Kompendium 37

In the 19th century Norwegian sawmills started to produce ready-made houses in kit form for export. Norwegian businessmen established in Seyðisfjörður started importing these buildings — both as homes, business premises and public buildings. The many preserved, colorful, Norwegian-style wooden house...

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Main Author: Jørgensen, Åse Eg
Format: Text
Language:unknown
Published: Rollins Scholarship Online 2018
Subjects:
Online Access:https://scholarship.rollins.edu/book_arts/69
https://scholarship.rollins.edu/context/book_arts/article/1078/type/native/viewcontent
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spelling ftrollinscollege:oai:scholarship.rollins.edu:book_arts-1078 2023-05-15T16:46:40+02:00 Kompendium 37 Jørgensen, Åse Eg 2018-01-01T08:00:00Z video/quicktime https://scholarship.rollins.edu/book_arts/69 https://scholarship.rollins.edu/context/book_arts/article/1078/type/native/viewcontent unknown Rollins Scholarship Online https://scholarship.rollins.edu/book_arts/69 https://scholarship.rollins.edu/context/book_arts/article/1078/type/native/viewcontent Rollins College Book Arts Collection architecture Danish Iceland Norway zine text 2018 ftrollinscollege 2023-03-23T18:46:37Z In the 19th century Norwegian sawmills started to produce ready-made houses in kit form for export. Norwegian businessmen established in Seyðisfjörður started importing these buildings — both as homes, business premises and public buildings. The many preserved, colorful, Norwegian-style wooden houses covered in corrugated iron, render Seyðisfjörður unique in Iceland. Import to Iceland of corrugated iron from England began in 1870. First it was used on roofs mainly, but soon the locals also started to clad walls with it in order to protect the timber. After the turn of the 20th century, following "Bruninn mikli" or "the Great Fire" that destroyed 12 houses in central Reykjavik, regulations were changed to avoid further catastrophes. Regulations demanded fireproof material fo rbuilding and corrugated iron provided the perfect shell. Light, strong, resistant and inexpensive, the corrugated iron also protects the timber beneath from harsh weather conditions, while letting it breathe, thus providing a natural ventilation system of sorts. The photos in this compendium are depicting gables rather than facades of the buildings, showing the ease with which a wooden structure can be penetrated with windows — or covered up. The forms, the rythms and the proximity of the mountains are exceedingly playful. https://scholarship.rollins.edu/book_arts/1078/thumbnail.jpg Text Iceland Seyðisfjörður Rollins College: Rollins Scholarship Online (RSO) Norway
institution Open Polar
collection Rollins College: Rollins Scholarship Online (RSO)
op_collection_id ftrollinscollege
language unknown
topic architecture
Danish
Iceland
Norway
zine
spellingShingle architecture
Danish
Iceland
Norway
zine
Jørgensen, Åse Eg
Kompendium 37
topic_facet architecture
Danish
Iceland
Norway
zine
description In the 19th century Norwegian sawmills started to produce ready-made houses in kit form for export. Norwegian businessmen established in Seyðisfjörður started importing these buildings — both as homes, business premises and public buildings. The many preserved, colorful, Norwegian-style wooden houses covered in corrugated iron, render Seyðisfjörður unique in Iceland. Import to Iceland of corrugated iron from England began in 1870. First it was used on roofs mainly, but soon the locals also started to clad walls with it in order to protect the timber. After the turn of the 20th century, following "Bruninn mikli" or "the Great Fire" that destroyed 12 houses in central Reykjavik, regulations were changed to avoid further catastrophes. Regulations demanded fireproof material fo rbuilding and corrugated iron provided the perfect shell. Light, strong, resistant and inexpensive, the corrugated iron also protects the timber beneath from harsh weather conditions, while letting it breathe, thus providing a natural ventilation system of sorts. The photos in this compendium are depicting gables rather than facades of the buildings, showing the ease with which a wooden structure can be penetrated with windows — or covered up. The forms, the rythms and the proximity of the mountains are exceedingly playful. https://scholarship.rollins.edu/book_arts/1078/thumbnail.jpg
format Text
author Jørgensen, Åse Eg
author_facet Jørgensen, Åse Eg
author_sort Jørgensen, Åse Eg
title Kompendium 37
title_short Kompendium 37
title_full Kompendium 37
title_fullStr Kompendium 37
title_full_unstemmed Kompendium 37
title_sort kompendium 37
publisher Rollins Scholarship Online
publishDate 2018
url https://scholarship.rollins.edu/book_arts/69
https://scholarship.rollins.edu/context/book_arts/article/1078/type/native/viewcontent
geographic Norway
geographic_facet Norway
genre Iceland
Seyðisfjörður
genre_facet Iceland
Seyðisfjörður
op_source Rollins College Book Arts Collection
op_relation https://scholarship.rollins.edu/book_arts/69
https://scholarship.rollins.edu/context/book_arts/article/1078/type/native/viewcontent
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