Satellite Vision and Atomic Trails

Satellite Vision and Atomic Trails is an installation of photographs and a three-channel video crafted from an eclectic combination of government archival material, the theory of panopticism, Cold War propaganda, and satellite photographs of secret or obscured sites. Probing the creation and interpr...

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Main Author: Wigner, Anson
Format: Text
Language:unknown
Published: RIT Scholar Works 2021
Subjects:
Online Access:https://scholarworks.rit.edu/theses/10710
https://scholarworks.rit.edu/context/theses/article/11861/viewcontent/AWignerThesis5_1_2021.pdf
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spelling ftrit:oai:scholarworks.rit.edu:theses-11861 2023-07-02T03:31:26+02:00 Satellite Vision and Atomic Trails Wigner, Anson 2021-05-01T07:00:00Z application/pdf https://scholarworks.rit.edu/theses/10710 https://scholarworks.rit.edu/context/theses/article/11861/viewcontent/AWignerThesis5_1_2021.pdf unknown RIT Scholar Works https://scholarworks.rit.edu/theses/10710 https://scholarworks.rit.edu/context/theses/article/11861/viewcontent/AWignerThesis5_1_2021.pdf Theses None provided text 2021 ftrit 2023-06-13T18:41:15Z Satellite Vision and Atomic Trails is an installation of photographs and a three-channel video crafted from an eclectic combination of government archival material, the theory of panopticism, Cold War propaganda, and satellite photographs of secret or obscured sites. Probing the creation and interpretation of what remains “unseen” within these satellite images, Satellite Vision and Atomic Trails decodes the anxious ambitions and failed promises of totalized surveillance. Satellite surveillance both envisions the surface of events and creates a map of their socio-political significance. But just as clouds obscure the view of earth from a CIA satellite, our pursuit of a totalizing surveillance apparatus generates a type of vision which obscures humanity itself. My large prints show satellite surveillance images taken covertly by the US government between 1960 and 1985: a sublime Arctic landscape, beautiful cloud formations, and a secret Cold War nuclear test facility. What these images fail to capture are enemy submarines beneath the Arctic ice, a panoptic prison and the political prisoners living there, and the radioactive legacy of mass nuclear detonations. Each of these images evidences the state’s attempt to totalize its vision through the satellite’s lens. They also evidence an irreducible conflict between the state’s panoptic goals, the physical limits of what film and satellite technology can capture, and the illegibility of the human condition. In a three-channel video, autonomous, I dramatize these themes by weaving together roughly sixteen thousand covert US satellite photographs with Cold War propaganda and marketing materials related to space and atomic energy. Satellite Vision and Atomic Trails is an art installation exploring disembodied technological vision and our ever-shifting definition of what it means to see and be seen. Text Arctic Rochester Institute of Technology: RIT Scholar Works Arctic
institution Open Polar
collection Rochester Institute of Technology: RIT Scholar Works
op_collection_id ftrit
language unknown
topic None provided
spellingShingle None provided
Wigner, Anson
Satellite Vision and Atomic Trails
topic_facet None provided
description Satellite Vision and Atomic Trails is an installation of photographs and a three-channel video crafted from an eclectic combination of government archival material, the theory of panopticism, Cold War propaganda, and satellite photographs of secret or obscured sites. Probing the creation and interpretation of what remains “unseen” within these satellite images, Satellite Vision and Atomic Trails decodes the anxious ambitions and failed promises of totalized surveillance. Satellite surveillance both envisions the surface of events and creates a map of their socio-political significance. But just as clouds obscure the view of earth from a CIA satellite, our pursuit of a totalizing surveillance apparatus generates a type of vision which obscures humanity itself. My large prints show satellite surveillance images taken covertly by the US government between 1960 and 1985: a sublime Arctic landscape, beautiful cloud formations, and a secret Cold War nuclear test facility. What these images fail to capture are enemy submarines beneath the Arctic ice, a panoptic prison and the political prisoners living there, and the radioactive legacy of mass nuclear detonations. Each of these images evidences the state’s attempt to totalize its vision through the satellite’s lens. They also evidence an irreducible conflict between the state’s panoptic goals, the physical limits of what film and satellite technology can capture, and the illegibility of the human condition. In a three-channel video, autonomous, I dramatize these themes by weaving together roughly sixteen thousand covert US satellite photographs with Cold War propaganda and marketing materials related to space and atomic energy. Satellite Vision and Atomic Trails is an art installation exploring disembodied technological vision and our ever-shifting definition of what it means to see and be seen.
format Text
author Wigner, Anson
author_facet Wigner, Anson
author_sort Wigner, Anson
title Satellite Vision and Atomic Trails
title_short Satellite Vision and Atomic Trails
title_full Satellite Vision and Atomic Trails
title_fullStr Satellite Vision and Atomic Trails
title_full_unstemmed Satellite Vision and Atomic Trails
title_sort satellite vision and atomic trails
publisher RIT Scholar Works
publishDate 2021
url https://scholarworks.rit.edu/theses/10710
https://scholarworks.rit.edu/context/theses/article/11861/viewcontent/AWignerThesis5_1_2021.pdf
geographic Arctic
geographic_facet Arctic
genre Arctic
genre_facet Arctic
op_source Theses
op_relation https://scholarworks.rit.edu/theses/10710
https://scholarworks.rit.edu/context/theses/article/11861/viewcontent/AWignerThesis5_1_2021.pdf
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