Manifestations of social resistance in craft processes: Iku, Nasa and Sami indigenous craft
This paper aims to analyze craft objects that could contain inherent meanings of social, cultural, ecological or political resistance. The creative processes of makers from the Iku and Nasa indigenous peoples of Colombia and the Sami people of Sweden have been studied. The paper encompasses a theore...
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OsloMet - Oslo Metropolitan University (prev. Oslo and Akershus University College of Applied Sciences)
2021
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ftoslomet:oai:ojs2.journals.hioa.no:article/4179 2023-12-24T10:24:37+01:00 Manifestations of social resistance in craft processes: Iku, Nasa and Sami indigenous craft Castelblanco Pérez , Stefanía 2021-05-10 application/pdf https://journals.oslomet.no/index.php/formakademisk/article/view/4179 eng eng OsloMet - Oslo Metropolitan University (prev. Oslo and Akershus University College of Applied Sciences) https://journals.oslomet.no/index.php/formakademisk/article/view/4179/3802 https://journals.oslomet.no/index.php/formakademisk/article/view/4179 Opphavsrett 2021 Stefanía Castelblanco Pérez https://creativecommons.org/licenses/by-nd/4.0 FormAkademisk; Vol. 14 No. 2 (2021): Proceedings of BICCS 2021 - Biennial International Conference for the Craft Sciences. Special Issue FormAkademisk Vol 14 Nr. 2 (2021): Proceedings of BICCS 2021 - Biennial International Conference for the Craft Sciences. Special Issue 1890-9515 Craft design indigenous peoples social resistance social sustainability info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2021 ftoslomet 2023-11-29T23:44:48Z This paper aims to analyze craft objects that could contain inherent meanings of social, cultural, ecological or political resistance. The creative processes of makers from the Iku and Nasa indigenous peoples of Colombia and the Sami people of Sweden have been studied. The paper encompasses a theoretical reflection on the communicative capacity of objects and their implicit meanings as well as of the basic concepts of resistance and craft paired with a brief description of the Iku, Nasa and Sami indigenous peoples. An analysis of the manifestations that could be considered as resistance in the studied artisanal processes is brought forward through 11 interviews with artisans and the paper proposes a final reflection on how craft objects can have the capacity to communicate social, cultural, political and ecological resistance. This paper aims to analyze craft objects that could contain inherent meanings of social, cultural, ecological or political resistance. The creative processes of makers from the Iku and Nasa indigenous peoples of Colombia and the Sami people of Sweden have been studied. The paper encompasses a theoretical reflection on the communicative capacity of objects and their implicit meanings as well as of the basic concepts of resistance and craft paired with a brief description of the Iku, Nasa and Sami indigenous peoples. An analysis of the manifestations that could be considered as resistance in the studied artisanal processes is brought forward through 11 interviews with artisans and the paper proposes a final reflection on how craft objects can have the capacity to communicate social, cultural, political and ecological resistance. Article in Journal/Newspaper sami sami OsloMet Open Access journals |
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OsloMet Open Access journals |
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ftoslomet |
language |
English |
topic |
Craft design indigenous peoples social resistance social sustainability |
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Craft design indigenous peoples social resistance social sustainability Castelblanco Pérez , Stefanía Manifestations of social resistance in craft processes: Iku, Nasa and Sami indigenous craft |
topic_facet |
Craft design indigenous peoples social resistance social sustainability |
description |
This paper aims to analyze craft objects that could contain inherent meanings of social, cultural, ecological or political resistance. The creative processes of makers from the Iku and Nasa indigenous peoples of Colombia and the Sami people of Sweden have been studied. The paper encompasses a theoretical reflection on the communicative capacity of objects and their implicit meanings as well as of the basic concepts of resistance and craft paired with a brief description of the Iku, Nasa and Sami indigenous peoples. An analysis of the manifestations that could be considered as resistance in the studied artisanal processes is brought forward through 11 interviews with artisans and the paper proposes a final reflection on how craft objects can have the capacity to communicate social, cultural, political and ecological resistance. This paper aims to analyze craft objects that could contain inherent meanings of social, cultural, ecological or political resistance. The creative processes of makers from the Iku and Nasa indigenous peoples of Colombia and the Sami people of Sweden have been studied. The paper encompasses a theoretical reflection on the communicative capacity of objects and their implicit meanings as well as of the basic concepts of resistance and craft paired with a brief description of the Iku, Nasa and Sami indigenous peoples. An analysis of the manifestations that could be considered as resistance in the studied artisanal processes is brought forward through 11 interviews with artisans and the paper proposes a final reflection on how craft objects can have the capacity to communicate social, cultural, political and ecological resistance. |
format |
Article in Journal/Newspaper |
author |
Castelblanco Pérez , Stefanía |
author_facet |
Castelblanco Pérez , Stefanía |
author_sort |
Castelblanco Pérez , Stefanía |
title |
Manifestations of social resistance in craft processes: Iku, Nasa and Sami indigenous craft |
title_short |
Manifestations of social resistance in craft processes: Iku, Nasa and Sami indigenous craft |
title_full |
Manifestations of social resistance in craft processes: Iku, Nasa and Sami indigenous craft |
title_fullStr |
Manifestations of social resistance in craft processes: Iku, Nasa and Sami indigenous craft |
title_full_unstemmed |
Manifestations of social resistance in craft processes: Iku, Nasa and Sami indigenous craft |
title_sort |
manifestations of social resistance in craft processes: iku, nasa and sami indigenous craft |
publisher |
OsloMet - Oslo Metropolitan University (prev. Oslo and Akershus University College of Applied Sciences) |
publishDate |
2021 |
url |
https://journals.oslomet.no/index.php/formakademisk/article/view/4179 |
genre |
sami sami |
genre_facet |
sami sami |
op_source |
FormAkademisk; Vol. 14 No. 2 (2021): Proceedings of BICCS 2021 - Biennial International Conference for the Craft Sciences. Special Issue FormAkademisk Vol 14 Nr. 2 (2021): Proceedings of BICCS 2021 - Biennial International Conference for the Craft Sciences. Special Issue 1890-9515 |
op_relation |
https://journals.oslomet.no/index.php/formakademisk/article/view/4179/3802 https://journals.oslomet.no/index.php/formakademisk/article/view/4179 |
op_rights |
Opphavsrett 2021 Stefanía Castelblanco Pérez https://creativecommons.org/licenses/by-nd/4.0 |
_version_ |
1786199557795741696 |