Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland

This article bridges ecocriticism and popular music analysis in a close reading of three examples that respond musically to environmental debates in Iceland during the period 2006–2009. Political-environmental tensions in Iceland reached a heated level in the mid 2000s with the construction of the K...

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Published in:Popular Music and Society
Main Author: Størvold, Tore
Format: Article in Journal/Newspaper
Language:English
Published: 2018
Subjects:
Online Access:http://hdl.handle.net/10852/65862
http://urn.nb.no/URN:NBN:no-68072
https://doi.org/10.1080/03007766.2018.1469390
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spelling ftoslouniv:oai:www.duo.uio.no:10852/65862 2023-05-15T16:42:46+02:00 Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland ENEngelskEnglishMusic and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland Størvold, Tore 2018-07-23T14:35:29Z http://hdl.handle.net/10852/65862 http://urn.nb.no/URN:NBN:no-68072 https://doi.org/10.1080/03007766.2018.1469390 EN eng http://urn.nb.no/URN:NBN:no-68072 Størvold, Tore . Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland. Popular music and society. 2018 http://hdl.handle.net/10852/65862 1598383 info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Popular music and society&rft.volume=&rft.spage=&rft.date=2018 Popular music and society http://dx.doi.org/10.1080/03007766.2018.1469390 URN:NBN:no-68072 Fulltext https://www.duo.uio.no/bitstream/handle/10852/65862/2/postprint-pdf.pdf 0300-7766 Journal article Tidsskriftartikkel Peer reviewed AcceptedVersion 2018 ftoslouniv https://doi.org/10.1080/03007766.2018.1469390 2020-06-21T08:52:24Z This article bridges ecocriticism and popular music analysis in a close reading of three examples that respond musically to environmental debates in Iceland during the period 2006–2009. Political-environmental tensions in Iceland reached a heated level in the mid 2000s with the construction of the Kárahnjúkar hydropower project, which elicited a string of artistic and musical responses. While considering Valgeir Sigurðsson’s “Grýlukvæði,” Björk’s “Náttúra,” and Sigur Rós’s “Vaka,” this article argues that incorporating textual analysis and interpretation is key in forging an ecocritical study of popular music. Article in Journal/Newspaper Iceland Universitet i Oslo: Digitale utgivelser ved UiO (DUO) Kárahnjúkar ENVELOPE(-15.768,-15.768,64.946,64.946) Popular Music and Society 42 4 395 418
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collection Universitet i Oslo: Digitale utgivelser ved UiO (DUO)
op_collection_id ftoslouniv
language English
description This article bridges ecocriticism and popular music analysis in a close reading of three examples that respond musically to environmental debates in Iceland during the period 2006–2009. Political-environmental tensions in Iceland reached a heated level in the mid 2000s with the construction of the Kárahnjúkar hydropower project, which elicited a string of artistic and musical responses. While considering Valgeir Sigurðsson’s “Grýlukvæði,” Björk’s “Náttúra,” and Sigur Rós’s “Vaka,” this article argues that incorporating textual analysis and interpretation is key in forging an ecocritical study of popular music.
format Article in Journal/Newspaper
author Størvold, Tore
spellingShingle Størvold, Tore
Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland
author_facet Størvold, Tore
author_sort Størvold, Tore
title Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland
title_short Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland
title_full Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland
title_fullStr Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland
title_full_unstemmed Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland
title_sort music and the kárahnjúkar hydropower plant: style, aesthetics, and environmental politics in iceland
publishDate 2018
url http://hdl.handle.net/10852/65862
http://urn.nb.no/URN:NBN:no-68072
https://doi.org/10.1080/03007766.2018.1469390
long_lat ENVELOPE(-15.768,-15.768,64.946,64.946)
geographic Kárahnjúkar
geographic_facet Kárahnjúkar
genre Iceland
genre_facet Iceland
op_source 0300-7766
op_relation http://urn.nb.no/URN:NBN:no-68072
Størvold, Tore . Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland. Popular music and society. 2018
http://hdl.handle.net/10852/65862
1598383
info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Popular music and society&rft.volume=&rft.spage=&rft.date=2018
Popular music and society
http://dx.doi.org/10.1080/03007766.2018.1469390
URN:NBN:no-68072
Fulltext https://www.duo.uio.no/bitstream/handle/10852/65862/2/postprint-pdf.pdf
op_doi https://doi.org/10.1080/03007766.2018.1469390
container_title Popular Music and Society
container_volume 42
container_issue 4
container_start_page 395
op_container_end_page 418
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