Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’

Gillian Beer has shown that the Darwinian plot radically changed the way the world was perceived, hence the way literature was written. Symbols and metaphors are used to convey complex issues such as the mutations brought by science, radical changes which were so hard to grasp. Thus, many of Thomas...

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Published in:Miranda
Main Author: Lanone, Catherine
Format: Article in Journal/Newspaper
Language:English
Published: Université Toulouse - Jean Jaurès 2013
Subjects:
Online Access:https://doi.org/10.4000/miranda.676
http://journals.openedition.org/miranda/676
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spelling fttriple:oai:gotriple.eu:10.4000/miranda.676 2023-05-15T15:13:35+02:00 Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’ Lanone, Catherine 2013-11-07 https://doi.org/10.4000/miranda.676 http://journals.openedition.org/miranda/676 en eng Université Toulouse - Jean Jaurès Miranda urn:doi:10.4000/miranda.676 doi:10.4000/miranda.676 http://journals.openedition.org/miranda/676 other Miranda archéoptéryx arctique destinée évolution intentionnalité métaphore mécanique oiseau romantisme tragique archaeopteryx arctic bird design destiny mechanical metaphor romanticism tragic litt hist Journal Article https://vocabularies.coar-repositories.org/resource_types/c_6501/ 2013 fttriple https://doi.org/10.4000/miranda.676 2023-01-22T17:57:45Z Gillian Beer has shown that the Darwinian plot radically changed the way the world was perceived, hence the way literature was written. Symbols and metaphors are used to convey complex issues such as the mutations brought by science, radical changes which were so hard to grasp. Thus, many of Thomas Hardy's images and metaphors, whether in his poems or his novels, can only be understood if one bears in mind the impact of Darwinism upon the Victorian frame of mind. This paper focuses on the way two key images (Hardy's vision of mechanical birds and ominous icebergs as cogs of destiny) may be highlighted by today's readings of the Darwinian legacy, such as Richard Dawkins' 1986 The Blind Watchmaker: both may be read as symptoms of an ontological paradigmatic shift, as Thomas Hardy grappled with the philosophical contradictions of a new era. Gillian Beer a mis en évidence l'impact de Darwin sur la littérature victorienne, comme si l'évolution s'était substituée à l'intrigue traditionnelle du roman. Métaphores et symboles permettent de rendre compte des mutations idéologiques issues des bouleversements scientifiques. Tel est bien le cas pour Thomas Hardy, dont l'œuvre porte l'empreinte des interrogations scientifiques et épistémologiques de son époque. Cet article s'inspire de la lecture que fait Richard Dawkins du Darwinisme, et notamment du concept de l'horloger aveugle, pour interroger, à travers quelques poèmes et Tess of the d'Urbervilles, deux images clefs de Hardy, l'oiseau mécanique et l'iceberg, et la façon dont le motif des rouages de la destinée révèle une mutation conceptuelle paradigmatique. Article in Journal/Newspaper Arctic Arctique* Iceberg* Unknown Arctic Miranda 1
institution Open Polar
collection Unknown
op_collection_id fttriple
language English
topic archéoptéryx
arctique
destinée
évolution
intentionnalité
métaphore
mécanique
oiseau
romantisme
tragique
archaeopteryx
arctic
bird
design
destiny
mechanical
metaphor
romanticism
tragic
litt
hist
spellingShingle archéoptéryx
arctique
destinée
évolution
intentionnalité
métaphore
mécanique
oiseau
romantisme
tragique
archaeopteryx
arctic
bird
design
destiny
mechanical
metaphor
romanticism
tragic
litt
hist
Lanone, Catherine
Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’
topic_facet archéoptéryx
arctique
destinée
évolution
intentionnalité
métaphore
mécanique
oiseau
romantisme
tragique
archaeopteryx
arctic
bird
design
destiny
mechanical
metaphor
romanticism
tragic
litt
hist
description Gillian Beer has shown that the Darwinian plot radically changed the way the world was perceived, hence the way literature was written. Symbols and metaphors are used to convey complex issues such as the mutations brought by science, radical changes which were so hard to grasp. Thus, many of Thomas Hardy's images and metaphors, whether in his poems or his novels, can only be understood if one bears in mind the impact of Darwinism upon the Victorian frame of mind. This paper focuses on the way two key images (Hardy's vision of mechanical birds and ominous icebergs as cogs of destiny) may be highlighted by today's readings of the Darwinian legacy, such as Richard Dawkins' 1986 The Blind Watchmaker: both may be read as symptoms of an ontological paradigmatic shift, as Thomas Hardy grappled with the philosophical contradictions of a new era. Gillian Beer a mis en évidence l'impact de Darwin sur la littérature victorienne, comme si l'évolution s'était substituée à l'intrigue traditionnelle du roman. Métaphores et symboles permettent de rendre compte des mutations idéologiques issues des bouleversements scientifiques. Tel est bien le cas pour Thomas Hardy, dont l'œuvre porte l'empreinte des interrogations scientifiques et épistémologiques de son époque. Cet article s'inspire de la lecture que fait Richard Dawkins du Darwinisme, et notamment du concept de l'horloger aveugle, pour interroger, à travers quelques poèmes et Tess of the d'Urbervilles, deux images clefs de Hardy, l'oiseau mécanique et l'iceberg, et la façon dont le motif des rouages de la destinée révèle une mutation conceptuelle paradigmatique.
format Article in Journal/Newspaper
author Lanone, Catherine
author_facet Lanone, Catherine
author_sort Lanone, Catherine
title Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’
title_short Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’
title_full Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’
title_fullStr Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’
title_full_unstemmed Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’
title_sort mechanical birds and shapes of ice: hardy’s vision of the ‘blind watchmaker’
publisher Université Toulouse - Jean Jaurès
publishDate 2013
url https://doi.org/10.4000/miranda.676
http://journals.openedition.org/miranda/676
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Iceberg*
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Iceberg*
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