Worth a thousand words: visual collections and a long view of the North
Historical film and media collections in the North contain an essential, indelible message for the future — that cultural knowledge is perishable and impermanent. Throughout the world as bearers of traditional culture pass away, much of their knowledge is lost. Film and audio collections can play a...
Published in: | Arctic Science |
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Language: | English French |
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Canadian Science Publishing
2017
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Online Access: | https://doi.org/10.1139/as-2017-0009 https://doaj.org/article/4b28a1f90a3f455c9cb64c520565b217 |
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fttriple:oai:gotriple.eu:oai:doaj.org/article:4b28a1f90a3f455c9cb64c520565b217 2023-05-15T14:22:22+02:00 Worth a thousand words: visual collections and a long view of the North Leonard Kamerling 2017-09-01 https://doi.org/10.1139/as-2017-0009 https://doaj.org/article/4b28a1f90a3f455c9cb64c520565b217 en fr eng fre Canadian Science Publishing doi:10.1139/as-2017-0009 2368-7460 https://doaj.org/article/4b28a1f90a3f455c9cb64c520565b217 undefined Arctic Science, Vol 3, Iss 3, Pp 654-660 (2017) museum cultural film collections ethnographic film collaborative community filmmaking alaska native film and audio hisphilso art Journal Article https://vocabularies.coar-repositories.org/resource_types/c_6501/ 2017 fttriple https://doi.org/10.1139/as-2017-0009 2023-01-22T18:18:06Z Historical film and media collections in the North contain an essential, indelible message for the future — that cultural knowledge is perishable and impermanent. Throughout the world as bearers of traditional culture pass away, much of their knowledge is lost. Film and audio collections can play a critical role in preserving living knowledge, allowing us to observe, experience, and study singular, irreproducible moments of a culture’s past. As time passes, these unique recorded moments take on a vital function; they become new conduits of knowledge, a visual and aural stand-in for real experience. This paper discusses the role of museum film and audio collections in preserving cultural knowledge and the challenges of extending this resource to the classrooms of remote communities throughout the North. The paper also discusses the collaborative cultural filmmaking initiative of Sarah Elder and Leonard Kamerling, their work with partner Alaska Native communities over a period of two decades, and their setbacks and successes in producing “authentic” records of Alaska Native life in the 1970s and 1980s, records that are now part of the Alaska Documentary Collections at the University of Alaska Museum of the North. Article in Journal/Newspaper Arctic Alaska Unknown Arctic Science 3 3 654 660 |
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Open Polar |
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fttriple |
language |
English French |
topic |
museum cultural film collections ethnographic film collaborative community filmmaking alaska native film and audio hisphilso art |
spellingShingle |
museum cultural film collections ethnographic film collaborative community filmmaking alaska native film and audio hisphilso art Leonard Kamerling Worth a thousand words: visual collections and a long view of the North |
topic_facet |
museum cultural film collections ethnographic film collaborative community filmmaking alaska native film and audio hisphilso art |
description |
Historical film and media collections in the North contain an essential, indelible message for the future — that cultural knowledge is perishable and impermanent. Throughout the world as bearers of traditional culture pass away, much of their knowledge is lost. Film and audio collections can play a critical role in preserving living knowledge, allowing us to observe, experience, and study singular, irreproducible moments of a culture’s past. As time passes, these unique recorded moments take on a vital function; they become new conduits of knowledge, a visual and aural stand-in for real experience. This paper discusses the role of museum film and audio collections in preserving cultural knowledge and the challenges of extending this resource to the classrooms of remote communities throughout the North. The paper also discusses the collaborative cultural filmmaking initiative of Sarah Elder and Leonard Kamerling, their work with partner Alaska Native communities over a period of two decades, and their setbacks and successes in producing “authentic” records of Alaska Native life in the 1970s and 1980s, records that are now part of the Alaska Documentary Collections at the University of Alaska Museum of the North. |
format |
Article in Journal/Newspaper |
author |
Leonard Kamerling |
author_facet |
Leonard Kamerling |
author_sort |
Leonard Kamerling |
title |
Worth a thousand words: visual collections and a long view of the North |
title_short |
Worth a thousand words: visual collections and a long view of the North |
title_full |
Worth a thousand words: visual collections and a long view of the North |
title_fullStr |
Worth a thousand words: visual collections and a long view of the North |
title_full_unstemmed |
Worth a thousand words: visual collections and a long view of the North |
title_sort |
worth a thousand words: visual collections and a long view of the north |
publisher |
Canadian Science Publishing |
publishDate |
2017 |
url |
https://doi.org/10.1139/as-2017-0009 https://doaj.org/article/4b28a1f90a3f455c9cb64c520565b217 |
genre |
Arctic Alaska |
genre_facet |
Arctic Alaska |
op_source |
Arctic Science, Vol 3, Iss 3, Pp 654-660 (2017) |
op_relation |
doi:10.1139/as-2017-0009 2368-7460 https://doaj.org/article/4b28a1f90a3f455c9cb64c520565b217 |
op_rights |
undefined |
op_doi |
https://doi.org/10.1139/as-2017-0009 |
container_title |
Arctic Science |
container_volume |
3 |
container_issue |
3 |
container_start_page |
654 |
op_container_end_page |
660 |
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1766294975409029120 |