Ocean Acidification as a Hyperobject: Mediating Acidic Milieus in the Anthropocene
Through the usage of Timothy Morton’s hyperobjects (2013) as a heuristic, this essay aims to portray how Ocean Acidification can be read as a hyperobject affecting tropical seawaters and beyond. Furthermore, it illustrates how the arts and humanities, through their hermeneutical gaze, might help us...
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2023
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ftproeditio:oai:ojs.revistas.proeditio.com:article/4326 2023-06-11T04:15:32+02:00 Ocean Acidification as a Hyperobject: Mediating Acidic Milieus in the Anthropocene La acidificación oceánica como un hiperobjeto: Mediando en entornos ácidos en el Antropoceno Batalla, Oriol 2023-04-28 application/pdf https://ecozona.eu/article/view/4326 eng eng Universidad de Alcalá https://ecozona.eu/article/view/4326/5526 https://ecozona.eu/article/view/4326 Derechos de autor 2023 Ecozon@: European Journal of Literature, Culture and Environment Ecozon@: European Journal of Literature, Culture and Environment; Bd. 14 Nr. 1 (2023): Cultivando (contra) el Antropoceno; 136-153 Ecozon@: European Journal of Literature, Culture and Environment; Vol. 14 No. 1 (2023): Gardening (against) the Anthropocene; 136-153 Ecozon@: European Journal of Literature, Culture and Environment; Vol. 14 Núm. 1 (2023): Cultivando (contra) el Antropoceno; 136-153 Ecozon@: European Journal of Literature, Culture and Environment; Vol. 14 No. 1 (2023): Cultivando (contra) el Antropoceno; 136-153 Ecozon@: European Journal of Literature, Culture and Environment; V. 14 N. 1 (2023): Cultivando (contra) el Antropoceno; 136-153 2171-9594 10.37536/ECOZONA.2023.14.1 Anthropocene hyperobjects ocean acidification new materialism environmental humanities Antropoceno hiperobjetos acidificación oceánica nuevo materialismo humanidades ambientales info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article 2023 ftproeditio https://doi.org/10.37536/ECOZONA.2023.14.1 2023-05-02T23:09:47Z Through the usage of Timothy Morton’s hyperobjects (2013) as a heuristic, this essay aims to portray how Ocean Acidification can be read as a hyperobject affecting tropical seawaters and beyond. Furthermore, it illustrates how the arts and humanities, through their hermeneutical gaze, might help us grasp Ocean Acidification as a hyperobject and the wide array of other objects that act upon each other in such acidic oceanic waters. In this task, the article will close-read the Underwater Woman set of pictures by Christine Ren (2018) understanding the interpretation of art as a tool to reconnect cognition and emotion to move from the understanding of a crisis to the feeling of such crisis. Finally, it aims to shed light upon the implications arising from considering Ocean Acidification as a hyperobject. By connecting the theoretical, visual and political in the same narrative, this essay highlights the transformative potential of interpretation and thinking through hyperobjects. With this, the challenges of the Anthropocene are put at the forefront, situating specific events and problematics in a planetary scale. A través de la teoría de los Hiperobjetos de Timothy Morton (2013) como herramienta de análisis, este ensayo trata de ilustrar cómo la acidificación oceánica se ha convertido en un hiperobjecto, afectando las aguas más allá de los trópicos. Con esto en consideración, el ensayo busca analizar la manera en la cual las artes y las humanidades, a través de su mirada hermenéutica, pueden ayudarnos a comprender estos hiperobjectos junto con los diferentes objectos que actúan sobre ellos mismos en un entorno ácido. En esta tarea, analiza el set de fotografías Underwater Woman de Christine Ren (2018), comprendiendo la interpretación del arte como una herramienta para reconectar cognición con emoción, moviendo el sujeto des de la comprensión hasta la experiencia sensorial de la actual crisis. Finalmente, el artículo trata, de manera muy ambiciosa, de arrojar luz sobre las implicaciones que tiene discernir la ... Article in Journal/Newspaper Ocean acidification ren Proeditio (E-Journals) Morton ENVELOPE(-61.220,-61.220,-62.697,-62.697) Allá ENVELOPE(17.421,17.421,66.587,66.587) Ecozon@: European Journal of Literature, Culture and Environment 14 1 |
institution |
Open Polar |
collection |
Proeditio (E-Journals) |
op_collection_id |
ftproeditio |
language |
English |
topic |
Anthropocene hyperobjects ocean acidification new materialism environmental humanities Antropoceno hiperobjetos acidificación oceánica nuevo materialismo humanidades ambientales |
spellingShingle |
