Rematriering som museal praksis: Å børste støv av samisk kultur

This article discusses repatriation and rematriation linked to museum practice. A number of return projects are taking place both nationally and internationally. Former colonial powers and nation-states thereby take responsibility for oppressed colonial objects, and indigenous peoples are gaining ac...

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Published in:Nordisk Museologi
Main Author: Jernsletten, Jorunn
Format: Article in Journal/Newspaper
Language:English
Published: University of Oslo Library 2024
Subjects:
Online Access:https://journals.uio.no/museolog/article/view/10816
https://doi.org/10.5617/nm.10816
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spelling ftosloiunivojs:oai:ojs.www.journals.uio.no:article/10816 2024-02-04T10:04:20+01:00 Rematriering som museal praksis: Å børste støv av samisk kultur Rematriation as museum practice: Brushing off the dust from Sámi cultural heritage Jernsletten, Jorunn 2024-01-02 application/pdf https://journals.uio.no/museolog/article/view/10816 https://doi.org/10.5617/nm.10816 eng eng University of Oslo Library https://journals.uio.no/museolog/article/view/10816/8917 https://journals.uio.no/museolog/article/view/10816 doi:10.5617/nm.10816 Nordisk Museologi; Vol 35 Nr. 1-2 (2023): Nordisk Museologi; 5-19 Nordisk Museologi; Vol. 35 No. 1-2 (2023): Nordic Museology; 5-19 2002-0503 1103-8152 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2024 ftosloiunivojs https://doi.org/10.5617/nm.10816 2024-01-10T23:39:59Z This article discusses repatriation and rematriation linked to museum practice. A number of return projects are taking place both nationally and internationally. Former colonial powers and nation-states thereby take responsibility for oppressed colonial objects, and indigenous peoples are gaining access to their own cultural heritage. In a decolonization perspective, ownership of one’s own cultural heritage is important. But what does that mean in practice? The board game sáhkku is used as an example of how cultural heritage can be activated when the community of origin has access to an object and the intangible knowledge linked to the use of the object. By being actively used, objects are rematriated in their context of origin in a new age. In this way, the object and the knowledge about it take on a new meaning. Theoretically, the philosopher Ricoeur’s perspectives on narrative identity are used, which implies that identity is the result of an interpretation process and that access to cultural expressions is crucial for the individual’s opportunity to shape their identity. This article discusses repatriation and rematriation linked to museum practice. A number of return projects are taking place both nationally and internationally. Former colonial powers and nation-states thereby take responsibility for oppressed colonial objects, and indigenous peoples are gaining access to their own cultural heritage. In a decolonization perspective, ownership of one’s own cultural heritage is important. But what does that mean in practice? The board game sáhkku is used as an example of how cultural heritage can be activated when the community of origin has access to an object and the intangible knowledge linked to the use of the object. By being actively used, objects are rematriated in their context of origin in a new age. In this way, the object and the knowledge about it take on a new meaning. Theoretically, the philosopher Ricoeur’s perspectives on narrative identity are used, which implies that identity is the result ... Article in Journal/Newspaper samisk University of Oslo (UiO): FRITT (E-Journals) Nordisk Museologi 35 1-2 5 19
institution Open Polar
collection University of Oslo (UiO): FRITT (E-Journals)
op_collection_id ftosloiunivojs
language English
description This article discusses repatriation and rematriation linked to museum practice. A number of return projects are taking place both nationally and internationally. Former colonial powers and nation-states thereby take responsibility for oppressed colonial objects, and indigenous peoples are gaining access to their own cultural heritage. In a decolonization perspective, ownership of one’s own cultural heritage is important. But what does that mean in practice? The board game sáhkku is used as an example of how cultural heritage can be activated when the community of origin has access to an object and the intangible knowledge linked to the use of the object. By being actively used, objects are rematriated in their context of origin in a new age. In this way, the object and the knowledge about it take on a new meaning. Theoretically, the philosopher Ricoeur’s perspectives on narrative identity are used, which implies that identity is the result of an interpretation process and that access to cultural expressions is crucial for the individual’s opportunity to shape their identity. This article discusses repatriation and rematriation linked to museum practice. A number of return projects are taking place both nationally and internationally. Former colonial powers and nation-states thereby take responsibility for oppressed colonial objects, and indigenous peoples are gaining access to their own cultural heritage. In a decolonization perspective, ownership of one’s own cultural heritage is important. But what does that mean in practice? The board game sáhkku is used as an example of how cultural heritage can be activated when the community of origin has access to an object and the intangible knowledge linked to the use of the object. By being actively used, objects are rematriated in their context of origin in a new age. In this way, the object and the knowledge about it take on a new meaning. Theoretically, the philosopher Ricoeur’s perspectives on narrative identity are used, which implies that identity is the result ...
format Article in Journal/Newspaper
author Jernsletten, Jorunn
spellingShingle Jernsletten, Jorunn
Rematriering som museal praksis: Å børste støv av samisk kultur
author_facet Jernsletten, Jorunn
author_sort Jernsletten, Jorunn
title Rematriering som museal praksis: Å børste støv av samisk kultur
title_short Rematriering som museal praksis: Å børste støv av samisk kultur
title_full Rematriering som museal praksis: Å børste støv av samisk kultur
title_fullStr Rematriering som museal praksis: Å børste støv av samisk kultur
title_full_unstemmed Rematriering som museal praksis: Å børste støv av samisk kultur
title_sort rematriering som museal praksis: å børste støv av samisk kultur
publisher University of Oslo Library
publishDate 2024
url https://journals.uio.no/museolog/article/view/10816
https://doi.org/10.5617/nm.10816
genre samisk
genre_facet samisk
op_source Nordisk Museologi; Vol 35 Nr. 1-2 (2023): Nordisk Museologi; 5-19
Nordisk Museologi; Vol. 35 No. 1-2 (2023): Nordic Museology; 5-19
2002-0503
1103-8152
op_relation https://journals.uio.no/museolog/article/view/10816/8917
https://journals.uio.no/museolog/article/view/10816
doi:10.5617/nm.10816
op_doi https://doi.org/10.5617/nm.10816
container_title Nordisk Museologi
container_volume 35
container_issue 1-2
container_start_page 5
op_container_end_page 19
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