Endlessness

Endlessness (2020) takes R.F. Scott’s expedition to the Antarctic in 1910–13 as its starting point. Through facts, borrowed text, new and found images, Endlessness retells this journey, while a series of visual and written ‘interludes’ open up a more speculative narrative on solitude, interiority, a...

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Bibliographic Details
Main Author: O'Riley, Tim
Format: Book
Language:English
Published: Peter Foolen Editions 2020
Subjects:
Online Access:https://researchonline.rca.ac.uk/4509/
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https://researchonline.rca.ac.uk/4509/22/Tim-O%27Riley-Endlessness-2020_22-Wilson.tif
https://researchonline.rca.ac.uk/4509/133/23019_PeterFoolen_Tim-O%27Riley-Endlessness-25-cover.pdf
https://researchonline.rca.ac.uk/4509/134/23019_PeterFoolen_Tim-O%27Riley-Endlessness-25_BW_LR.pdf
http://peterfoolen.blogspot.com
id ftroyalcollart:oai:researchonline.rca.ac.uk:4509
record_format openpolar
institution Open Polar
collection Royal College of Art, London: RCA Research Online
op_collection_id ftroyalcollart
language English
topic W100 Fine Art
W140 Printmaking
spellingShingle W100 Fine Art
W140 Printmaking
O'Riley, Tim
Endlessness
topic_facet W100 Fine Art
W140 Printmaking
description Endlessness (2020) takes R.F. Scott’s expedition to the Antarctic in 1910–13 as its starting point. Through facts, borrowed text, new and found images, Endlessness retells this journey, while a series of visual and written ‘interludes’ open up a more speculative narrative on solitude, interiority, and vision. The book is based around a pair of skis used on the expedition, which belonged to one of the younger members of Scott’s Polar Party, Apsley Cherry-Garrard and are carved with his initials, most likely by the man himself. The skis—now at the Royal Geographical Society in London—are reproduced at actual scale, and run across several pages as a visual nod to Cherry-Garrard’s physical ordeals in the Antarctic and a reminder that to live life to the full is to find a balance between the corporeal and the reach of our imagination. The book also mulls over the uncertainties of vision. Cherry-Garrard was profoundly myopic, photographs showing him habitually wearing metal-rimmed spectacles. These would have frozen to his face if worn outside during the expedition so for much of the time he would have been operating with minimal sight. As a show of distant solidarity, Tim O'Riley uses his own optical prescription for astigmatism to structure ‘graphical fields’ that punctuate the book. The book has been lodged with The British Library, the National Art Library at the V&A, and the special collections libraries at both the Tate and Chelsea College of Art, as well as artist bookshops including Bookartbookshop (London) and Boekie Woekie (Amsterdam).
format Book
author O'Riley, Tim
author_facet O'Riley, Tim
author_sort O'Riley, Tim
title Endlessness
title_short Endlessness
title_full Endlessness
title_fullStr Endlessness
title_full_unstemmed Endlessness
title_sort endlessness
publisher Peter Foolen Editions
publishDate 2020
url https://researchonline.rca.ac.uk/4509/
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https://researchonline.rca.ac.uk/4509/9/Tim-O%27Riley-Endlessness-2020_09-Perec.tif
https://researchonline.rca.ac.uk/4509/10/Tim-O%27Riley-Endlessness-2020_10-finnesko.tif
https://researchonline.rca.ac.uk/4509/11/Tim-O%27Riley-Endlessness-2020_11-goggles.tif
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https://researchonline.rca.ac.uk/4509/22/Tim-O%27Riley-Endlessness-2020_22-Wilson.tif
https://researchonline.rca.ac.uk/4509/133/23019_PeterFoolen_Tim-O%27Riley-Endlessness-25-cover.pdf
https://researchonline.rca.ac.uk/4509/134/23019_PeterFoolen_Tim-O%27Riley-Endlessness-25_BW_LR.pdf
http://peterfoolen.blogspot.com
long_lat ENVELOPE(168.683,168.683,-71.300,-71.300)
geographic Antarctic
Cherry-Garrard
The Antarctic
geographic_facet Antarctic
Cherry-Garrard
The Antarctic
genre Antarc*
Antarctic
genre_facet Antarc*
Antarctic
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https://researchonline.rca.ac.uk/4509/133/23019_PeterFoolen_Tim-O%27Riley-Endlessness-25-cover.pdf
https://researchonline.rca.ac.uk/4509/134/23019_PeterFoolen_Tim-O%27Riley-Endlessness-25_BW_LR.pdf
O'Riley, Tim, 2020, Book, Endlessness Peter Foolen Editions, Eindhoven, NL. ISBN 9789490673284
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ISBN 9789490673284 cc_by_nc_nd_4 arr CC-BY-NC-ND W100 Fine Art W140 Printmaking Book NonPeerReviewed 2020 ftroyalcollart 2021-02-14T09:47:33Z Endlessness (2020) takes R.F. Scott’s expedition to the Antarctic in 1910–13 as its starting point. Through facts, borrowed text, new and found images, Endlessness retells this journey, while a series of visual and written ‘interludes’ open up a more speculative narrative on solitude, interiority, and vision. The book is based around a pair of skis used on the expedition, which belonged to one of the younger members of Scott’s Polar Party, Apsley Cherry-Garrard and are carved with his initials, most likely by the man himself. The skis—now at the Royal Geographical Society in London—are reproduced at actual scale, and run across several pages as a visual nod to Cherry-Garrard’s physical ordeals in the Antarctic and a reminder that to live life to the full is to find a balance between the corporeal and the reach of our imagination. The book also mulls over the uncertainties of vision. Cherry-Garrard was profoundly myopic, photographs showing him habitually wearing metal-rimmed spectacles. These would have frozen to his face if worn outside during the expedition so for much of the time he would have been operating with minimal sight. As a show of distant solidarity, Tim O'Riley uses his own optical prescription for astigmatism to structure ‘graphical fields’ that punctuate the book. The book has been lodged with The British Library, the National Art Library at the V&A, and the special collections libraries at both the Tate and Chelsea College of Art, as well as artist bookshops including Bookartbookshop (London) and Boekie Woekie (Amsterdam). Book Antarc* Antarctic Royal College of Art, London: RCA Research Online Antarctic Cherry-Garrard ENVELOPE(168.683,168.683,-71.300,-71.300) The Antarctic