The Scenes of the Two. I Black square on white square
By drawing on the argument developed in Gerald Wajcman's book L'objet du sičcle, the author elaborates the figure of the subject appropriate to that what Wajcman presents as the object of the century, namely the painting by Kasimir Malevich “Black square on white ground”. The article argue...
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ftslacadscienart:oai:ojs.zrc-sazu.si:article/3723 2023-05-15T18:13:09+02:00 The Scenes of the Two. I Black square on white square Scene Dvojega, I.Črni kvadrat na beli podlagi Riha, Rado 2016-01-17 application/pdf https://ojs.zrc-sazu.si/filozofski-vestnik/article/view/3723/3425 https://ojs.zrc-sazu.si/filozofski-vestnik/article/view/3723 slv slv ZRC SAZU, Založba ZRC https://ojs.zrc-sazu.si/filozofski-vestnik/article/view/3723 Filozofski vestnik; Vol. 22 No. 3 (2001): Philosophy between Europe and Asia, Dimensions of Aesthetic, L'Ame-machine - Hidden subject, The Scenes of the Two, Mode Filozofski vestnik; Letn. 22 Št. 3 (2001): Filozofija med Evropo in Azijo, Razsežnosti estetskega, Duša-stroj - skriti subjekt, Scene Dvojega, Sodobna filozofija 1581-1239 0353-4510 logic of signifier subject art philosophy logika označevalca subjekt likovna umetnost filozofija info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2016 ftslacadscienart 2022-08-11T20:09:24Z By drawing on the argument developed in Gerald Wajcman's book L'objet du sičcle, the author elaborates the figure of the subject appropriate to that what Wajcman presents as the object of the century, namely the painting by Kasimir Malevich “Black square on white ground”. The article argues that Malevich's painting presents the appearance of the subject at precisely the moment at which the black sqare emerges against the white ground. The black square which at first presents itself to the spectator's gaze as a black stain seems to be telling to the spectator: What you see is yourself qua subject. The painting by Malevichs teaches the spectator to open his/her eyes, indeed, it opens the spectator's eyes by making it possible for us, for our gaze, to appear in the painting. Prvi del članka prevzema in nadaljuje temo in argumentacijo knjige Gerard Wajcmana L'objet du siecle. Namen članka je, da oriše podobo subjekta, ki bi lahko ustrezal temu, kar nam Wajcmanovo delo med drugim ponudi kot objekt stoletja, se pravi sliki Kazimirja Maleviča “črni kvadrat na beli podlagi”. Osnovi argument članka je, da vdimo na Malevičevi sliki pojavitev subjekta. Subjekt pa se pojavi na platnu v trenutku, ko vidimo črni kvadrat na beli podlagi v tem, kar ni pravzaprav nič, kar je zgolj črni madež pred nami. črni, kvadratasti madež govori gledalcu: to, kar vidiš, to si ti sam kot subjekt. Malevičeva slika gledalca uči videti, odpira mu oči. Povzroči to, da se pojavi v sliki naš pogled, mi sami kot subjekt. Article in Journal/Newspaper sami ZRC SAZU Publishing (Znanstvenoraziskovalni center - Slovenske akademije znanosti in umetnosti) Kvadrat ENVELOPE(66.917,66.917,-71.300,-71.300) White Ground ENVELOPE(-55.615,-55.615,49.550,49.550) |
institution |
Open Polar |
collection |
ZRC SAZU Publishing (Znanstvenoraziskovalni center - Slovenske akademije znanosti in umetnosti) |
op_collection_id |
ftslacadscienart |
language |
Slovenian |
topic |
logic of signifier subject art philosophy logika označevalca subjekt likovna umetnost filozofija |
spellingShingle |
logic of signifier subject art philosophy logika označevalca subjekt likovna umetnost filozofija Riha, Rado The Scenes of the Two. I Black square on white square |
topic_facet |
logic of signifier subject art philosophy logika označevalca subjekt likovna umetnost filozofija |
description |
By drawing on the argument developed in Gerald Wajcman's book L'objet du sičcle, the author elaborates the figure of the subject appropriate to that what Wajcman presents as the object of the century, namely the painting by Kasimir Malevich “Black square on white ground”. The article argues that Malevich's painting presents the appearance of the subject at precisely the moment at which the black sqare emerges against the white ground. The black square which at first presents itself to the spectator's gaze as a black stain seems to be telling to the spectator: What you see is yourself qua subject. The painting by Malevichs teaches the spectator to open his/her eyes, indeed, it opens the spectator's eyes by making it possible for us, for our gaze, to appear in the painting. Prvi del članka prevzema in nadaljuje temo in argumentacijo knjige Gerard Wajcmana L'objet du siecle. Namen članka je, da oriše podobo subjekta, ki bi lahko ustrezal temu, kar nam Wajcmanovo delo med drugim ponudi kot objekt stoletja, se pravi sliki Kazimirja Maleviča “črni kvadrat na beli podlagi”. Osnovi argument članka je, da vdimo na Malevičevi sliki pojavitev subjekta. Subjekt pa se pojavi na platnu v trenutku, ko vidimo črni kvadrat na beli podlagi v tem, kar ni pravzaprav nič, kar je zgolj črni madež pred nami. črni, kvadratasti madež govori gledalcu: to, kar vidiš, to si ti sam kot subjekt. Malevičeva slika gledalca uči videti, odpira mu oči. Povzroči to, da se pojavi v sliki naš pogled, mi sami kot subjekt. |
format |
Article in Journal/Newspaper |
author |
Riha, Rado |
author_facet |
Riha, Rado |
author_sort |
Riha, Rado |
title |
The Scenes of the Two. I Black square on white square |
title_short |
The Scenes of the Two. I Black square on white square |
title_full |
The Scenes of the Two. I Black square on white square |
title_fullStr |
The Scenes of the Two. I Black square on white square |
title_full_unstemmed |
The Scenes of the Two. I Black square on white square |
title_sort |
scenes of the two. i black square on white square |
publisher |
ZRC SAZU, Založba ZRC |
publishDate |
2016 |
url |
https://ojs.zrc-sazu.si/filozofski-vestnik/article/view/3723/3425 https://ojs.zrc-sazu.si/filozofski-vestnik/article/view/3723 |
long_lat |
ENVELOPE(66.917,66.917,-71.300,-71.300) ENVELOPE(-55.615,-55.615,49.550,49.550) |
geographic |
Kvadrat White Ground |
geographic_facet |
Kvadrat White Ground |
genre |
sami |
genre_facet |
sami |
op_source |
Filozofski vestnik; Vol. 22 No. 3 (2001): Philosophy between Europe and Asia, Dimensions of Aesthetic, L'Ame-machine - Hidden subject, The Scenes of the Two, Mode Filozofski vestnik; Letn. 22 Št. 3 (2001): Filozofija med Evropo in Azijo, Razsežnosti estetskega, Duša-stroj - skriti subjekt, Scene Dvojega, Sodobna filozofija 1581-1239 0353-4510 |
op_relation |
https://ojs.zrc-sazu.si/filozofski-vestnik/article/view/3723 |
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1766185629569253376 |