309,-30.309,-80.537,-80.537)
geographic Lowe
geographic_facet Lowe
genre Blue whale
genre_facet Blue whale
op_source Science Museum Group Journal, Iss 13 (2020)
op_relation doi:10.15180/201314
2054-5770
https://doaj.org/article/e8e737b4edb84ff99453c496b80900cd
op_rights undefined
op_doi https://doi.org/10.15180/201314
container_title Science Museum Group Journal
container_volume 13
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