「絵画における真理」をめぐるデリダの言説
J.Derrida says that he wrote four times around 'the Painting1 in La verite en peinture (The Truth in Painting). The titles of the four discourses in this book are TARERGON, '+R (par dessus le marche)', 'CARTOUCHES' (Cartridges), 'RESTITUTIONS -de la verite en pointure...
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ftshizuoka:oai:shizuoka.repo.nii.ac.jp:00000600 2023-05-15T18:33:21+02:00 「絵画における真理」をめぐるデリダの言説 Derrida's Discourses around 'the Truth in Painting' 上利 博規 2004-01-31 application/pdf http://hdl.handle.net/10297/466 https://shizuoka.repo.nii.ac.jp/?action=repository_uri&item_id=600 ja jpn 静岡大学人文学部 110004709865 AN00123278 https://shizuoka.repo.nii.ac.jp/?action=repository_uri&item_id=600 http://hdl.handle.net/10297/466 人文論集, 54(2), A1-A22(2004-01-31) 02872013 701 Departmental Bulletin Paper 2004 ftshizuoka 2023-03-26T20:22:33Z J.Derrida says that he wrote four times around 'the Painting1 in La verite en peinture (The Truth in Painting). The titles of the four discourses in this book are TARERGON, '+R (par dessus le marche)', 'CARTOUCHES' (Cartridges), 'RESTITUTIONS -de la verite en pointure' (Restitutions-of the truth in size). The first thesis 'PARERGON' concerns Kant's Critique of the faculty of judgement, the second '+R (par dessus le marche)1 concerns Varerio Adam's exposition titled "Le voyage du dessin" (The voyage of sketch, 1975), the third 'CARTOUCHES'(Cartridges) concerns Gerard Titus-Carmel's exposition titled "The Pocket Size Tlingit Coffin et les 61 premiers dessins qui s"ensuivirent"(The Pocket Size Tlingit Coffin and the succeeded 61 first sketches, 1978), and the fourth 'RESTITUTIONS concerns Heidegger's The Origin of Works of Art. Through them Derrida points out that 'the logic of PARERGON, or 'the logic of frame', is stronger than 'the logic of analysis', and that 'the logic of analysis' is always contaminated by 'the logic of PARERGON'. According 'the logic of PARERGON' a certain part includes the whole. And if aesthetics should not be a part of philosophy and should find not-presentative 'trace1 or 'rest', we must not think art in the traditional philosophical ways, so not in the traditional aesthetics ways, but in another way follwing 'the logic of PARERGON'. publisher Report tlingit SURE: Shizuoka University REpository Titus ENVELOPE(169.033,169.033,-72.250,-72.250) |
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701 上利 博規 「絵画における真理」をめぐるデリダの言説 |
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J.Derrida says that he wrote four times around 'the Painting1 in La verite en peinture (The Truth in Painting). The titles of the four discourses in this book are TARERGON, '+R (par dessus le marche)', 'CARTOUCHES' (Cartridges), 'RESTITUTIONS -de la verite en pointure' (Restitutions-of the truth in size). The first thesis 'PARERGON' concerns Kant's Critique of the faculty of judgement, the second '+R (par dessus le marche)1 concerns Varerio Adam's exposition titled "Le voyage du dessin" (The voyage of sketch, 1975), the third 'CARTOUCHES'(Cartridges) concerns Gerard Titus-Carmel's exposition titled "The Pocket Size Tlingit Coffin et les 61 premiers dessins qui s"ensuivirent"(The Pocket Size Tlingit Coffin and the succeeded 61 first sketches, 1978), and the fourth 'RESTITUTIONS concerns Heidegger's The Origin of Works of Art. Through them Derrida points out that 'the logic of PARERGON, or 'the logic of frame', is stronger than 'the logic of analysis', and that 'the logic of analysis' is always contaminated by 'the logic of PARERGON'. According 'the logic of PARERGON' a certain part includes the whole. And if aesthetics should not be a part of philosophy and should find not-presentative 'trace1 or 'rest', we must not think art in the traditional philosophical ways, so not in the traditional aesthetics ways, but in another way follwing 'the logic of PARERGON'. publisher |
format |
Report |
author |
上利 博規 |
author_facet |
上利 博規 |
author_sort |
上利 博規 |
title |
「絵画における真理」をめぐるデリダの言説 |
title_short |
「絵画における真理」をめぐるデリダの言説 |
title_full |
「絵画における真理」をめぐるデリダの言説 |
title_fullStr |
「絵画における真理」をめぐるデリダの言説 |
title_full_unstemmed |
「絵画における真理」をめぐるデリダの言説 |
title_sort |
「絵画における真理」をめぐるデリダの言説 |
publisher |
静岡大学人文学部 |
publishDate |
2004 |
url |
http://hdl.handle.net/10297/466 https://shizuoka.repo.nii.ac.jp/?action=repository_uri&item_id=600 |
long_lat |
ENVELOPE(169.033,169.033,-72.250,-72.250) |
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Titus |
geographic_facet |
Titus |
genre |
tlingit |
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tlingit |
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110004709865 AN00123278 https://shizuoka.repo.nii.ac.jp/?action=repository_uri&item_id=600 http://hdl.handle.net/10297/466 人文論集, 54(2), A1-A22(2004-01-31) 02872013 |
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1766217931086102528 |