Canis lupus i tajemnice ludzkiej duszy. O literackim obrazie wilka na przykładzie wybranych dzieł niemiecko‑ i anglojęzycznych

The article is devoted to the literary representation of the wolf, and the texts analysed include Hermann Hesse’s Steppenwolf and Mark Rowlands’ The Philosopher and the Wolf. In both texts the wolf becomes the mirror in which the man’s inner life is reflected, and the authors search for the answers...

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Bibliographic Details
Main Author: Aneta Jurzysta
Format: Article in Journal/Newspaper
Language:English
Polish
Russian
Published: University of Silesia Press 2016
Subjects:
Online Access:https://doaj.org/article/d6ba293f52454a8189435c83deea02e5
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spelling fttriple:oai:gotriple.eu:oai:doaj.org/article:d6ba293f52454a8189435c83deea02e5 2023-05-15T15:50:05+02:00 Canis lupus i tajemnice ludzkiej duszy. O literackim obrazie wilka na przykładzie wybranych dzieł niemiecko‑ i anglojęzycznych Canis lupus and the secrets of the human soul. About the literary image of the wolf in an example of selected German- and English-speaking works Aneta Jurzysta 2016-12-01 https://doaj.org/article/d6ba293f52454a8189435c83deea02e5 en pl ru eng pol rus University of Silesia Press 2719-2687 2451-3849 https://doaj.org/article/d6ba293f52454a8189435c83deea02e5 undefined Zoophilologica, Iss 2, Pp 205-224 (2016) wolf philosophy existentialism hesse rowlands nature phil hisphilso Journal Article https://vocabularies.coar-repositories.org/resource_types/c_6501/ 2016 fttriple 2023-01-22T18:59:24Z The article is devoted to the literary representation of the wolf, and the texts analysed include Hermann Hesse’s Steppenwolf and Mark Rowlands’ The Philosopher and the Wolf. In both texts the wolf becomes the mirror in which the man’s inner life is reflected, and the authors search for the answers to existential questions in the wolfish nature. “And so, the Steppenwolf had two natures, a human and a wolfish one. This was his fate, and it may well be that it was not a very exceptional one.” Those words of Hermann Hesse refer to the complicated, split personality of the main protagonist and the complex nature of every man. Harry is partly a man, who desires social respect and the comforts of the middle-class life, and shares human ideas and interests, and partly a wild beast, who mocks these vain and absurd desires, and remains untamed and impulsive. Mark Rowlands’ wolf is not only part of the author’s inner self, but a wild animal, with which the American philosopher spent 11 years of his life. The wolf companion changes completely the man’s way of thinking, becoming an inspiration for philosophical considerations over the nature of love, death, happiness and humanity, the purposefulness of human actions, the sources of despair and hope, the nature of the fear of death. The wolf’s company makes it possible for Rowlands to find his human nature, makes him eventually become a different person: of partly human and partly wolfish nature. In both cases the wolf (being either part of a man’s personality or a real wild companion) determines the protagonists’ lives and helps them understand themselves. Article in Journal/Newspaper Canis lupus Unknown
institution Open Polar
collection Unknown
op_collection_id fttriple
language English
Polish
Russian
topic wolf
philosophy
existentialism
hesse
rowlands
nature
phil
hisphilso
spellingShingle wolf
philosophy
existentialism
hesse
rowlands
nature
phil
hisphilso
Aneta Jurzysta
Canis lupus i tajemnice ludzkiej duszy. O literackim obrazie wilka na przykładzie wybranych dzieł niemiecko‑ i anglojęzycznych
topic_facet wolf
philosophy
existentialism
hesse
rowlands
nature
phil
hisphilso
description The article is devoted to the literary representation of the wolf, and the texts analysed include Hermann Hesse’s Steppenwolf and Mark Rowlands’ The Philosopher and the Wolf. In both texts the wolf becomes the mirror in which the man’s inner life is reflected, and the authors search for the answers to existential questions in the wolfish nature. “And so, the Steppenwolf had two natures, a human and a wolfish one. This was his fate, and it may well be that it was not a very exceptional one.” Those words of Hermann Hesse refer to the complicated, split personality of the main protagonist and the complex nature of every man. Harry is partly a man, who desires social respect and the comforts of the middle-class life, and shares human ideas and interests, and partly a wild beast, who mocks these vain and absurd desires, and remains untamed and impulsive. Mark Rowlands’ wolf is not only part of the author’s inner self, but a wild animal, with which the American philosopher spent 11 years of his life. The wolf companion changes completely the man’s way of thinking, becoming an inspiration for philosophical considerations over the nature of love, death, happiness and humanity, the purposefulness of human actions, the sources of despair and hope, the nature of the fear of death. The wolf’s company makes it possible for Rowlands to find his human nature, makes him eventually become a different person: of partly human and partly wolfish nature. In both cases the wolf (being either part of a man’s personality or a real wild companion) determines the protagonists’ lives and helps them understand themselves.
format Article in Journal/Newspaper
author Aneta Jurzysta
author_facet Aneta Jurzysta
author_sort Aneta Jurzysta
title Canis lupus i tajemnice ludzkiej duszy. O literackim obrazie wilka na przykładzie wybranych dzieł niemiecko‑ i anglojęzycznych
title_short Canis lupus i tajemnice ludzkiej duszy. O literackim obrazie wilka na przykładzie wybranych dzieł niemiecko‑ i anglojęzycznych
title_full Canis lupus i tajemnice ludzkiej duszy. O literackim obrazie wilka na przykładzie wybranych dzieł niemiecko‑ i anglojęzycznych
title_fullStr Canis lupus i tajemnice ludzkiej duszy. O literackim obrazie wilka na przykładzie wybranych dzieł niemiecko‑ i anglojęzycznych
title_full_unstemmed Canis lupus i tajemnice ludzkiej duszy. O literackim obrazie wilka na przykładzie wybranych dzieł niemiecko‑ i anglojęzycznych
title_sort canis lupus i tajemnice ludzkiej duszy. o literackim obrazie wilka na przykładzie wybranych dzieł niemiecko‑ i anglojęzycznych
publisher University of Silesia Press
publishDate 2016
url https://doaj.org/article/d6ba293f52454a8189435c83deea02e5
genre Canis lupus
genre_facet Canis lupus
op_source Zoophilologica, Iss 2, Pp 205-224 (2016)
op_relation 2719-2687
2451-3849
https://doaj.org/article/d6ba293f52454a8189435c83deea02e5
op_rights undefined
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