Útrásarvíkingar!

As the global banking boom of the early twenty-first century expanded towards implosion, Icelandic media began calling the country’s celebrity financiers útrásarvíkingar: “raiding vikings.” This new coinage encapsulated the macho, medievalist nationalism which underwrote Iceland’s exponential financ...

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Bibliographic Details
Main Author: Hall, Alaric
Format: Book
Language:English
Published: 2020
Subjects:
Online Access:https://directory.doabooks.org/handle/20.500.12854/39582
https://hdl.handle.net/20.500.12854/39582
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spelling fttriple:oai:gotriple.eu:20.500.12854/39582 2023-05-15T16:47:12+02:00 Útrásarvíkingar! Hall, Alaric 2020-01-01 https://directory.doabooks.org/handle/20.500.12854/39582 https://hdl.handle.net/20.500.12854/39582 en eng 20.500.12854/39582 https://directory.doabooks.org/handle/20.500.12854/39582 Directory of Open Access Books litt hist Book https://vocabularies.coar-repositories.org/resource_types/c_2f33/ 2020 fttriple https://doi.org/20.500.12854/39582 2023-01-22T17:28:08Z As the global banking boom of the early twenty-first century expanded towards implosion, Icelandic media began calling the country’s celebrity financiers útrásarvíkingar: “raiding vikings.” This new coinage encapsulated the macho, medievalist nationalism which underwrote Iceland’s exponential financialisation. Yet within a few days in October 2008, Iceland saw all its main banks collapse beneath debts worth nearly ten times the country’s GDP.Hall charts how Icelandic novelists and poets grappled with the Crash over the ensuing decade. As the first English-language monograph devoted to twenty-first-century Icelandic literature, it provides Anglophone readers with an introduction to one of the world’s liveliest literary scenes. It also contributes a key case study for understanding global artistic responses to the early twenty-first century crisis of runaway, unregulated capitalism, exploring the struggles of writers to adapt realist forms of art to surreal times.As Iceland’s biggest crisis since their independence from Denmark in 1944, the effect of the Crash on the national self-image was as seismic as its effects on the economy. This study analyses the centrality of whiteness and the abjection of the “developing world” in Iceland’s post-colonial identity, and shows how Crash-writing explores the collisions of Iceland’s traditional, nationalist medievalism with a dystopian, Orientalist medievalism associated with the Islamic world.The Crash in Iceland was instantly recognised as offering important economic insights. This book shows how Iceland also helps us to understand the cultural convulsions that have followed the Financial Crisis widely in the West. Book Iceland Unknown
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Hall, Alaric
Útrásarvíkingar!
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description As the global banking boom of the early twenty-first century expanded towards implosion, Icelandic media began calling the country’s celebrity financiers útrásarvíkingar: “raiding vikings.” This new coinage encapsulated the macho, medievalist nationalism which underwrote Iceland’s exponential financialisation. Yet within a few days in October 2008, Iceland saw all its main banks collapse beneath debts worth nearly ten times the country’s GDP.Hall charts how Icelandic novelists and poets grappled with the Crash over the ensuing decade. As the first English-language monograph devoted to twenty-first-century Icelandic literature, it provides Anglophone readers with an introduction to one of the world’s liveliest literary scenes. It also contributes a key case study for understanding global artistic responses to the early twenty-first century crisis of runaway, unregulated capitalism, exploring the struggles of writers to adapt realist forms of art to surreal times.As Iceland’s biggest crisis since their independence from Denmark in 1944, the effect of the Crash on the national self-image was as seismic as its effects on the economy. This study analyses the centrality of whiteness and the abjection of the “developing world” in Iceland’s post-colonial identity, and shows how Crash-writing explores the collisions of Iceland’s traditional, nationalist medievalism with a dystopian, Orientalist medievalism associated with the Islamic world.The Crash in Iceland was instantly recognised as offering important economic insights. This book shows how Iceland also helps us to understand the cultural convulsions that have followed the Financial Crisis widely in the West.
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author Hall, Alaric
author_facet Hall, Alaric
author_sort Hall, Alaric
title Útrásarvíkingar!
title_short Útrásarvíkingar!
title_full Útrásarvíkingar!
title_fullStr Útrásarvíkingar!
title_full_unstemmed Útrásarvíkingar!
title_sort útrásarvíkingar!
publishDate 2020
url https://directory.doabooks.org/handle/20.500.12854/39582
https://hdl.handle.net/20.500.12854/39582
genre Iceland
genre_facet Iceland
op_source Directory of Open Access Books
op_relation 20.500.12854/39582
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op_doi https://doi.org/20.500.12854/39582
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