Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols

Thesis (Master, Art History) -- Queen's University, 2012-12-05 15:24:52.546 In 1930, A.Y. Jackson and Lawren S. Harris travelled to the Arctic Archipelago as members of Canada’s Eastern Arctic Patrol. The collaborative venture between the Department of the Interior and the noted Group of Seven...

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Main Author: Ladon, Agnes Elizabeth
Other Authors: Art History, Jessup, Lynda
Format: Thesis
Language:English
Published: 2012
Subjects:
Online Access:http://hdl.handle.net/1974/7685
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spelling ftqueensuniv:oai:https://qspace.library.queensu.ca:1974/7685 2024-06-02T07:59:57+00:00 Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols Ladon, Agnes Elizabeth Art History Jessup, Lynda 2012-12-05 15:24:52.546 application/pdf http://hdl.handle.net/1974/7685 eng eng Canadian theses http://hdl.handle.net/1974/7685 This publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner. Arctic Sovereignty Canadian Art A.Y. Jackson Lawren S. Harris Eastern Arctic Patrol Group of Seven Canadian Arctic Expeditions thesis 2012 ftqueensuniv 2024-05-06T10:47:32Z Thesis (Master, Art History) -- Queen's University, 2012-12-05 15:24:52.546 In 1930, A.Y. Jackson and Lawren S. Harris travelled to the Arctic Archipelago as members of Canada’s Eastern Arctic Patrol. The collaborative venture between the Department of the Interior and the noted Group of Seven artists, which followed Jackson’s 1927 voyage aboard the government patrol, was part of a mutual aim to generate popular interest in the Canadian North through art. This thesis examines the underlying political context of both the 1927 and 1930 collaborative efforts. It examines the government patrols in connection with the promotion of Jackson’s and Harris’s Arctic works as part of a larger process of advancing the Arctic as a Canadian possession during a period of increased foreign interest in the region. Drawing on primary source material as well as various print media reports and exhibition reviews, this study provides insight into how the contemporary framing of Jackson’s and Harris’s Arctic sketches and paintings from the government-supported expeditions—the ways in which the works were discussed and understood—contributed not only to the “imagining” of the Arctic as a Canadian possession, but also to the dissemination of Canadian sovereignty efforts in the North. M.A. Thesis Arctic Archipelago Arctic Queen's University, Ontario: QSpace Arctic
institution Open Polar
collection Queen's University, Ontario: QSpace
op_collection_id ftqueensuniv
language English
topic Arctic Sovereignty
Canadian Art
A.Y. Jackson
Lawren S. Harris
Eastern Arctic Patrol
Group of Seven
Canadian Arctic Expeditions
spellingShingle Arctic Sovereignty
Canadian Art
A.Y. Jackson
Lawren S. Harris
Eastern Arctic Patrol
Group of Seven
Canadian Arctic Expeditions
Ladon, Agnes Elizabeth
Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols
topic_facet Arctic Sovereignty
Canadian Art
A.Y. Jackson
Lawren S. Harris
Eastern Arctic Patrol
Group of Seven
Canadian Arctic Expeditions
description Thesis (Master, Art History) -- Queen's University, 2012-12-05 15:24:52.546 In 1930, A.Y. Jackson and Lawren S. Harris travelled to the Arctic Archipelago as members of Canada’s Eastern Arctic Patrol. The collaborative venture between the Department of the Interior and the noted Group of Seven artists, which followed Jackson’s 1927 voyage aboard the government patrol, was part of a mutual aim to generate popular interest in the Canadian North through art. This thesis examines the underlying political context of both the 1927 and 1930 collaborative efforts. It examines the government patrols in connection with the promotion of Jackson’s and Harris’s Arctic works as part of a larger process of advancing the Arctic as a Canadian possession during a period of increased foreign interest in the region. Drawing on primary source material as well as various print media reports and exhibition reviews, this study provides insight into how the contemporary framing of Jackson’s and Harris’s Arctic sketches and paintings from the government-supported expeditions—the ways in which the works were discussed and understood—contributed not only to the “imagining” of the Arctic as a Canadian possession, but also to the dissemination of Canadian sovereignty efforts in the North. M.A.
author2 Art History
Jessup, Lynda
format Thesis
author Ladon, Agnes Elizabeth
author_facet Ladon, Agnes Elizabeth
author_sort Ladon, Agnes Elizabeth
title Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols
title_short Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols
title_full Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols
title_fullStr Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols
title_full_unstemmed Art and Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada's Eastern Arctic Patrols
title_sort art and arctic sovereignty: a.y. jackson, lawren s. harris and canada's eastern arctic patrols
publishDate 2012
url http://hdl.handle.net/1974/7685
geographic Arctic
geographic_facet Arctic
genre Arctic Archipelago
Arctic
genre_facet Arctic Archipelago
Arctic
op_relation Canadian theses
http://hdl.handle.net/1974/7685
op_rights This publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.
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