Fog Woman with Labret

Detail of Chief Johnson pole. The pole was commissioned by the Tongass people (sea lion people) and stood in the Centre of the community at Ketchikan Creek. The original pole stood from 1901 to 1982. It was recommissioned in 1989 by the Tongass and carved by Israel Shotridge. The pole tells the lege...

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Bibliographic Details
Other Authors: A. de Menil
Format: Still Image
Language:unknown
Published: 1966
Subjects:
Online Access:https://digital.lib.sfu.ca/billreid-3420/fog-woman-labret
id ftsfrazerunivdc:oai:digital.lib.sfu.ca:billreid_3420
record_format openpolar
spelling ftsfrazerunivdc:oai:digital.lib.sfu.ca:billreid_3420 2023-05-15T17:02:20+02:00 Fog Woman with Labret A. de Menil Ketchikan 1966 https://digital.lib.sfu.ca/billreid-3420/fog-woman-labret unknown billreid:3420 local: de Menil Slide Donation243 uuid: 1c394fb5-67b8-4d61-a9d0-d7f763ae9511 https://digital.lib.sfu.ca/billreid-3420/fog-woman-labret Courtesy Adelaide de Menil. This image is to be used solely for the purpose of research or private study; and any use of the image for a purpose other than research or private study requires the authorization of the copyright owner of the work in question. Tlingit --- Totem--Pole--Detail--Alaska--Northwest Coast--Native--First Nation--Art-- Tlingit --- Ketchikan--Totem--Pole--Detail--Alaska--Northwest Coast--Native--First Nation--Art-- Photographs StillImage 1966 ftsfrazerunivdc 2019-07-10T07:05:10Z Detail of Chief Johnson pole. The pole was commissioned by the Tongass people (sea lion people) and stood in the Centre of the community at Ketchikan Creek. The original pole stood from 1901 to 1982. It was recommissioned in 1989 by the Tongass and carved by Israel Shotridge. The pole tells the legend of Fog Woman and the creation of the salmon. It is a story about a young man (Raven) who took a liking to Fog Woman. He went to fog woman's father's house (chief of the Salmon) and told him he wanted to mary Fog Woman. The father agreed and the two got married. According to custom Fog Woman had to move into the young man's house. The young man went out fishing everyday for his wife, but could not catch anything. After this continued for some time, Fog Woman asked her slaves for spruce root into which she wove a basket. She then commanded the slaves to fill it half full for salt water. They did so and brought her the half filled basket. Fog Woman moved her hands through the water and then commanded the slaves to dump the water on the floor. As soon as the water hit the floor, salmon were flopping about where the water had been. The husband became jealous as Fog Woman was now providing for both of them and he struck her. Fog Woman got up to leave the house and as she did the salmon followed her and as her husband tried to grab her his hands passed through her as if he were grabbing the mist. Fog Woman travels up the rivers every year and as she returns the salmon still follow her. The story tells how Fog woman is still returning and feeding the Tlingit people. Still Image Ketchikan tlingit Alaska SFU Digitized Collections (Simon Fraser University)
institution Open Polar
collection SFU Digitized Collections (Simon Fraser University)
op_collection_id ftsfrazerunivdc
language unknown
topic Tlingit --- Totem--Pole--Detail--Alaska--Northwest Coast--Native--First Nation--Art--
Tlingit --- Ketchikan--Totem--Pole--Detail--Alaska--Northwest Coast--Native--First Nation--Art--
spellingShingle Tlingit --- Totem--Pole--Detail--Alaska--Northwest Coast--Native--First Nation--Art--
Tlingit --- Ketchikan--Totem--Pole--Detail--Alaska--Northwest Coast--Native--First Nation--Art--
Fog Woman with Labret
topic_facet Tlingit --- Totem--Pole--Detail--Alaska--Northwest Coast--Native--First Nation--Art--
Tlingit --- Ketchikan--Totem--Pole--Detail--Alaska--Northwest Coast--Native--First Nation--Art--
description Detail of Chief Johnson pole. The pole was commissioned by the Tongass people (sea lion people) and stood in the Centre of the community at Ketchikan Creek. The original pole stood from 1901 to 1982. It was recommissioned in 1989 by the Tongass and carved by Israel Shotridge. The pole tells the legend of Fog Woman and the creation of the salmon. It is a story about a young man (Raven) who took a liking to Fog Woman. He went to fog woman's father's house (chief of the Salmon) and told him he wanted to mary Fog Woman. The father agreed and the two got married. According to custom Fog Woman had to move into the young man's house. The young man went out fishing everyday for his wife, but could not catch anything. After this continued for some time, Fog Woman asked her slaves for spruce root into which she wove a basket. She then commanded the slaves to fill it half full for salt water. They did so and brought her the half filled basket. Fog Woman moved her hands through the water and then commanded the slaves to dump the water on the floor. As soon as the water hit the floor, salmon were flopping about where the water had been. The husband became jealous as Fog Woman was now providing for both of them and he struck her. Fog Woman got up to leave the house and as she did the salmon followed her and as her husband tried to grab her his hands passed through her as if he were grabbing the mist. Fog Woman travels up the rivers every year and as she returns the salmon still follow her. The story tells how Fog woman is still returning and feeding the Tlingit people.
author2 A. de Menil
format Still Image
title Fog Woman with Labret
title_short Fog Woman with Labret
title_full Fog Woman with Labret
title_fullStr Fog Woman with Labret
title_full_unstemmed Fog Woman with Labret
title_sort fog woman with labret
publishDate 1966
url https://digital.lib.sfu.ca/billreid-3420/fog-woman-labret
op_coverage Ketchikan
genre Ketchikan
tlingit
Alaska
genre_facet Ketchikan
tlingit
Alaska
op_relation billreid:3420
local: de Menil Slide Donation243
uuid: 1c394fb5-67b8-4d61-a9d0-d7f763ae9511
https://digital.lib.sfu.ca/billreid-3420/fog-woman-labret
op_rights Courtesy Adelaide de Menil. This image is to be used solely for the purpose of research or private study; and any use of the image for a purpose other than research or private study requires the authorization of the copyright owner of the work in question.
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