Sigur Rós: Reception, Borealism, and Musical Style
Since the international breakthrough of The Sugarcubes and Björk in the late 1980s, the Anglophone discourse surrounding Icelandic popular music has proven to be the latest instance of a long history of representation in which the North Atlantic island is imagined as an icy periphery on the edge of...
| Published in: | Popular Music |
|---|---|
| Main Author: | |
| Format: | Article in Journal/Newspaper |
| Language: | English |
| Published: |
Cambridge University Press
2018
|
| Subjects: | |
| Online Access: | http://hdl.handle.net/10852/65863 http://urn.nb.no/URN:NBN:no-68089 https://doi.org/10.1017/S0261143018000442 |