Close up of Fog Woman Pole

Section of Chief Johnson pole showing Fog Woman. The pole was commissioned by the Tongass people (sea lion people) and stood in the Centre of the community at Ketchikan Creek. The original pole stood from 1901 to 1982. It was recommissioned in 1989 by the Tongass and carved by Israel Shotridge. The...

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Bibliographic Details
Other Authors: A. de Menil
Format: Still Image
Language:unknown
Published: 1966
Subjects:
Online Access:https://digital.lib.sfu.ca/billreid-3427/close-fog-woman-pole
id ftsfrazerunivdc:oai:digital.lib.sfu.ca:billreid_3427
record_format openpolar
spelling ftsfrazerunivdc:oai:digital.lib.sfu.ca:billreid_3427 2023-05-15T17:02:20+02:00 Close up of Fog Woman Pole A. de Menil Ketchikan 1966 https://digital.lib.sfu.ca/billreid-3427/close-fog-woman-pole unknown billreid:3427 local: de Menil Slide Donation249 uuid: 035bb2cc-cc25-413d-9d4b-f03c618032e4 https://digital.lib.sfu.ca/billreid-3427/close-fog-woman-pole Courtesy Adelaide de Menil. This image is to be used solely for the purpose of research or private study; and any use of the image for a purpose other than research or private study requires the authorization of the copyright owner of the work in question. Tlingit --- Totem--Pole--Alaska--Northwest Coast--Native--First Nation--Art-- Tlingit --- Ketchikan--Totem--Pole--Alaska--Northwest Coast--Native--First Nation--Art-- Photographs StillImage 1966 ftsfrazerunivdc 2019-07-10T07:05:08Z Section of Chief Johnson pole showing Fog Woman. The pole was commissioned by the Tongass people (sea lion people) and stood in the Centre of the community at Ketchikan Creek. The original pole stood from 1901 to 1982. It was recommissioned in 1989 by the Tongass and carved by Israel Shotridge. The pole tells the legend of Fog Woman and the creation of the salmon. It is a story about a young man (Raven) who took a liking to Fog Woman. He went to fog woman's father's house (chief of the Salmon) and told him he wanted to mary Fog Woman. The father agreed and the two got married. According to custom Fog Woman had to move into the young man's house. The young man went out fishing everyday for his wife, but could not catch anything. After this continued for some time, Fog Woman asked her slaves for spruce root into which she wove a basket. She then commanded the slaves to fill it half full for salt water. They did so and brought her the half filled basket. Fog Woman moved her hands through the water and then commanded the slaves to dump the water on the floor. As soon as the water hit the floor, salmon were flopping about where the water had been. The husband became jealous as Fog Woman was now providing for both of them and he struck her. Fog Woman got up to leave the house and as she did the salmon followed her and as her husband tried to grab her his hands passed through her as if he were grabbing the mist. Fog Woman travels up the rivers every year and as she returns the salmon still follow her. The story tells how Fog woman is still returning and feeding the Tlingit people. Still Image Ketchikan tlingit Alaska SFU Digitized Collections (Simon Fraser University)
institution Open Polar
collection SFU Digitized Collections (Simon Fraser University)
op_collection_id ftsfrazerunivdc
language unknown
topic Tlingit --- Totem--Pole--Alaska--Northwest Coast--Native--First Nation--Art--
Tlingit --- Ketchikan--Totem--Pole--Alaska--Northwest Coast--Native--First Nation--Art--
spellingShingle Tlingit --- Totem--Pole--Alaska--Northwest Coast--Native--First Nation--Art--
Tlingit --- Ketchikan--Totem--Pole--Alaska--Northwest Coast--Native--First Nation--Art--
Close up of Fog Woman Pole
topic_facet Tlingit --- Totem--Pole--Alaska--Northwest Coast--Native--First Nation--Art--
Tlingit --- Ketchikan--Totem--Pole--Alaska--Northwest Coast--Native--First Nation--Art--
description Section of Chief Johnson pole showing Fog Woman. The pole was commissioned by the Tongass people (sea lion people) and stood in the Centre of the community at Ketchikan Creek. The original pole stood from 1901 to 1982. It was recommissioned in 1989 by the Tongass and carved by Israel Shotridge. The pole tells the legend of Fog Woman and the creation of the salmon. It is a story about a young man (Raven) who took a liking to Fog Woman. He went to fog woman's father's house (chief of the Salmon) and told him he wanted to mary Fog Woman. The father agreed and the two got married. According to custom Fog Woman had to move into the young man's house. The young man went out fishing everyday for his wife, but could not catch anything. After this continued for some time, Fog Woman asked her slaves for spruce root into which she wove a basket. She then commanded the slaves to fill it half full for salt water. They did so and brought her the half filled basket. Fog Woman moved her hands through the water and then commanded the slaves to dump the water on the floor. As soon as the water hit the floor, salmon were flopping about where the water had been. The husband became jealous as Fog Woman was now providing for both of them and he struck her. Fog Woman got up to leave the house and as she did the salmon followed her and as her husband tried to grab her his hands passed through her as if he were grabbing the mist. Fog Woman travels up the rivers every year and as she returns the salmon still follow her. The story tells how Fog woman is still returning and feeding the Tlingit people.
author2 A. de Menil
format Still Image
title Close up of Fog Woman Pole
title_short Close up of Fog Woman Pole
title_full Close up of Fog Woman Pole
title_fullStr Close up of Fog Woman Pole
title_full_unstemmed Close up of Fog Woman Pole
title_sort close up of fog woman pole
publishDate 1966
url https://digital.lib.sfu.ca/billreid-3427/close-fog-woman-pole
op_coverage Ketchikan
genre Ketchikan
tlingit
Alaska
genre_facet Ketchikan
tlingit
Alaska
op_relation billreid:3427
local: de Menil Slide Donation249
uuid: 035bb2cc-cc25-413d-9d4b-f03c618032e4
https://digital.lib.sfu.ca/billreid-3427/close-fog-woman-pole
op_rights Courtesy Adelaide de Menil. This image is to be used solely for the purpose of research or private study; and any use of the image for a purpose other than research or private study requires the authorization of the copyright owner of the work in question.
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