Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade
The current ecological crisis and the call to decolonise museums can be catalysts for change, manifested both physically through exhibitions or redisplays of historical collections and conceptually through new curatorial approaches or interventions. This interview examines the strategies and conside...
Published in: | Science Museum Group Journal |
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Language: | English |
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Science Museum, London
2020
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Online Access: | https://doi.org/10.15180/201314 https://doaj.org/article/e8e737b4edb84ff99453c496b80900cd |
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fttriple:oai:gotriple.eu:oai:doaj.org/article:e8e737b4edb84ff99453c496b80900cd 2023-05-15T15:45:10+02:00 Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade Sarah Wade Pandora Syperek Miranda Lowe Richard Sabin 2020-05-01 https://doi.org/10.15180/201314 https://doaj.org/article/e8e737b4edb84ff99453c496b80900cd en eng Science Museum, London doi:10.15180/201314 2054-5770 https://doaj.org/article/e8e737b4edb84ff99453c496b80900cd undefined Science Museum Group Journal, Iss 13 (2020) natural history museum natural history ecology curating exhibitions ocean ecology whales coral coral reefs dinosaurs extinction authenticity anthropomorphism decolonisation naturecultures blaschka biodiversity museology museum detox illegal wildlife trade art and science museo art Journal Article https://vocabularies.coar-repositories.org/resource_types/c_6501/ 2020 fttriple https://doi.org/10.15180/201314 2023-01-22T17:49:44Z The current ecological crisis and the call to decolonise museums can be catalysts for change, manifested both physically through exhibitions or redisplays of historical collections and conceptually through new curatorial approaches or interventions. This interview examines the strategies and considerations involved in a major redisplay at the Natural History Museum, London, in 2017. Here, ‘Dippy’ the Diplodocus was removed from the prime central hall location, causing a furore that soon gave way to celebration of its newly installed resident ‘Hope’ the blue whale, heralding a new paradigm of scientific display where an anthropogenic extinction narrative took centre stage in a world-renowned museum. Alongside the blue whale, a series of ‘Wonder Bays’ were installed which tell stories of evolution, biodiversity and sustainability. Curators Miranda Lowe and Richard Sabin discuss these recent displays in relation to extinction narratives, public ecological awareness, ideals of authenticity and the crossover of art and science. They reflect on how the politics of natural history display extend to broader global issues, including the illegal wildlife trade and decolonising the museum, focusing on presentations of marine life and ocean ecology to reflect their principal areas of expertise and the Natural History Museum’s recent ocean-themed programming. Article in Journal/Newspaper Blue whale Unknown Lowe ENVELOPE(-30.309,-30.309,-80.537,-80.537) Science Museum Group Journal 13 13 |
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natural history museum natural history ecology curating exhibitions ocean ecology whales coral coral reefs dinosaurs extinction authenticity anthropomorphism decolonisation naturecultures blaschka biodiversity museology museum detox illegal wildlife trade art and science museo art |
spellingShingle |
natural history museum natural history ecology curating exhibitions ocean ecology whales coral coral reefs dinosaurs extinction authenticity anthropomorphism decolonisation naturecultures blaschka biodiversity museology museum detox illegal wildlife trade art and science museo art Sarah Wade Pandora Syperek Miranda Lowe Richard Sabin Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade |
topic_facet |
natural history museum natural history ecology curating exhibitions ocean ecology whales coral coral reefs dinosaurs extinction authenticity anthropomorphism decolonisation naturecultures blaschka biodiversity museology museum detox illegal wildlife trade art and science museo art |
description |
The current ecological crisis and the call to decolonise museums can be catalysts for change, manifested both physically through exhibitions or redisplays of historical collections and conceptually through new curatorial approaches or interventions. This interview examines the strategies and considerations involved in a major redisplay at the Natural History Museum, London, in 2017. Here, ‘Dippy’ the Diplodocus was removed from the prime central hall location, causing a furore that soon gave way to celebration of its newly installed resident ‘Hope’ the blue whale, heralding a new paradigm of scientific display where an anthropogenic extinction narrative took centre stage in a world-renowned museum. Alongside the blue whale, a series of ‘Wonder Bays’ were installed which tell stories of evolution, biodiversity and sustainability. Curators Miranda Lowe and Richard Sabin discuss these recent displays in relation to extinction narratives, public ecological awareness, ideals of authenticity and the crossover of art and science. They reflect on how the politics of natural history display extend to broader global issues, including the illegal wildlife trade and decolonising the museum, focusing on presentations of marine life and ocean ecology to reflect their principal areas of expertise and the Natural History Museum’s recent ocean-themed programming. |
format |
Article in Journal/Newspaper |
author |
Sarah Wade Pandora Syperek Miranda Lowe Richard Sabin |
author_facet |
Sarah Wade Pandora Syperek Miranda Lowe Richard Sabin |
author_sort |
Sarah Wade |
title |
Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade |
title_short |
Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade |
title_full |
Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade |
title_fullStr |
Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade |
title_full_unstemmed |
Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade |
title_sort |
curating ocean ecology at the natural history museum: miranda lowe and richard sabin in conversation with pandora syperek and sarah wade |
publisher |
Science Museum, London |
publishDate |
2020 |
url |
https://doi.org/10.15180/201314 https://doaj.org/article/e8e737b4edb84ff99453c496b80900cd |
long_lat |
ENVELOPE(-30.309,-30.309,-80.537,-80.537) |
geographic |
Lowe |
geographic_facet |
Lowe |
genre |
Blue whale |
genre_facet |
Blue whale |
op_source |
Science Museum Group Journal, Iss 13 (2020) |
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doi:10.15180/201314 2054-5770 https://doaj.org/article/e8e737b4edb84ff99453c496b80900cd |
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op_doi |
https://doi.org/10.15180/201314 |
container_title |
Science Museum Group Journal |
container_volume |
13 |
container_issue |
13 |
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1766379521415577600 |