„Sirogojno Style“: The Production and Distribution of Hand-crafted Objects/Products Made of Wool

The basic premise of my research regarding the fashion production of Sirogojno style was that „objects are, like words, carriers of information“. Based on research published so far – a paper by Bojana Bogdanovic being the most detailed – and my own fieldwork conducted in 2010, I have attempted to as...

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Bibliographic Details
Main Author: Senka Kovač
Format: Article in Journal/Newspaper
Language:English
French
srp
Published: University of Belgrade 2016
Subjects:
art
Online Access:https://doaj.org/article/ce164ddcc6d742a29297fce05112a2d0
Description
Summary:The basic premise of my research regarding the fashion production of Sirogojno style was that „objects are, like words, carriers of information“. Based on research published so far – a paper by Bojana Bogdanovic being the most detailed – and my own fieldwork conducted in 2010, I have attempted to ascertain the extent to which this particular style of fashion carried information about the cultural environment which it represented. The research encompasses the study of the materials being used, the production and the sale of products made of wool. The development of this particular style was influenced by the enthusiasm of designer Dobrila Vasiljevic-Smiljanic and the women of the mt. Zlatibor region, as well as the support provided by the political structure of the period, the local government, and through Dobrila Vasiljevic-Smiljanic’s family ties – the church. Her creations are famous for incorporating adapted local ornaments. A distinct and recognizable style of woolen products was created. This „Wool Road“ – from using local raw materials to materials imported from Iceland, from creating unique motifs to sale in the open, from national and international sales to musealized sales in the first decade of the 21st century – has lasted for over fifty years. Products from Sirogojno were renowned both in the country and abroad. All the negative processes which happened during the nineties influenced the decline of production and distribution of hand-crafted products from Sirogojno. In the late 1990’s, the production was acquired by a local owner who didn’t show much interest in it. This production has been musealized in the first decade of the 21st century. Dobrila Vasiljevic-Smiljanic told me in 2010 that „everything should be started from scratch now, from new motifs to new marketing“. The new owners of the firm say that „the villages are deserted and there aren’t enough weavers“. On the other hand, there is sale in the open, well set up and visible to visitors of Sirogojno. In this space, in typical small houses, ...