Indigenous: It depends how you look at it. What you call it. How you live it

cc-by In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and...

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Bibliographic Details
Published in:Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies
Main Authors: Beard, Laura, Hopkins, Daniel (TTU)
Format: Article in Journal/Newspaper
Language:English
Published: 2014
Subjects:
Online Access:https://hdl.handle.net/2346/95056
https://doi.org/10.5007/2175-8026.2014n67p13
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spelling fttexastechuniv:oai:ttu-ir.tdl.org:2346/95056 2023-07-30T03:56:16+02:00 Indigenous: It depends how you look at it. What you call it. How you live it Beard, Laura Hopkins, Daniel (TTU) 2014 application/pdf https://hdl.handle.net/2346/95056 https://doi.org/10.5007/2175-8026.2014n67p13 eng eng Beard, L., & Hopkins, D. 2014. Indigenous: It depends how you look at it. What you call it. How you live it. Ilha do Desterro. https://doi.org/10.5007/2175-8026.2014n67p13 https://doi.org/10.5007/2175-8026.2014n67p13 https://hdl.handle.net/2346/95056 Identity Indigenous Performance Rebecaa belmore Spiderwoman theatre Article 2014 fttexastechuniv https://doi.org/10.5007/2175-8026.2014n67p13 2023-07-15T22:06:53Z cc-by In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entangled in a mesh of geographical locations, cultural practices and ideological borders. Through their artistic productions, many Native artists and authors participate in a larger community of voices discussing what it means to be Indigenous in the Americas and what ethical responsibilities or commitments to community are entailed in and by their work. Article in Journal/Newspaper anishina* Texas Tech University: TTU DSpace Repository Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 0 67 013
institution Open Polar
collection Texas Tech University: TTU DSpace Repository
op_collection_id fttexastechuniv
language English
topic Identity
Indigenous
Performance
Rebecaa belmore
Spiderwoman theatre
spellingShingle Identity
Indigenous
Performance
Rebecaa belmore
Spiderwoman theatre
Beard, Laura
Hopkins, Daniel (TTU)
Indigenous: It depends how you look at it. What you call it. How you live it
topic_facet Identity
Indigenous
Performance
Rebecaa belmore
Spiderwoman theatre
description cc-by In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entangled in a mesh of geographical locations, cultural practices and ideological borders. Through their artistic productions, many Native artists and authors participate in a larger community of voices discussing what it means to be Indigenous in the Americas and what ethical responsibilities or commitments to community are entailed in and by their work.
format Article in Journal/Newspaper
author Beard, Laura
Hopkins, Daniel (TTU)
author_facet Beard, Laura
Hopkins, Daniel (TTU)
author_sort Beard, Laura
title Indigenous: It depends how you look at it. What you call it. How you live it
title_short Indigenous: It depends how you look at it. What you call it. How you live it
title_full Indigenous: It depends how you look at it. What you call it. How you live it
title_fullStr Indigenous: It depends how you look at it. What you call it. How you live it
title_full_unstemmed Indigenous: It depends how you look at it. What you call it. How you live it
title_sort indigenous: it depends how you look at it. what you call it. how you live it
publishDate 2014
url https://hdl.handle.net/2346/95056
https://doi.org/10.5007/2175-8026.2014n67p13
genre anishina*
genre_facet anishina*
op_relation Beard, L., & Hopkins, D. 2014. Indigenous: It depends how you look at it. What you call it. How you live it. Ilha do Desterro. https://doi.org/10.5007/2175-8026.2014n67p13
https://doi.org/10.5007/2175-8026.2014n67p13
https://hdl.handle.net/2346/95056
op_doi https://doi.org/10.5007/2175-8026.2014n67p13
container_title Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies
container_volume 0
container_issue 67
container_start_page 013
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