The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk [Book Chapter]
Book chapter "The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk" by Donna M. Cassidy from Seeing High and Low: Representing social conflict in American visual culture ed. by Patricia A. Johnston. This cutting-edge volume presents a sweeping view o...
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ftsouthernmu:oai:digitalcommons.usm.maine.edu:facbooks-1247 2023-10-09T21:53:56+02:00 The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk [Book Chapter] Cassidy, Donna M., PhD 2006-01-01T08:00:00Z https://digitalcommons.usm.maine.edu/facbooks/235 unknown USM Digital Commons https://digitalcommons.usm.maine.edu/facbooks/235 Faculty and Staff Books art and society United States social conflict in art values American Studies Art and Design Arts and Humanities Painting Race and Ethnicity Social and Behavioral Sciences Sociology text 2006 ftsouthernmu 2023-09-13T13:28:33Z Book chapter "The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk" by Donna M. Cassidy from Seeing High and Low: Representing social conflict in American visual culture ed. by Patricia A. Johnston. This cutting-edge volume presents a sweeping view of the evolution of visual culture in the United States through fifteen absorbing case studies by top scholars of American art that explore visual culture’s engagement with social controversy. Written especially for this work in lively and accessible language, the essays illuminate what visual forms—including traditional crafts, sculpture, painting and graphic arts, even domestic and museum interiors—can tell us about social conditions, how visual culture has contributed to social values, and how concepts of high and low art have developed. The only work on visual culture to span American history from the early republic to the present and to delve into issues from ethnicity to geography, Seeing High and Low allows readers to follow the evolution of concepts of “high” and “low” art as well as to gain new insight into American history. https://digitalcommons.usm.maine.edu/facbooks/1247/thumbnail.jpg Text North Atlantic University of Southern Maine: Digital Commons@USM Cassidy ENVELOPE(160.783,160.783,-77.450,-77.450) Marsden ENVELOPE(66.067,66.067,-67.867,-67.867) |
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University of Southern Maine: Digital Commons@USM |
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ftsouthernmu |
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art and society United States social conflict in art values American Studies Art and Design Arts and Humanities Painting Race and Ethnicity Social and Behavioral Sciences Sociology |
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art and society United States social conflict in art values American Studies Art and Design Arts and Humanities Painting Race and Ethnicity Social and Behavioral Sciences Sociology Cassidy, Donna M., PhD The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk [Book Chapter] |
topic_facet |
art and society United States social conflict in art values American Studies Art and Design Arts and Humanities Painting Race and Ethnicity Social and Behavioral Sciences Sociology |
description |
Book chapter "The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk" by Donna M. Cassidy from Seeing High and Low: Representing social conflict in American visual culture ed. by Patricia A. Johnston. This cutting-edge volume presents a sweeping view of the evolution of visual culture in the United States through fifteen absorbing case studies by top scholars of American art that explore visual culture’s engagement with social controversy. Written especially for this work in lively and accessible language, the essays illuminate what visual forms—including traditional crafts, sculpture, painting and graphic arts, even domestic and museum interiors—can tell us about social conditions, how visual culture has contributed to social values, and how concepts of high and low art have developed. The only work on visual culture to span American history from the early republic to the present and to delve into issues from ethnicity to geography, Seeing High and Low allows readers to follow the evolution of concepts of “high” and “low” art as well as to gain new insight into American history. https://digitalcommons.usm.maine.edu/facbooks/1247/thumbnail.jpg |
format |
Text |
author |
Cassidy, Donna M., PhD |
author_facet |
Cassidy, Donna M., PhD |
author_sort |
Cassidy, Donna M., PhD |
title |
The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk [Book Chapter] |
title_short |
The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk [Book Chapter] |
title_full |
The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk [Book Chapter] |
title_fullStr |
The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk [Book Chapter] |
title_full_unstemmed |
The Invisibility of Race and Modernist Representation: Marsden Hartley’s North Atlantic Folk [Book Chapter] |
title_sort |
invisibility of race and modernist representation: marsden hartley’s north atlantic folk [book chapter] |
publisher |
USM Digital Commons |
publishDate |
2006 |
url |
https://digitalcommons.usm.maine.edu/facbooks/235 |
long_lat |
ENVELOPE(160.783,160.783,-77.450,-77.450) ENVELOPE(66.067,66.067,-67.867,-67.867) |
geographic |
Cassidy Marsden |
geographic_facet |
Cassidy Marsden |
genre |
North Atlantic |
genre_facet |
North Atlantic |
op_source |
Faculty and Staff Books |
op_relation |
https://digitalcommons.usm.maine.edu/facbooks/235 |
_version_ |
1779317296076947456 |