Blockbuster Remakes
Like the term “blockbuster,” the phrase “blockbuster remake” can mean different things. Typically, blockbuster remake is an industrial term, one that refers to the production of large-scale movies adapted from previously filmed properties. In this definition, modest (cult) properties – such as, Plan...
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Online Access: | https://doi.org/10.5278/ojs.academicquarter.v0i7.2835 https://doaj.org/article/3c0c4ae3bbbb4998b1ca3f568ad1a86e |
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fttriple:oai:gotriple.eu:oai:doaj.org/article:3c0c4ae3bbbb4998b1ca3f568ad1a86e 2023-05-15T17:53:49+02:00 Blockbuster Remakes Constantine Verevis 2013-12-01 https://doi.org/10.5278/ojs.academicquarter.v0i7.2835 https://doaj.org/article/3c0c4ae3bbbb4998b1ca3f568ad1a86e da en no sv dan eng nor swe Aalborg University Press doi:10.5278/ojs.academicquarter.v0i7.2835 1904-0008 https://doaj.org/article/3c0c4ae3bbbb4998b1ca3f568ad1a86e undefined Akademisk Kvarter, Iss 7 (2013) Blockbusters Film remakes Film cycles Rogue animal films Jaws lang art Journal Article https://vocabularies.coar-repositories.org/resource_types/c_6501/ 2013 fttriple https://doi.org/10.5278/ojs.academicquarter.v0i7.2835 2023-01-22T19:33:27Z Like the term “blockbuster,” the phrase “blockbuster remake” can mean different things. Typically, blockbuster remake is an industrial term, one that refers to the production of large-scale movies adapted from previously filmed properties. In this definition, modest (cult) properties – such as, Planet of the Apes (1968, 2001), King Kong (1933, 1976, 2005), and War of the Worlds (1954, 2005) – are revived through massive production budgets as cultural juggernauts, with strong marketing campaigns and merchandising tie-ins. Less typical is a description that accounts for the way in which a blockbuster movie is itself remade: that is, a definition in which a blockbuster becomes the cornerstone for the entire architecture of a blockbuster cycle. This article explores the idea of a blockbuster remake, and blockbuster initiated cycle, in and through a case study of the prototype of all modern blockbusters: Steven Spielberg’s Jaws (1975). Specifically, the article interrogates the way in which “Bruce,” the great white shark of Jaws, initiated a rogue animal cycle consisting in the first instance of the Jaws franchise – Jaws 2 (1978), Jaws 3-D (1983) and Jaws 4: The Revenge (1987) – and also a series of replicas that included Grizzly (1976), Orca (1977), and Piranha (1978). Article in Journal/Newspaper Orca Unknown |
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Danish English Norwegian Swedish |
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Blockbusters Film remakes Film cycles Rogue animal films Jaws lang art |
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Blockbusters Film remakes Film cycles Rogue animal films Jaws lang art Constantine Verevis Blockbuster Remakes |
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Blockbusters Film remakes Film cycles Rogue animal films Jaws lang art |
description |
Like the term “blockbuster,” the phrase “blockbuster remake” can mean different things. Typically, blockbuster remake is an industrial term, one that refers to the production of large-scale movies adapted from previously filmed properties. In this definition, modest (cult) properties – such as, Planet of the Apes (1968, 2001), King Kong (1933, 1976, 2005), and War of the Worlds (1954, 2005) – are revived through massive production budgets as cultural juggernauts, with strong marketing campaigns and merchandising tie-ins. Less typical is a description that accounts for the way in which a blockbuster movie is itself remade: that is, a definition in which a blockbuster becomes the cornerstone for the entire architecture of a blockbuster cycle. This article explores the idea of a blockbuster remake, and blockbuster initiated cycle, in and through a case study of the prototype of all modern blockbusters: Steven Spielberg’s Jaws (1975). Specifically, the article interrogates the way in which “Bruce,” the great white shark of Jaws, initiated a rogue animal cycle consisting in the first instance of the Jaws franchise – Jaws 2 (1978), Jaws 3-D (1983) and Jaws 4: The Revenge (1987) – and also a series of replicas that included Grizzly (1976), Orca (1977), and Piranha (1978). |
format |
Article in Journal/Newspaper |
author |
Constantine Verevis |
author_facet |
Constantine Verevis |
author_sort |
Constantine Verevis |
title |
Blockbuster Remakes |
title_short |
Blockbuster Remakes |
title_full |
Blockbuster Remakes |
title_fullStr |
Blockbuster Remakes |
title_full_unstemmed |
Blockbuster Remakes |
title_sort |
blockbuster remakes |
publisher |
Aalborg University Press |
publishDate |
2013 |
url |
https://doi.org/10.5278/ojs.academicquarter.v0i7.2835 https://doaj.org/article/3c0c4ae3bbbb4998b1ca3f568ad1a86e |
genre |
Orca |
genre_facet |
Orca |
op_source |
Akademisk Kvarter, Iss 7 (2013) |
op_relation |
doi:10.5278/ojs.academicquarter.v0i7.2835 1904-0008 https://doaj.org/article/3c0c4ae3bbbb4998b1ca3f568ad1a86e |
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op_doi |
https://doi.org/10.5278/ojs.academicquarter.v0i7.2835 |
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