A Crude Case: Landscapes of Extraction in Canadian Contemporary Visual Culture

In this dissertation, I examine the relationship between visual culture and the culture of oil in Canada, specifically, the visual culture of the Alberta oil sands. I situate my research in the context of recent contentious environmental and infrastructural developments, including the Kinder Morgan...

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Main Author: French, Elysia
Other Authors: Art History, Jessup, Lynda, Smith, Sarah E. K.
Format: Thesis
Language:English
Published: 2017
Subjects:
Online Access:http://hdl.handle.net/1974/23741
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spelling ftqueensuniv:oai:https://qspace.library.queensu.ca:1974/23741 2024-06-02T08:05:20+00:00 A Crude Case: Landscapes of Extraction in Canadian Contemporary Visual Culture French, Elysia Art History Jessup, Lynda Smith, Sarah E. K. 2017-11-27T20:02:59Z application/pdf http://hdl.handle.net/1974/23741 eng eng Canadian theses http://hdl.handle.net/1974/23741 Queen's University's Thesis/Dissertation Non-Exclusive License for Deposit to QSpace and Library and Archives Canada ProQuest PhD and Master's Theses International Dissemination Agreement Intellectual Property Guidelines at Queen's University Copying and Preserving Your Thesis This publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner. Culture of Oil Alberta Oil Sands Contemporary Canadian Visual Culture Art History Industrial Landscapes Visual Culture of Oil Wilderness Landscapes thesis 2017 ftqueensuniv 2024-05-06T10:47:32Z In this dissertation, I examine the relationship between visual culture and the culture of oil in Canada, specifically, the visual culture of the Alberta oil sands. I situate my research in the context of recent contentious environmental and infrastructural developments, including the Kinder Morgan pipeline (2004) and Northern Gateway pipeline (2006) proposals, and land claim disputes between the Athabasca Chipewyan First Nation and Canadian provincial and federal governments, which since the early-twenty-first century have been at the forefront of public discussions. This study seeks to explore what visual knowledge does, how environmental and social concerns are communicated visually, and the affective dimensions of these visualizations. I argue that the visual culture of the Alberta oil sands is both a strategic tool and a site of understanding that is key for advancing environmental and social knowledge. I examine the concept of wilderness in Canada and environmental and social justice as they are visualized in three areas: contemporary art, mass media and tourism, and activism. Each area forms a case study and is analyzed in context to explore the different ways in which the visual operates to deepen the moral and ethical dimensions of content—whether on informational, argumentative, emotional, or affective levels. Key to this discussion is sensitivity to the systems of meaning and value at play in each area, and how these both shape art, media, tourism, and activism and inform their reception. Attending to these systems of meaning also enables me to tease out within each area competing understandings, agendas, and ideologies, as well as relationships of one to another. PhD Thesis Chipewyan Queen's University, Ontario: QSpace Canada
institution Open Polar
collection Queen's University, Ontario: QSpace
op_collection_id ftqueensuniv
language English
topic Culture of Oil
Alberta Oil Sands
Contemporary Canadian Visual Culture
Art History
Industrial Landscapes
Visual Culture of Oil
Wilderness Landscapes
spellingShingle Culture of Oil
Alberta Oil Sands
Contemporary Canadian Visual Culture
Art History
Industrial Landscapes
Visual Culture of Oil
Wilderness Landscapes
French, Elysia
A Crude Case: Landscapes of Extraction in Canadian Contemporary Visual Culture
topic_facet Culture of Oil
Alberta Oil Sands
Contemporary Canadian Visual Culture
Art History
Industrial Landscapes
Visual Culture of Oil
Wilderness Landscapes
description In this dissertation, I examine the relationship between visual culture and the culture of oil in Canada, specifically, the visual culture of the Alberta oil sands. I situate my research in the context of recent contentious environmental and infrastructural developments, including the Kinder Morgan pipeline (2004) and Northern Gateway pipeline (2006) proposals, and land claim disputes between the Athabasca Chipewyan First Nation and Canadian provincial and federal governments, which since the early-twenty-first century have been at the forefront of public discussions. This study seeks to explore what visual knowledge does, how environmental and social concerns are communicated visually, and the affective dimensions of these visualizations. I argue that the visual culture of the Alberta oil sands is both a strategic tool and a site of understanding that is key for advancing environmental and social knowledge. I examine the concept of wilderness in Canada and environmental and social justice as they are visualized in three areas: contemporary art, mass media and tourism, and activism. Each area forms a case study and is analyzed in context to explore the different ways in which the visual operates to deepen the moral and ethical dimensions of content—whether on informational, argumentative, emotional, or affective levels. Key to this discussion is sensitivity to the systems of meaning and value at play in each area, and how these both shape art, media, tourism, and activism and inform their reception. Attending to these systems of meaning also enables me to tease out within each area competing understandings, agendas, and ideologies, as well as relationships of one to another. PhD
author2 Art History
Jessup, Lynda
Smith, Sarah E. K.
format Thesis
author French, Elysia
author_facet French, Elysia
author_sort French, Elysia
title A Crude Case: Landscapes of Extraction in Canadian Contemporary Visual Culture
title_short A Crude Case: Landscapes of Extraction in Canadian Contemporary Visual Culture
title_full A Crude Case: Landscapes of Extraction in Canadian Contemporary Visual Culture
title_fullStr A Crude Case: Landscapes of Extraction in Canadian Contemporary Visual Culture
title_full_unstemmed A Crude Case: Landscapes of Extraction in Canadian Contemporary Visual Culture
title_sort crude case: landscapes of extraction in canadian contemporary visual culture
publishDate 2017
url http://hdl.handle.net/1974/23741
geographic Canada
geographic_facet Canada
genre Chipewyan
genre_facet Chipewyan
op_relation Canadian theses
http://hdl.handle.net/1974/23741
op_rights Queen's University's Thesis/Dissertation Non-Exclusive License for Deposit to QSpace and Library and Archives Canada
ProQuest PhD and Master's Theses International Dissemination Agreement
Intellectual Property Guidelines at Queen's University
Copying and Preserving Your Thesis
This publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.
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