Macrophonics II
Macrophonics II presents new Australian work emerging from the leading edge of performance interface research. The program addresses the emerging dialogue between traditional media and emerging digital media, as well as dialogues across a broad range of musical traditions. Recent technological devel...
Main Authors: | , |
---|---|
Format: | Other/Unknown Material |
Language: | unknown |
Published: |
University of Technology Sydney (UTS)
2012
|
Subjects: | |
Online Access: | https://eprints.qut.edu.au/225431/ |
id |
ftqueensland:oai:eprints.qut.edu.au:225431 |
---|---|
record_format |
openpolar |
spelling |
ftqueensland:oai:eprints.qut.edu.au:225431 2023-10-01T03:56:56+02:00 Macrophonics II Knowles, Julian Hewitt, Donna 2012 application/pdf https://eprints.qut.edu.au/225431/ unknown University of Technology Sydney (UTS) https://eprints.qut.edu.au/225431/1/MacrophonicsII.pdf http://www.isea2013.org/events/macrophonics-ii/ Knowles, Julian & Hewitt, Donna (2012) Macrophonics II. [Exhibition/Event] https://eprints.qut.edu.au/225431/ Creative Industries Faculty; School of Media, Entertainment & Creative Arts free_to_read Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the document is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recognise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to qut.copyright@qut.edu.au Macrophonics II Non-Traditional Research Output 2012 ftqueensland 2023-09-04T22:24:26Z Macrophonics II presents new Australian work emerging from the leading edge of performance interface research. The program addresses the emerging dialogue between traditional media and emerging digital media, as well as dialogues across a broad range of musical traditions. Recent technological developments are causing a complete reevaluation of the relationships between media and genres in art, and Macrophonics II presents a cross-section of responses to this situation. Works in the program foreground an approach to performance that integrates sensors with novel performance control devices, and/or examine how machines can be made musical in performance. The program presents works by Australian artists Donna Hewitt, Julian Knowles and Wade Marynowsky, with choreography by Avril Huddy and dance performance by Lizzie and Zaimon Vilmanis. From sensor-based microphones and guitars, through performance a/v, to post-rock dronescapes, movement inspired works and experimental electronica, Macrophonics II provides a broad and engaging survey of new performance approaches in mediatised environments. Initial R&D for the work was supported by a range of institutions internationally, including the Australia Council for the Arts, Arts Queensland, STEIM (Holland) and the Nes Artist Residency (Iceland). Other/Unknown Material Iceland Queensland University of Technology: QUT ePrints Knowles ENVELOPE(-60.883,-60.883,-71.800,-71.800) Nes ENVELOPE(7.634,7.634,62.795,62.795) Nes’ ENVELOPE(44.681,44.681,66.600,66.600) Post Rock ENVELOPE(-37.983,-37.983,-54.017,-54.017) Queensland |
institution |
Open Polar |
collection |
Queensland University of Technology: QUT ePrints |
op_collection_id |
ftqueensland |
language |
unknown |
description |
Macrophonics II presents new Australian work emerging from the leading edge of performance interface research. The program addresses the emerging dialogue between traditional media and emerging digital media, as well as dialogues across a broad range of musical traditions. Recent technological developments are causing a complete reevaluation of the relationships between media and genres in art, and Macrophonics II presents a cross-section of responses to this situation. Works in the program foreground an approach to performance that integrates sensors with novel performance control devices, and/or examine how machines can be made musical in performance. The program presents works by Australian artists Donna Hewitt, Julian Knowles and Wade Marynowsky, with choreography by Avril Huddy and dance performance by Lizzie and Zaimon Vilmanis. From sensor-based microphones and guitars, through performance a/v, to post-rock dronescapes, movement inspired works and experimental electronica, Macrophonics II provides a broad and engaging survey of new performance approaches in mediatised environments. Initial R&D for the work was supported by a range of institutions internationally, including the Australia Council for the Arts, Arts Queensland, STEIM (Holland) and the Nes Artist Residency (Iceland). |
format |
Other/Unknown Material |
author |
Knowles, Julian Hewitt, Donna |
spellingShingle |
Knowles, Julian Hewitt, Donna Macrophonics II |
author_facet |
Knowles, Julian Hewitt, Donna |
author_sort |
Knowles, Julian |
title |
Macrophonics II |
title_short |
Macrophonics II |
title_full |
Macrophonics II |
title_fullStr |
Macrophonics II |
title_full_unstemmed |
Macrophonics II |
title_sort |
macrophonics ii |
publisher |
University of Technology Sydney (UTS) |
publishDate |
2012 |
url |
https://eprints.qut.edu.au/225431/ |
long_lat |
ENVELOPE(-60.883,-60.883,-71.800,-71.800) ENVELOPE(7.634,7.634,62.795,62.795) ENVELOPE(44.681,44.681,66.600,66.600) ENVELOPE(-37.983,-37.983,-54.017,-54.017) |
geographic |
Knowles Nes Nes’ Post Rock Queensland |
geographic_facet |
Knowles Nes Nes’ Post Rock Queensland |
genre |
Iceland |
genre_facet |
Iceland |
op_source |
Macrophonics II |
op_relation |
https://eprints.qut.edu.au/225431/1/MacrophonicsII.pdf http://www.isea2013.org/events/macrophonics-ii/ Knowles, Julian & Hewitt, Donna (2012) Macrophonics II. [Exhibition/Event] https://eprints.qut.edu.au/225431/ Creative Industries Faculty; School of Media, Entertainment & Creative Arts |
op_rights |
free_to_read Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the document is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recognise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to qut.copyright@qut.edu.au |
_version_ |
1778527638796632064 |