Potential Solutions

Potential Solutions examines my art practice in the context of contemporary art in Iceland, looking firstly at my perspective on gathering material to make art with, then broadening this inquiry to include artists that I relate to. I focused on material that I find in everyday circumstances, often s...

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Bibliographic Details
Main Author: Keys, Joe, 1995-
Other Authors: Listaháskóli Íslands
Format: Thesis
Language:English
Published: 2021
Subjects:
Online Access:http://hdl.handle.net/1946/39205
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author Keys, Joe, 1995-
author2 Listaháskóli Íslands
author_facet Keys, Joe, 1995-
author_sort Keys, Joe, 1995-
collection Skemman (Iceland)
description Potential Solutions examines my art practice in the context of contemporary art in Iceland, looking firstly at my perspective on gathering material to make art with, then broadening this inquiry to include artists that I relate to. I focused on material that I find in everyday circumstances, often single-use plastics and stationary and consider how and why I work with these things. After this, I discuss repetition and its relationship to artists as a method of honing a craft or as a concept in itself, predominantly through the practice of installing exhibitions with multiple frames filling gallery walls. Later in the text, I looked at containers and how they complicate my interpretation of objects and function, as they exist as accessories to hold objects. The chapter looks at my developing intrigue from what the container holds, to then my sole interest in the container itself. I have researched many artists that have influenced me, through critical texts in exhibition catalogues, monographs, and online journals. A significant amount of the thesis is informed by the philosophy of Jean Baudrillard’s The System of Objects, which gave me a context to discuss the logic and utility, or lack of, in the objects I have worked with. As well as this I discuss Duchamp’s Readymades and the Fluxus movement, two historical moments that revere the everyday. The works of mine I discuss put forward an idealistic way of organising, a suggestion of how objects should exist, with an awareness that these suggestions are not pressing or necessary. It is hard to imagine, as I contemplate a career of art-making, that I could be tackling the same drawing or sculpture for 30 years, yet I empathise with that drive of many artists to understand one certain subject.
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spelling ftskemman:oai:skemman.is:1946/39205 2025-01-16T22:39:51+00:00 Potential Solutions Keys, Joe, 1995- Listaháskóli Íslands 2021-06 application/pdf http://hdl.handle.net/1946/39205 en eng http://hdl.handle.net/1946/39205 BA Myndlist Myndlistarmenn Myndlist Listsköpun Artists Artistic Practice Thesis Bachelor's 2021 ftskemman 2022-12-11T06:59:20Z Potential Solutions examines my art practice in the context of contemporary art in Iceland, looking firstly at my perspective on gathering material to make art with, then broadening this inquiry to include artists that I relate to. I focused on material that I find in everyday circumstances, often single-use plastics and stationary and consider how and why I work with these things. After this, I discuss repetition and its relationship to artists as a method of honing a craft or as a concept in itself, predominantly through the practice of installing exhibitions with multiple frames filling gallery walls. Later in the text, I looked at containers and how they complicate my interpretation of objects and function, as they exist as accessories to hold objects. The chapter looks at my developing intrigue from what the container holds, to then my sole interest in the container itself. I have researched many artists that have influenced me, through critical texts in exhibition catalogues, monographs, and online journals. A significant amount of the thesis is informed by the philosophy of Jean Baudrillard’s The System of Objects, which gave me a context to discuss the logic and utility, or lack of, in the objects I have worked with. As well as this I discuss Duchamp’s Readymades and the Fluxus movement, two historical moments that revere the everyday. The works of mine I discuss put forward an idealistic way of organising, a suggestion of how objects should exist, with an awareness that these suggestions are not pressing or necessary. It is hard to imagine, as I contemplate a career of art-making, that I could be tackling the same drawing or sculpture for 30 years, yet I empathise with that drive of many artists to understand one certain subject. Thesis Iceland Skemman (Iceland)
spellingShingle BA Myndlist
Myndlistarmenn
Myndlist
Listsköpun
Artists
Artistic Practice
Keys, Joe, 1995-
Potential Solutions
title Potential Solutions
title_full Potential Solutions
title_fullStr Potential Solutions
title_full_unstemmed Potential Solutions
title_short Potential Solutions
title_sort potential solutions
topic BA Myndlist
Myndlistarmenn
Myndlist
Listsköpun
Artists
Artistic Practice
topic_facet BA Myndlist
Myndlistarmenn
Myndlist
Listsköpun
Artists
Artistic Practice
url http://hdl.handle.net/1946/39205