Christos Hatzis’s Use of the Katajjaq in Fertility Rites: A New Approach to Canadian Music

For most of the twentieth century, the style of music written by Canadian composers seemed to mirror their contemporaries from other parts of the world. Canada’s artistic output was for a time largely rooted in the genres and aesthetics of its European colonies, and thus did not have much to differe...

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Main Author: Pavelich, Alec Joly
Format: Thesis
Language:English
Published: California State University, Long Beach 2019
Subjects:
Online Access:http://pqdtopen.proquest.com/#viewpdf?dispub=13859592
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spelling ftproquest:oai:pqdtoai.proquest.com:13859592 2023-05-15T16:15:59+02:00 Christos Hatzis’s Use of the Katajjaq in Fertility Rites: A New Approach to Canadian Music Pavelich, Alec Joly 2019-01-01 00:00:01.0 http://pqdtopen.proquest.com/#viewpdf?dispub=13859592 ENG eng California State University, Long Beach http://pqdtopen.proquest.com/#viewpdf?dispub=13859592 Music thesis 2019 ftproquest 2021-03-13T17:34:13Z For most of the twentieth century, the style of music written by Canadian composers seemed to mirror their contemporaries from other parts of the world. Canada’s artistic output was for a time largely rooted in the genres and aesthetics of its European colonies, and thus did not have much to differentiate it from other prominent artistic movements of the era. It was not until the 1970s that musicologists in Canada took interest in the traditional practices of the country’s First Nations Peoples. Of particular interest to researchers in this half of the century was a genre of throat singing known as the katajjaq, which was prominent among the Inuit population of Canada’s northernmost territories. This traditional practice became the primary source of inspiration behind composer Christos Hatzis’ Fertility Rites, an important work of solo marimba in Canadian music. This paper analyzes the research conducted by musicologists on the katajjaq prior to Hatzis’ writing of the work in question, establishing a precedent for his understanding of the throat singing’s cultural significance within Inuit communities whilst also providing Hatzis with a concrete musical transcription of the practice from which he derives the thematic material of his music. Furthermore, this paper examines the growing interest in electro-acoustic music among notable Canadian composers of the twentieth century, identifying Hatzis as a successor to this artistic trends. Finally, the importance of Hatzis’ works being appreciative, rather than appropriative, of Inuit culture is elaborated upon in depth, identifying his music as the beginnings of Canada’s ongoing commitment to reconciliation with its First Nations Peoples. Thesis First Nations inuit PQDT Open: Open Access Dissertations and Theses (ProQuest) Canada The Throat ENVELOPE(-76.666,-76.666,57.050,57.050)
institution Open Polar
collection PQDT Open: Open Access Dissertations and Theses (ProQuest)
op_collection_id ftproquest
language English
topic Music
spellingShingle Music
Pavelich, Alec Joly
Christos Hatzis’s Use of the Katajjaq in Fertility Rites: A New Approach to Canadian Music
topic_facet Music
description For most of the twentieth century, the style of music written by Canadian composers seemed to mirror their contemporaries from other parts of the world. Canada’s artistic output was for a time largely rooted in the genres and aesthetics of its European colonies, and thus did not have much to differentiate it from other prominent artistic movements of the era. It was not until the 1970s that musicologists in Canada took interest in the traditional practices of the country’s First Nations Peoples. Of particular interest to researchers in this half of the century was a genre of throat singing known as the katajjaq, which was prominent among the Inuit population of Canada’s northernmost territories. This traditional practice became the primary source of inspiration behind composer Christos Hatzis’ Fertility Rites, an important work of solo marimba in Canadian music. This paper analyzes the research conducted by musicologists on the katajjaq prior to Hatzis’ writing of the work in question, establishing a precedent for his understanding of the throat singing’s cultural significance within Inuit communities whilst also providing Hatzis with a concrete musical transcription of the practice from which he derives the thematic material of his music. Furthermore, this paper examines the growing interest in electro-acoustic music among notable Canadian composers of the twentieth century, identifying Hatzis as a successor to this artistic trends. Finally, the importance of Hatzis’ works being appreciative, rather than appropriative, of Inuit culture is elaborated upon in depth, identifying his music as the beginnings of Canada’s ongoing commitment to reconciliation with its First Nations Peoples.
format Thesis
author Pavelich, Alec Joly
author_facet Pavelich, Alec Joly
author_sort Pavelich, Alec Joly
title Christos Hatzis’s Use of the Katajjaq in Fertility Rites: A New Approach to Canadian Music
title_short Christos Hatzis’s Use of the Katajjaq in Fertility Rites: A New Approach to Canadian Music
title_full Christos Hatzis’s Use of the Katajjaq in Fertility Rites: A New Approach to Canadian Music
title_fullStr Christos Hatzis’s Use of the Katajjaq in Fertility Rites: A New Approach to Canadian Music
title_full_unstemmed Christos Hatzis’s Use of the Katajjaq in Fertility Rites: A New Approach to Canadian Music
title_sort christos hatzis’s use of the katajjaq in fertility rites: a new approach to canadian music
publisher California State University, Long Beach
publishDate 2019
url http://pqdtopen.proquest.com/#viewpdf?dispub=13859592
long_lat ENVELOPE(-76.666,-76.666,57.050,57.050)
geographic Canada
The Throat
geographic_facet Canada
The Throat
genre First Nations
inuit
genre_facet First Nations
inuit
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