Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland
This article bridges ecocriticism and popular music analysis in a close reading of three examples that respond musically to environmental debates in Iceland during the period 2006–2009. Political-environmental tensions in Iceland reached a heated level in the mid 2000s with the construction of the K...
Published in: | Popular Music and Society |
---|---|
Main Author: | |
Format: | Article in Journal/Newspaper |
Language: | English |
Published: |
2018
|
Subjects: | |
Online Access: | http://hdl.handle.net/10852/65862 http://urn.nb.no/URN:NBN:no-68072 https://doi.org/10.1080/03007766.2018.1469390 |
id |
ftoslouniv:oai:www.duo.uio.no:10852/65862 |
---|---|
record_format |
openpolar |
spelling |
ftoslouniv:oai:www.duo.uio.no:10852/65862 2023-05-15T16:42:46+02:00 Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland ENEngelskEnglishMusic and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland Størvold, Tore 2018-07-23T14:35:29Z http://hdl.handle.net/10852/65862 http://urn.nb.no/URN:NBN:no-68072 https://doi.org/10.1080/03007766.2018.1469390 EN eng http://urn.nb.no/URN:NBN:no-68072 Størvold, Tore . Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland. Popular music and society. 2018 http://hdl.handle.net/10852/65862 1598383 info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Popular music and society&rft.volume=&rft.spage=&rft.date=2018 Popular music and society http://dx.doi.org/10.1080/03007766.2018.1469390 URN:NBN:no-68072 Fulltext https://www.duo.uio.no/bitstream/handle/10852/65862/2/postprint-pdf.pdf 0300-7766 Journal article Tidsskriftartikkel Peer reviewed AcceptedVersion 2018 ftoslouniv https://doi.org/10.1080/03007766.2018.1469390 2020-06-21T08:52:24Z This article bridges ecocriticism and popular music analysis in a close reading of three examples that respond musically to environmental debates in Iceland during the period 2006–2009. Political-environmental tensions in Iceland reached a heated level in the mid 2000s with the construction of the Kárahnjúkar hydropower project, which elicited a string of artistic and musical responses. While considering Valgeir Sigurðsson’s “Grýlukvæði,” Björk’s “Náttúra,” and Sigur Rós’s “Vaka,” this article argues that incorporating textual analysis and interpretation is key in forging an ecocritical study of popular music. Article in Journal/Newspaper Iceland Universitet i Oslo: Digitale utgivelser ved UiO (DUO) Kárahnjúkar ENVELOPE(-15.768,-15.768,64.946,64.946) Popular Music and Society 42 4 395 418 |
institution |
Open Polar |
collection |
Universitet i Oslo: Digitale utgivelser ved UiO (DUO) |
op_collection_id |
ftoslouniv |
language |
English |
description |
This article bridges ecocriticism and popular music analysis in a close reading of three examples that respond musically to environmental debates in Iceland during the period 2006–2009. Political-environmental tensions in Iceland reached a heated level in the mid 2000s with the construction of the Kárahnjúkar hydropower project, which elicited a string of artistic and musical responses. While considering Valgeir Sigurðsson’s “Grýlukvæði,” Björk’s “Náttúra,” and Sigur Rós’s “Vaka,” this article argues that incorporating textual analysis and interpretation is key in forging an ecocritical study of popular music. |
format |
Article in Journal/Newspaper |
author |
Størvold, Tore |
spellingShingle |
Størvold, Tore Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland |
author_facet |
Størvold, Tore |
author_sort |
Størvold, Tore |
title |
Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland |
title_short |
Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland |
title_full |
Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland |
title_fullStr |
Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland |
title_full_unstemmed |
Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland |
title_sort |
music and the kárahnjúkar hydropower plant: style, aesthetics, and environmental politics in iceland |
publishDate |
2018 |
url |
http://hdl.handle.net/10852/65862 http://urn.nb.no/URN:NBN:no-68072 https://doi.org/10.1080/03007766.2018.1469390 |
long_lat |
ENVELOPE(-15.768,-15.768,64.946,64.946) |
geographic |
Kárahnjúkar |
geographic_facet |
Kárahnjúkar |
genre |
Iceland |
genre_facet |
Iceland |
op_source |
0300-7766 |
op_relation |
http://urn.nb.no/URN:NBN:no-68072 Størvold, Tore . Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland. Popular music and society. 2018 http://hdl.handle.net/10852/65862 1598383 info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Popular music and society&rft.volume=&rft.spage=&rft.date=2018 Popular music and society http://dx.doi.org/10.1080/03007766.2018.1469390 URN:NBN:no-68072 Fulltext https://www.duo.uio.no/bitstream/handle/10852/65862/2/postprint-pdf.pdf |
op_doi |
https://doi.org/10.1080/03007766.2018.1469390 |
container_title |
Popular Music and Society |
container_volume |
42 |
container_issue |
4 |
container_start_page |
395 |
op_container_end_page |
418 |
_version_ |
1766033136865509376 |