The skulls and the dancing pig
In late 2017, protesting the ongoing forced slaughter of indigenous reindeer herds in Norway, a young Sámi artist traveled to Oslo to set up a “curtain” of some 400 reindeer skulls in front of the national parliament. The demonstration drew considerable attention, both nationally and internationally...
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2019
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Online Access: | https://doi.org/10.4000/terrain.18051 http://journals.openedition.org/terrain/18051 |
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fttriple:oai:gotriple.eu:10.4000/terrain.18051 2023-05-15T18:11:53+02:00 The skulls and the dancing pig Reinert, Hugo 2019-04-11 https://doi.org/10.4000/terrain.18051 http://journals.openedition.org/terrain/18051 en eng Association Terrain Terrain urn:doi:10.4000/terrain.18051 doi:10.4000/terrain.18051 http://journals.openedition.org/terrain/18051 other Terrain forced slaughter pastoral economy ecological demonstration Sami litt art Journal Article https://vocabularies.coar-repositories.org/resource_types/c_6501/ 2019 fttriple https://doi.org/10.4000/terrain.18051 2023-01-22T18:31:59Z In late 2017, protesting the ongoing forced slaughter of indigenous reindeer herds in Norway, a young Sámi artist traveled to Oslo to set up a “curtain” of some 400 reindeer skulls in front of the national parliament. The demonstration drew considerable attention, both nationally and internationally, and mobilized a complex range of historical resonances—from the first Sámi protests against the Alta hydroelectric project, half a century earlier, to the vast piles of bison skulls that accumulated during the US campaign against the Plains Indians in the 19th century. Situating the curtain in a context of chronic state violence, indigenous invisibility, and crisis biopolitics, the article examines the multiple apocalyptic logics summoned in the work. Article in Journal/Newspaper sami Unknown Alta Norway Slaughter ENVELOPE(-85.633,-85.633,-78.617,-78.617) Terrain 71 |
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Open Polar |
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Unknown |
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fttriple |
language |
English |
topic |
forced slaughter pastoral economy ecological demonstration Sami litt art |
spellingShingle |
forced slaughter pastoral economy ecological demonstration Sami litt art Reinert, Hugo The skulls and the dancing pig |
topic_facet |
forced slaughter pastoral economy ecological demonstration Sami litt art |
description |
In late 2017, protesting the ongoing forced slaughter of indigenous reindeer herds in Norway, a young Sámi artist traveled to Oslo to set up a “curtain” of some 400 reindeer skulls in front of the national parliament. The demonstration drew considerable attention, both nationally and internationally, and mobilized a complex range of historical resonances—from the first Sámi protests against the Alta hydroelectric project, half a century earlier, to the vast piles of bison skulls that accumulated during the US campaign against the Plains Indians in the 19th century. Situating the curtain in a context of chronic state violence, indigenous invisibility, and crisis biopolitics, the article examines the multiple apocalyptic logics summoned in the work. |
format |
Article in Journal/Newspaper |
author |
Reinert, Hugo |
author_facet |
Reinert, Hugo |
author_sort |
Reinert, Hugo |
title |
The skulls and the dancing pig |
title_short |
The skulls and the dancing pig |
title_full |
The skulls and the dancing pig |
title_fullStr |
The skulls and the dancing pig |
title_full_unstemmed |
The skulls and the dancing pig |
title_sort |
skulls and the dancing pig |
publisher |
Association Terrain |
publishDate |
2019 |
url |
https://doi.org/10.4000/terrain.18051 http://journals.openedition.org/terrain/18051 |
long_lat |
ENVELOPE(-85.633,-85.633,-78.617,-78.617) |
geographic |
Alta Norway Slaughter |
geographic_facet |
Alta Norway Slaughter |
genre |
sami |
genre_facet |
sami |
op_source |
Terrain |
op_relation |
urn:doi:10.4000/terrain.18051 doi:10.4000/terrain.18051 http://journals.openedition.org/terrain/18051 |
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other |
op_doi |
https://doi.org/10.4000/terrain.18051 |
container_title |
Terrain |
container_issue |
71 |
_version_ |
1766184488419721216 |