Worth a thousand words: visual collections and a long view of the North

Historical film and media collections in the North contain an essential, indelible message for the future — that cultural knowledge is perishable and impermanent. Throughout the world as bearers of traditional culture pass away, much of their knowledge is lost. Film and audio collections can play a...

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Bibliographic Details
Published in:Arctic Science
Main Author: Leonard Kamerling
Format: Article in Journal/Newspaper
Language:English
French
Published: Canadian Science Publishing 2017
Subjects:
art
Online Access:https://doi.org/10.1139/as-2017-0009
https://doaj.org/article/4b28a1f90a3f455c9cb64c520565b217
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spelling fttriple:oai:gotriple.eu:oai:doaj.org/article:4b28a1f90a3f455c9cb64c520565b217 2023-05-15T14:22:22+02:00 Worth a thousand words: visual collections and a long view of the North Leonard Kamerling 2017-09-01 https://doi.org/10.1139/as-2017-0009 https://doaj.org/article/4b28a1f90a3f455c9cb64c520565b217 en fr eng fre Canadian Science Publishing doi:10.1139/as-2017-0009 2368-7460 https://doaj.org/article/4b28a1f90a3f455c9cb64c520565b217 undefined Arctic Science, Vol 3, Iss 3, Pp 654-660 (2017) museum cultural film collections ethnographic film collaborative community filmmaking alaska native film and audio hisphilso art Journal Article https://vocabularies.coar-repositories.org/resource_types/c_6501/ 2017 fttriple https://doi.org/10.1139/as-2017-0009 2023-01-22T18:18:06Z Historical film and media collections in the North contain an essential, indelible message for the future — that cultural knowledge is perishable and impermanent. Throughout the world as bearers of traditional culture pass away, much of their knowledge is lost. Film and audio collections can play a critical role in preserving living knowledge, allowing us to observe, experience, and study singular, irreproducible moments of a culture’s past. As time passes, these unique recorded moments take on a vital function; they become new conduits of knowledge, a visual and aural stand-in for real experience. This paper discusses the role of museum film and audio collections in preserving cultural knowledge and the challenges of extending this resource to the classrooms of remote communities throughout the North. The paper also discusses the collaborative cultural filmmaking initiative of Sarah Elder and Leonard Kamerling, their work with partner Alaska Native communities over a period of two decades, and their setbacks and successes in producing “authentic” records of Alaska Native life in the 1970s and 1980s, records that are now part of the Alaska Documentary Collections at the University of Alaska Museum of the North. Article in Journal/Newspaper Arctic Alaska Unknown Arctic Science 3 3 654 660
institution Open Polar
collection Unknown
op_collection_id fttriple
language English
French
topic museum cultural film collections
ethnographic film
collaborative community filmmaking
alaska native film and audio
hisphilso
art
spellingShingle museum cultural film collections
ethnographic film
collaborative community filmmaking
alaska native film and audio
hisphilso
art
Leonard Kamerling
Worth a thousand words: visual collections and a long view of the North
topic_facet museum cultural film collections
ethnographic film
collaborative community filmmaking
alaska native film and audio
hisphilso
art
description Historical film and media collections in the North contain an essential, indelible message for the future — that cultural knowledge is perishable and impermanent. Throughout the world as bearers of traditional culture pass away, much of their knowledge is lost. Film and audio collections can play a critical role in preserving living knowledge, allowing us to observe, experience, and study singular, irreproducible moments of a culture’s past. As time passes, these unique recorded moments take on a vital function; they become new conduits of knowledge, a visual and aural stand-in for real experience. This paper discusses the role of museum film and audio collections in preserving cultural knowledge and the challenges of extending this resource to the classrooms of remote communities throughout the North. The paper also discusses the collaborative cultural filmmaking initiative of Sarah Elder and Leonard Kamerling, their work with partner Alaska Native communities over a period of two decades, and their setbacks and successes in producing “authentic” records of Alaska Native life in the 1970s and 1980s, records that are now part of the Alaska Documentary Collections at the University of Alaska Museum of the North.
format Article in Journal/Newspaper
author Leonard Kamerling
author_facet Leonard Kamerling
author_sort Leonard Kamerling
title Worth a thousand words: visual collections and a long view of the North
title_short Worth a thousand words: visual collections and a long view of the North
title_full Worth a thousand words: visual collections and a long view of the North
title_fullStr Worth a thousand words: visual collections and a long view of the North
title_full_unstemmed Worth a thousand words: visual collections and a long view of the North
title_sort worth a thousand words: visual collections and a long view of the north
publisher Canadian Science Publishing
publishDate 2017
url https://doi.org/10.1139/as-2017-0009
https://doaj.org/article/4b28a1f90a3f455c9cb64c520565b217
genre Arctic
Alaska
genre_facet Arctic
Alaska
op_source Arctic Science, Vol 3, Iss 3, Pp 654-660 (2017)
op_relation doi:10.1139/as-2017-0009
2368-7460
https://doaj.org/article/4b28a1f90a3f455c9cb64c520565b217
op_rights undefined
op_doi https://doi.org/10.1139/as-2017-0009
container_title Arctic Science
container_volume 3
container_issue 3
container_start_page 654
op_container_end_page 660
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