Digitale visjoner: En kartlegging. Identitet, tilgjengelighet og digital demokrati.
Efforts to digitally engage with indigenous source communities and craftspeople are many and diverse. This paper has as its starting point a comparison between two such digital engagements, both celebrations of Arctic animal fur clothing, yet each at seemingly opposite ends of a continuum of possibl...
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Institutt för museologi
2019
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ftoslouniv:oai:www.duo.uio.no:10852/67537 2023-05-15T15:04:21+02:00 Digitale visjoner: En kartlegging. Identitet, tilgjengelighet og digital demokrati. Wold, Taran Victoria Rogstad Ween, Gro Birgit 2019-01-08T15:12:52Z http://hdl.handle.net/10852/67537 http://urn.nb.no/URN:NBN:no-70725 NB nob Institutt för museologi http://urn.nb.no/URN:NBN:no-70725 Wold, Taran Victoria Rogstad Ween, Gro Birgit . Digitale visjoner: En kartlegging. Identitet, tilgjengelighet og digital demokrati. Nordisk Museologi. 2018(2-3), 90-107 http://hdl.handle.net/10852/67537 1652632 info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Nordisk Museologi&rft.volume=&rft.spage=90&rft.date=2018 Nordisk Museologi 2-3 90 107 URN:NBN:no-70725 Fulltext https://www.duo.uio.no/bitstream/handle/10852/67537/1/6651-20265-1-SM61316.pdf Attribution-NonCommercial-NoDerivatives 4.0 International https://creativecommons.org/licenses/by-nc-nd/4.0/ CC-BY-NC-ND 1103-8152 Journal article Tidsskriftartikkel Peer reviewed PublishedVersion 2019 ftoslouniv 2020-06-21T08:53:16Z Efforts to digitally engage with indigenous source communities and craftspeople are many and diverse. This paper has as its starting point a comparison between two such digital engagements, both celebrations of Arctic animal fur clothing, yet each at seemingly opposite ends of a continuum of possible digital interfaces. Skinddragter Online and Mittimatalik Arnait Miqsuqtuit Collective were both launched the same year, 2015, in Copenhagen and Mittimatalik, Nunavut, Canada respectively. By comparing each with the other, our ambition is to illuminate some of the curatorial choices involved in the making of such digital platforms, and the consequences they have in terms of wider visibility, audiences reached, knowledge included, and collaborative engagements invited. Postcolonial critique can come at the expense of general outreach, conversations between designated experts can be difficult to make equal. Technological sophistication can be challenged by the digital divide. Attention to issues of cultural appropriation is a constant. Yet, driving these initiatives is the need to maintain a digital diversity in online and offline spaces. Article in Journal/Newspaper Arctic Nunavut Universitet i Oslo: Digitale utgivelser ved UiO (DUO) Arctic Nunavut Canada |
institution |
Open Polar |
collection |
Universitet i Oslo: Digitale utgivelser ved UiO (DUO) |
op_collection_id |
ftoslouniv |
language |
Norwegian Bokmål |
description |
Efforts to digitally engage with indigenous source communities and craftspeople are many and diverse. This paper has as its starting point a comparison between two such digital engagements, both celebrations of Arctic animal fur clothing, yet each at seemingly opposite ends of a continuum of possible digital interfaces. Skinddragter Online and Mittimatalik Arnait Miqsuqtuit Collective were both launched the same year, 2015, in Copenhagen and Mittimatalik, Nunavut, Canada respectively. By comparing each with the other, our ambition is to illuminate some of the curatorial choices involved in the making of such digital platforms, and the consequences they have in terms of wider visibility, audiences reached, knowledge included, and collaborative engagements invited. Postcolonial critique can come at the expense of general outreach, conversations between designated experts can be difficult to make equal. Technological sophistication can be challenged by the digital divide. Attention to issues of cultural appropriation is a constant. Yet, driving these initiatives is the need to maintain a digital diversity in online and offline spaces. |
format |
Article in Journal/Newspaper |
author |
Wold, Taran Victoria Rogstad Ween, Gro Birgit |
spellingShingle |
Wold, Taran Victoria Rogstad Ween, Gro Birgit Digitale visjoner: En kartlegging. Identitet, tilgjengelighet og digital demokrati. |
author_facet |
Wold, Taran Victoria Rogstad Ween, Gro Birgit |
author_sort |
Wold, Taran Victoria Rogstad |
title |
Digitale visjoner: En kartlegging. Identitet, tilgjengelighet og digital demokrati. |
title_short |
Digitale visjoner: En kartlegging. Identitet, tilgjengelighet og digital demokrati. |
title_full |
Digitale visjoner: En kartlegging. Identitet, tilgjengelighet og digital demokrati. |
title_fullStr |
Digitale visjoner: En kartlegging. Identitet, tilgjengelighet og digital demokrati. |
title_full_unstemmed |
Digitale visjoner: En kartlegging. Identitet, tilgjengelighet og digital demokrati. |
title_sort |
digitale visjoner: en kartlegging. identitet, tilgjengelighet og digital demokrati. |
publisher |
Institutt för museologi |
publishDate |
2019 |
url |
http://hdl.handle.net/10852/67537 http://urn.nb.no/URN:NBN:no-70725 |
geographic |
Arctic Nunavut Canada |
geographic_facet |
Arctic Nunavut Canada |
genre |
Arctic Nunavut |
genre_facet |
Arctic Nunavut |
op_source |
1103-8152 |
op_relation |
http://urn.nb.no/URN:NBN:no-70725 Wold, Taran Victoria Rogstad Ween, Gro Birgit . Digitale visjoner: En kartlegging. Identitet, tilgjengelighet og digital demokrati. Nordisk Museologi. 2018(2-3), 90-107 http://hdl.handle.net/10852/67537 1652632 info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Nordisk Museologi&rft.volume=&rft.spage=90&rft.date=2018 Nordisk Museologi 2-3 90 107 URN:NBN:no-70725 Fulltext https://www.duo.uio.no/bitstream/handle/10852/67537/1/6651-20265-1-SM61316.pdf |
op_rights |
Attribution-NonCommercial-NoDerivatives 4.0 International https://creativecommons.org/licenses/by-nc-nd/4.0/ |
op_rightsnorm |
CC-BY-NC-ND |
_version_ |
1766336140722307072 |