Music, mining and colonisation: Sámi contestations of Sweden’s self-narrative

Sweden’s dominant self-narrative has tended to marginalise its historical colonisation ofSápmi. This aspect of Swedish history sits uncomfortably with prevalent understandings of that self-identity. Indeed, there has been little emphasis on the historical subordination of Sámi people in political sc...

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Bibliographic Details
Main Author: Rosamond, Annika Bergman
Format: Article in Journal/Newspaper
Language:Danish
Published: Institut for Statskundskab, Københavns Universitet 2020
Subjects:
Online Access:https://tidsskrift.dk/politik/article/view/120310
id ftsbaarhusojs:oai:ojs.tidsskrift.dk:article/120310
record_format openpolar
spelling ftsbaarhusojs:oai:ojs.tidsskrift.dk:article/120310 2023-05-15T18:14:49+02:00 Music, mining and colonisation: Sámi contestations of Sweden’s self-narrative Rosamond, Annika Bergman 2020-05-27 application/pdf https://tidsskrift.dk/politik/article/view/120310 dan dan Institut for Statskundskab, Københavns Universitet https://tidsskrift.dk/politik/article/view/120310/168127 https://tidsskrift.dk/politik/article/view/120310 Copyright (c) 2020 Forfatteren og Tidsskriftet Politik har sammen rettighederne til materiale publiceret i Politik Politik; Årg. 23 Nr. 1 (2020): The Sound(s) of Politics Politik; Vol. 23 No. 1 (2020): The Sound(s) of Politics 2446-0893 1604-0058 Self-narratives Colonisation Sápmi Sweden Self-identity Sofia Jannok Decolonisation Politics info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2020 ftsbaarhusojs 2021-05-06T20:37:03Z Sweden’s dominant self-narrative has tended to marginalise its historical colonisation ofSápmi. This aspect of Swedish history sits uncomfortably with prevalent understandings of that self-identity. Indeed, there has been little emphasis on the historical subordination of Sámi people in political science scholarship on Swedish exceptionalism and internationalism. This article problematises this absence by centring the analysis on Sámi musician Sofia Jannok’s efforts to decoloniseSápmithrough her music. The first part examines Sweden’s colonisation ofSápmiand the tensions between Sámi reindeer herding communities, mining interests and the Swedish state.This is followed by an exploration ofthe constitutive relationship between music, politics and celebrity, as sites of political communication. A two-step analysis follows, investigating the broad themes in Sofia Jannok’s personal narrative and the discursive markers defining her music and politics. The analysis shows how her narrative intersects with the discursive themes of her musical expression and other engagements. Article in Journal/Newspaper Sámi Aarhus University: OJS at The State and University Library
institution Open Polar
collection Aarhus University: OJS at The State and University Library
op_collection_id ftsbaarhusojs
language Danish
topic Self-narratives
Colonisation
Sápmi
Sweden
Self-identity
Sofia Jannok
Decolonisation
Politics
spellingShingle Self-narratives
Colonisation
Sápmi
Sweden
Self-identity
Sofia Jannok
Decolonisation
Politics
Rosamond, Annika Bergman
Music, mining and colonisation: Sámi contestations of Sweden’s self-narrative
topic_facet Self-narratives
Colonisation
Sápmi
Sweden
Self-identity
Sofia Jannok
Decolonisation
Politics
description Sweden’s dominant self-narrative has tended to marginalise its historical colonisation ofSápmi. This aspect of Swedish history sits uncomfortably with prevalent understandings of that self-identity. Indeed, there has been little emphasis on the historical subordination of Sámi people in political science scholarship on Swedish exceptionalism and internationalism. This article problematises this absence by centring the analysis on Sámi musician Sofia Jannok’s efforts to decoloniseSápmithrough her music. The first part examines Sweden’s colonisation ofSápmiand the tensions between Sámi reindeer herding communities, mining interests and the Swedish state.This is followed by an exploration ofthe constitutive relationship between music, politics and celebrity, as sites of political communication. A two-step analysis follows, investigating the broad themes in Sofia Jannok’s personal narrative and the discursive markers defining her music and politics. The analysis shows how her narrative intersects with the discursive themes of her musical expression and other engagements.
format Article in Journal/Newspaper
author Rosamond, Annika Bergman
author_facet Rosamond, Annika Bergman
author_sort Rosamond, Annika Bergman
title Music, mining and colonisation: Sámi contestations of Sweden’s self-narrative
title_short Music, mining and colonisation: Sámi contestations of Sweden’s self-narrative
title_full Music, mining and colonisation: Sámi contestations of Sweden’s self-narrative
title_fullStr Music, mining and colonisation: Sámi contestations of Sweden’s self-narrative
title_full_unstemmed Music, mining and colonisation: Sámi contestations of Sweden’s self-narrative
title_sort music, mining and colonisation: sámi contestations of sweden’s self-narrative
publisher Institut for Statskundskab, Københavns Universitet
publishDate 2020
url https://tidsskrift.dk/politik/article/view/120310
genre Sámi
genre_facet Sámi
op_source Politik; Årg. 23 Nr. 1 (2020): The Sound(s) of Politics
Politik; Vol. 23 No. 1 (2020): The Sound(s) of Politics
2446-0893
1604-0058
op_relation https://tidsskrift.dk/politik/article/view/120310/168127
https://tidsskrift.dk/politik/article/view/120310
op_rights Copyright (c) 2020 Forfatteren og Tidsskriftet Politik har sammen rettighederne til materiale publiceret i Politik
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