Rematriering som museal praksis: Å børste støv av samisk kultur
This article discusses repatriation and rematriation linked to museum practice. A number of return projects are taking place both nationally and internationally. Former colonial powers and nation-states thereby take responsibility for oppressed colonial objects, and indigenous peoples are gaining ac...
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University of Oslo Library
2024
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Online Access: | https://journals.uio.no/museolog/article/view/10816 https://doi.org/10.5617/nm.10816 |
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ftosloiunivojs:oai:ojs.www.journals.uio.no:article/10816 2024-02-04T10:04:20+01:00 Rematriering som museal praksis: Å børste støv av samisk kultur Rematriation as museum practice: Brushing off the dust from Sámi cultural heritage Jernsletten, Jorunn 2024-01-02 application/pdf https://journals.uio.no/museolog/article/view/10816 https://doi.org/10.5617/nm.10816 eng eng University of Oslo Library https://journals.uio.no/museolog/article/view/10816/8917 https://journals.uio.no/museolog/article/view/10816 doi:10.5617/nm.10816 Nordisk Museologi; Vol 35 Nr. 1-2 (2023): Nordisk Museologi; 5-19 Nordisk Museologi; Vol. 35 No. 1-2 (2023): Nordic Museology; 5-19 2002-0503 1103-8152 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2024 ftosloiunivojs https://doi.org/10.5617/nm.10816 2024-01-10T23:39:59Z This article discusses repatriation and rematriation linked to museum practice. A number of return projects are taking place both nationally and internationally. Former colonial powers and nation-states thereby take responsibility for oppressed colonial objects, and indigenous peoples are gaining access to their own cultural heritage. In a decolonization perspective, ownership of one’s own cultural heritage is important. But what does that mean in practice? The board game sáhkku is used as an example of how cultural heritage can be activated when the community of origin has access to an object and the intangible knowledge linked to the use of the object. By being actively used, objects are rematriated in their context of origin in a new age. In this way, the object and the knowledge about it take on a new meaning. Theoretically, the philosopher Ricoeur’s perspectives on narrative identity are used, which implies that identity is the result of an interpretation process and that access to cultural expressions is crucial for the individual’s opportunity to shape their identity. This article discusses repatriation and rematriation linked to museum practice. A number of return projects are taking place both nationally and internationally. Former colonial powers and nation-states thereby take responsibility for oppressed colonial objects, and indigenous peoples are gaining access to their own cultural heritage. In a decolonization perspective, ownership of one’s own cultural heritage is important. But what does that mean in practice? The board game sáhkku is used as an example of how cultural heritage can be activated when the community of origin has access to an object and the intangible knowledge linked to the use of the object. By being actively used, objects are rematriated in their context of origin in a new age. In this way, the object and the knowledge about it take on a new meaning. Theoretically, the philosopher Ricoeur’s perspectives on narrative identity are used, which implies that identity is the result ... Article in Journal/Newspaper samisk University of Oslo (UiO): FRITT (E-Journals) Nordisk Museologi 35 1-2 5 19 |
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University of Oslo (UiO): FRITT (E-Journals) |
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ftosloiunivojs |
language |
English |
description |
This article discusses repatriation and rematriation linked to museum practice. A number of return projects are taking place both nationally and internationally. Former colonial powers and nation-states thereby take responsibility for oppressed colonial objects, and indigenous peoples are gaining access to their own cultural heritage. In a decolonization perspective, ownership of one’s own cultural heritage is important. But what does that mean in practice? The board game sáhkku is used as an example of how cultural heritage can be activated when the community of origin has access to an object and the intangible knowledge linked to the use of the object. By being actively used, objects are rematriated in their context of origin in a new age. In this way, the object and the knowledge about it take on a new meaning. Theoretically, the philosopher Ricoeur’s perspectives on narrative identity are used, which implies that identity is the result of an interpretation process and that access to cultural expressions is crucial for the individual’s opportunity to shape their identity. This article discusses repatriation and rematriation linked to museum practice. A number of return projects are taking place both nationally and internationally. Former colonial powers and nation-states thereby take responsibility for oppressed colonial objects, and indigenous peoples are gaining access to their own cultural heritage. In a decolonization perspective, ownership of one’s own cultural heritage is important. But what does that mean in practice? The board game sáhkku is used as an example of how cultural heritage can be activated when the community of origin has access to an object and the intangible knowledge linked to the use of the object. By being actively used, objects are rematriated in their context of origin in a new age. In this way, the object and the knowledge about it take on a new meaning. Theoretically, the philosopher Ricoeur’s perspectives on narrative identity are used, which implies that identity is the result ... |
format |
Article in Journal/Newspaper |
author |
Jernsletten, Jorunn |
spellingShingle |
Jernsletten, Jorunn Rematriering som museal praksis: Å børste støv av samisk kultur |
author_facet |
Jernsletten, Jorunn |
author_sort |
Jernsletten, Jorunn |
title |
Rematriering som museal praksis: Å børste støv av samisk kultur |
title_short |
Rematriering som museal praksis: Å børste støv av samisk kultur |
title_full |
Rematriering som museal praksis: Å børste støv av samisk kultur |
title_fullStr |
Rematriering som museal praksis: Å børste støv av samisk kultur |
title_full_unstemmed |
Rematriering som museal praksis: Å børste støv av samisk kultur |
title_sort |
rematriering som museal praksis: å børste støv av samisk kultur |
publisher |
University of Oslo Library |
publishDate |
2024 |
url |
https://journals.uio.no/museolog/article/view/10816 https://doi.org/10.5617/nm.10816 |
genre |
samisk |
genre_facet |
samisk |
op_source |
Nordisk Museologi; Vol 35 Nr. 1-2 (2023): Nordisk Museologi; 5-19 Nordisk Museologi; Vol. 35 No. 1-2 (2023): Nordic Museology; 5-19 2002-0503 1103-8152 |
op_relation |
https://journals.uio.no/museolog/article/view/10816/8917 https://journals.uio.no/museolog/article/view/10816 doi:10.5617/nm.10816 |
op_doi |
https://doi.org/10.5617/nm.10816 |
container_title |
Nordisk Museologi |
container_volume |
35 |
container_issue |
1-2 |
container_start_page |
5 |
op_container_end_page |
19 |
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1789972724345470976 |