Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols
Thesis (Master, Art History) -- Queen's University, 2012-12-05 15:24:52.546 In 1930, A.Y. Jackson and Lawren S. Harris travelled to the Arctic Archipelago as members of Canada’s Eastern Arctic Patrol. The collaborative venture between the Department of the Interior and the noted Group of Seven...
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ftqueensuniv:oai:qspace.library.queensu.ca:1974/7685 2023-05-15T14:28:53+02:00 Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols Ladon, Agnes Elizabeth Jessup, Lynda Art History 2012-12-05 15:24:52.546 http://hdl.handle.net/1974/7685 eng eng Canadian theses http://hdl.handle.net/1974/7685 This publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner. Arctic Sovereignty Canadian Art A.Y. Jackson Lawren S. Harris Eastern Arctic Patrol Group of Seven Canadian Arctic Expeditions thesis 2012 ftqueensuniv 2020-12-29T09:06:34Z Thesis (Master, Art History) -- Queen's University, 2012-12-05 15:24:52.546 In 1930, A.Y. Jackson and Lawren S. Harris travelled to the Arctic Archipelago as members of Canada’s Eastern Arctic Patrol. The collaborative venture between the Department of the Interior and the noted Group of Seven artists, which followed Jackson’s 1927 voyage aboard the government patrol, was part of a mutual aim to generate popular interest in the Canadian North through art. This thesis examines the underlying political context of both the 1927 and 1930 collaborative efforts. It examines the government patrols in connection with the promotion of Jackson’s and Harris’s Arctic works as part of a larger process of advancing the Arctic as a Canadian possession during a period of increased foreign interest in the region. Drawing on primary source material as well as various print media reports and exhibition reviews, this study provides insight into how the contemporary framing of Jackson’s and Harris’s Arctic sketches and paintings from the government-supported expeditions—the ways in which the works were discussed and understood—contributed not only to the “imagining” of the Arctic as a Canadian possession, but also to the dissemination of Canadian sovereignty efforts in the North. M.A. Thesis Arctic Archipelago Arctic Queen's University, Ontario: QSpace Arctic |
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Open Polar |
collection |
Queen's University, Ontario: QSpace |
op_collection_id |
ftqueensuniv |
language |
English |
topic |
Arctic Sovereignty Canadian Art A.Y. Jackson Lawren S. Harris Eastern Arctic Patrol Group of Seven Canadian Arctic Expeditions |
spellingShingle |
Arctic Sovereignty Canadian Art A.Y. Jackson Lawren S. Harris Eastern Arctic Patrol Group of Seven Canadian Arctic Expeditions Ladon, Agnes Elizabeth Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols |
topic_facet |
Arctic Sovereignty Canadian Art A.Y. Jackson Lawren S. Harris Eastern Arctic Patrol Group of Seven Canadian Arctic Expeditions |
description |
Thesis (Master, Art History) -- Queen's University, 2012-12-05 15:24:52.546 In 1930, A.Y. Jackson and Lawren S. Harris travelled to the Arctic Archipelago as members of Canada’s Eastern Arctic Patrol. The collaborative venture between the Department of the Interior and the noted Group of Seven artists, which followed Jackson’s 1927 voyage aboard the government patrol, was part of a mutual aim to generate popular interest in the Canadian North through art. This thesis examines the underlying political context of both the 1927 and 1930 collaborative efforts. It examines the government patrols in connection with the promotion of Jackson’s and Harris’s Arctic works as part of a larger process of advancing the Arctic as a Canadian possession during a period of increased foreign interest in the region. Drawing on primary source material as well as various print media reports and exhibition reviews, this study provides insight into how the contemporary framing of Jackson’s and Harris’s Arctic sketches and paintings from the government-supported expeditions—the ways in which the works were discussed and understood—contributed not only to the “imagining” of the Arctic as a Canadian possession, but also to the dissemination of Canadian sovereignty efforts in the North. M.A. |
author2 |
Jessup, Lynda Art History |
format |
Thesis |
author |
Ladon, Agnes Elizabeth |
author_facet |
Ladon, Agnes Elizabeth |
author_sort |
Ladon, Agnes Elizabeth |
title |
Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols |
title_short |
Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols |
title_full |
Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols |
title_fullStr |
Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols |
title_full_unstemmed |
Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols |
title_sort |
art and arctic sovereignty: a.y. jackson, lawren s. harris and canada's eastern arctic patrols |
publishDate |
2012 |
url |
http://hdl.handle.net/1974/7685 |
geographic |
Arctic |
geographic_facet |
Arctic |
genre |
Arctic Archipelago Arctic |
genre_facet |
Arctic Archipelago Arctic |
op_relation |
Canadian theses http://hdl.handle.net/1974/7685 |
op_rights |
This publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner. |
_version_ |
1766303024712515584 |