Anthropocene hyperobjects ocean acidification new materialism environmental humanities Antropoceno hiperobjetos acidificación oceánica nuevo materialismo humanidades ambientales Batalla, Oriol Ocean Acidification as a Hyperobject: Mediating Acidic Milieus in the Anthropocene |
topic_facet |
Anthropocene hyperobjects ocean acidification new materialism environmental humanities Antropoceno hiperobjetos acidificación oceánica nuevo materialismo humanidades ambientales |
description |
Through the usage of Timothy Morton’s hyperobjects (2013) as a heuristic, this essay aims to portray how Ocean Acidification can be read as a hyperobject affecting tropical seawaters and beyond. Furthermore, it illustrates how the arts and humanities, through their hermeneutical gaze, might help us grasp Ocean Acidification as a hyperobject and the wide array of other objects that act upon each other in such acidic oceanic waters. In this task, the article will close-read the Underwater Woman set of pictures by Christine Ren (2018) understanding the interpretation of art as a tool to reconnect cognition and emotion to move from the understanding of a crisis to the feeling of such crisis. Finally, it aims to shed light upon the implications arising from considering Ocean Acidification as a hyperobject. By connecting the theoretical, visual and political in the same narrative, this essay highlights the transformative potential of interpretation and thinking through hyperobjects. With this, the challenges of the Anthropocene are put at the forefront, situating specific events and problematics in a planetary scale. A través de la teoría de los Hiperobjetos de Timothy Morton (2013) como herramienta de análisis, este ensayo trata de ilustrar cómo la acidificación oceánica se ha convertido en un hiperobjecto, afectando las aguas más allá de los trópicos. Con esto en consideración, el ensayo busca analizar la manera en la cual las artes y las humanidades, a través de su mirada hermenéutica, pueden ayudarnos a comprender estos hiperobjectos junto con los diferentes objectos que actúan sobre ellos mismos en un entorno ácido. En esta tarea, analiza el set de fotografías Underwater Woman de Christine Ren (2018), comprendiendo la interpretación del arte como una herramienta para reconectar cognición con emoción, moviendo el sujeto des de la comprensión hasta la experiencia sensorial de la actual crisis. Finalmente, el artículo trata, de manera muy ambiciosa, de arrojar luz sobre las implicaciones que tiene discernir la ... |
format |
Article in Journal/Newspaper |
author |
Batalla, Oriol |
author_facet |
Batalla, Oriol |
author_sort |
Batalla, Oriol |
title |
Ocean Acidification as a Hyperobject: Mediating Acidic Milieus in the Anthropocene |
title_short |
Ocean Acidification as a Hyperobject: Mediating Acidic Milieus in the Anthropocene |
title_full |
Ocean Acidification as a Hyperobject: Mediating Acidic Milieus in the Anthropocene |
title_fullStr |
Ocean Acidification as a Hyperobject: Mediating Acidic Milieus in the Anthropocene |
title_full_unstemmed |
Ocean Acidification as a Hyperobject: Mediating Acidic Milieus in the Anthropocene |
title_sort |
ocean acidification as a hyperobject: mediating acidic milieus in the anthropocene |
publisher |
Universidad de Alcalá |
publishDate |
2023 |
url |
https://ecozona.eu/article/view/4326 |
long_lat |
ENVELOPE(-61.220,-61.220,-62.697,-62.697) ENVELOPE(17.421,17.421,66.587,66.587) |
geographic |
Morton Allá |
geographic_facet |
Morton Allá |
genre |
Ocean acidification ren |
genre_facet |
Ocean acidification ren |
op_source |
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 14 Nr. 1 (2023): Cultivando (contra) el Antropoceno; 136-153 Ecozon@: European Journal of Literature, Culture and Environment; Vol. 14 No. 1 (2023): Gardening (against) the Anthropocene; 136-153 Ecozon@: European Journal of Literature, Culture and Environment; Vol. 14 Núm. 1 (2023): Cultivando (contra) el Antropoceno; 136-153 Ecozon@: European Journal of Literature, Culture and Environment; Vol. 14 No. 1 (2023): Cultivando (contra) el Antropoceno; 136-153 Ecozon@: European Journal of Literature, Culture and Environment; V. 14 N. 1 (2023): Cultivando (contra) el Antropoceno; 136-153 2171-9594 10.37536/ECOZONA.2023.14.1 |
op_relation |
https://ecozona.eu/article/view/4326/5526 https://ecozona.eu/article/view/4326 |
op_rights |
Derechos de autor 2023 Ecozon@: European Journal of Literature, Culture and Environment |
op_doi |
https://doi.org/10.37536/ECOZONA.2023.14.1 |
container_title |
Ecozon@: European Journal of Literature, Culture and Environment |
container_volume |
14 |
container_issue |
1 |
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1768372442830471168 |