Indigenous: It Depends How You Look at It. What You Call It. How You Live It.
In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entang...
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fttriple:oai:gotriple.eu:10670/1.f6ux5w 2023-05-15T13:28:48+02:00 Indigenous: It Depends How You Look at It. What You Call It. How You Live It. Hopkins, Daniel Beard, Laura J. 2014-01-01 https://doi.org/10.7939/R33Z9V https://era.library.ualberta.ca/items/dcbd5403-849e-4f25-8105-3463118da40c en eng doi:10.7939/R33Z9V 10670/1.f6ux5w https://era.library.ualberta.ca/items/dcbd5403-849e-4f25-8105-3463118da40c lic_creative-commons ERA : Education and Research Archive art litt Other https://vocabularies.coar-repositories.org/resource_types/c_1843/ 2014 fttriple https://doi.org/10.7939/R33Z9V 2023-01-22T17:01:22Z In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entangled in a mesh of geographical locations, cultural practices and ideological borders. Through their artistic productions, many Native artists and authors participate in a larger community of voices discussing what it means to be Indigenous in the Americas and what ethical responsibilities or commitments to community are entailed in and by their work. Other/Unknown Material anishina* Unknown |
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language |
English |
topic |
art litt |
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art litt Hopkins, Daniel Beard, Laura J. Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
topic_facet |
art litt |
description |
In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entangled in a mesh of geographical locations, cultural practices and ideological borders. Through their artistic productions, many Native artists and authors participate in a larger community of voices discussing what it means to be Indigenous in the Americas and what ethical responsibilities or commitments to community are entailed in and by their work. |
format |
Other/Unknown Material |
author |
Hopkins, Daniel Beard, Laura J. |
author_facet |
Hopkins, Daniel Beard, Laura J. |
author_sort |
Hopkins, Daniel |
title |
Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
title_short |
Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
title_full |
Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
title_fullStr |
Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
title_full_unstemmed |
Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
title_sort |
indigenous: it depends how you look at it. what you call it. how you live it. |
publishDate |
2014 |
url |
https://doi.org/10.7939/R33Z9V https://era.library.ualberta.ca/items/dcbd5403-849e-4f25-8105-3463118da40c |
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anishina* |
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anishina* |
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ERA : Education and Research Archive |
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doi:10.7939/R33Z9V 10670/1.f6ux5w https://era.library.ualberta.ca/items/dcbd5403-849e-4f25-8105-3463118da40c |
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lic_creative-commons |
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https://doi.org/10.7939/R33Z9V |
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1765996524892848128 |