The skulls and the dancing pig

• Published in: Terrain
• Main Author: Reinert, Hugo
• Format: Article in Journal/Newspaper
• Language: English
• Published: Association Terrain 2019
• Subjects: forced slaughter; pastoral economy; ecological demonstration; Sami; litt; art; Alta; Norway; Slaughter; sami
• Online Access: https://doi.org/10.4000/terrain.18051; http://journals.openedition.org/terrain/18051

In late 2017, protesting the ongoing forced slaughter of indigenous reindeer herds in Norway, a young Sámi artist traveled to Oslo to set up a “curtain” of some 400 reindeer skulls in front of the national parliament. The demonstration drew considerable attention, both nationally and internationally, and mobilized a complex range of historical resonances—from the first Sámi protests against the Alta hydroelectric project, half a century earlier, to the vast piles of bison skulls that accumulated during the US campaign against the Plains Indians in the 19th century. Situating the curtain in a context of chronic state violence, indigenous invisibility, and crisis biopolitics, the article examines the multiple apocalyptic logics summoned in the work.