'They call it progress, we call it destruction': Memory and the construction of the W.A.C Bennett Dam

This thesis discusses the W.A.C Bennett Dam Visitor Centre and how memory is presented and re-presented in visual form through exhibition and film. In this thesis, I offer the W.A.C Bennett Dam as a case study. Prior to 2015, the Visitor Centre presented a ‘high modernist’ story of ‘progress’ when d...

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Main Author: Poirier, Margaret
Format: Thesis
Language:unknown
Published: 2019
Subjects:
Online Access:http://summit.sfu.ca/item/19814
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spelling ftsimonfu:oai:summit.sfu.ca:19814 2023-05-15T16:16:04+02:00 'They call it progress, we call it destruction': Memory and the construction of the W.A.C Bennett Dam Poirier, Margaret 2019-11-06 http://summit.sfu.ca/item/19814 unknown etd20589 http://summit.sfu.ca/item/19814 Thesis 2019 ftsimonfu 2022-04-07T18:42:54Z This thesis discusses the W.A.C Bennett Dam Visitor Centre and how memory is presented and re-presented in visual form through exhibition and film. In this thesis, I offer the W.A.C Bennett Dam as a case study. Prior to 2015, the Visitor Centre presented a ‘high modernist’ story of ‘progress’ when describing the construction of the W.A.C Bennett Dam. This thesis explores the expansion of this narrative through collaborative efforts between designers, filmmakers, BC Hydro and First Nations communities. It places emphasis on the creation of the film ‘Kwadacha by the River’ (2017) as a focal point of the expression of memory, comparing and contrasting this with the former featured film at the facility – ‘Canyon of Destiny’ (1968). Thesis First Nations Summit - SFU Research Repository (Simon Fraser University) W.A.C. Bennett Dam ENVELOPE(-122.203,-122.203,56.017,56.017)
institution Open Polar
collection Summit - SFU Research Repository (Simon Fraser University)
op_collection_id ftsimonfu
language unknown
description This thesis discusses the W.A.C Bennett Dam Visitor Centre and how memory is presented and re-presented in visual form through exhibition and film. In this thesis, I offer the W.A.C Bennett Dam as a case study. Prior to 2015, the Visitor Centre presented a ‘high modernist’ story of ‘progress’ when describing the construction of the W.A.C Bennett Dam. This thesis explores the expansion of this narrative through collaborative efforts between designers, filmmakers, BC Hydro and First Nations communities. It places emphasis on the creation of the film ‘Kwadacha by the River’ (2017) as a focal point of the expression of memory, comparing and contrasting this with the former featured film at the facility – ‘Canyon of Destiny’ (1968).
format Thesis
author Poirier, Margaret
spellingShingle Poirier, Margaret
'They call it progress, we call it destruction': Memory and the construction of the W.A.C Bennett Dam
author_facet Poirier, Margaret
author_sort Poirier, Margaret
title 'They call it progress, we call it destruction': Memory and the construction of the W.A.C Bennett Dam
title_short 'They call it progress, we call it destruction': Memory and the construction of the W.A.C Bennett Dam
title_full 'They call it progress, we call it destruction': Memory and the construction of the W.A.C Bennett Dam
title_fullStr 'They call it progress, we call it destruction': Memory and the construction of the W.A.C Bennett Dam
title_full_unstemmed 'They call it progress, we call it destruction': Memory and the construction of the W.A.C Bennett Dam
title_sort 'they call it progress, we call it destruction': memory and the construction of the w.a.c bennett dam
publishDate 2019
url http://summit.sfu.ca/item/19814
long_lat ENVELOPE(-122.203,-122.203,56.017,56.017)
geographic W.A.C. Bennett Dam
geographic_facet W.A.C. Bennett Dam
genre First Nations
genre_facet First Nations
op_relation etd20589
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