Then and Now : Asserting Anishinabek Identity Through Indigenized Apparel
The work deals with the subject of designing for Native Americans. The first part of the project broadly examines the field of graphic design as it relates to Native Americans, discussing the lack of Native voices in graphic design, what designing for Native Americans can entail, the role of Native...
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ftoregonstate:ir.library.oregonstate.edu:3j333445m 2024-09-15T17:39:48+00:00 Then and Now : Asserting Anishinabek Identity Through Indigenized Apparel Southall, Neebinnaukzhik Marks, Andrea Peters, Kurt Gallagher, Christine Oregon State University. Honors College https://ir.library.oregonstate.edu/concern/honors_college_theses/3j333445m English [eng] eng unknown Oregon State University https://ir.library.oregonstate.edu/concern/honors_college_theses/3j333445m All rights reserved Honors College Thesis ftoregonstate 2024-07-22T18:06:04Z The work deals with the subject of designing for Native Americans. The first part of the project broadly examines the field of graphic design as it relates to Native Americans, discussing the lack of Native voices in graphic design, what designing for Native Americans can entail, the role of Native lifeways in design, design barriers and solutions, as well as opportunities and examples. The second part of the project explores designing for a specific Native American audience: Anishinabek youth. A need for positive representation via clothing is discussed, establishing the goal of infusing modern urban wear with a Native perspective. Anishinabek culture is examined, culminating in a series of clothing designs. Thesis anishina* ScholarsArchive@OSU (Oregon State University) |
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ScholarsArchive@OSU (Oregon State University) |
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ftoregonstate |
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English unknown |
description |
The work deals with the subject of designing for Native Americans. The first part of the project broadly examines the field of graphic design as it relates to Native Americans, discussing the lack of Native voices in graphic design, what designing for Native Americans can entail, the role of Native lifeways in design, design barriers and solutions, as well as opportunities and examples. The second part of the project explores designing for a specific Native American audience: Anishinabek youth. A need for positive representation via clothing is discussed, establishing the goal of infusing modern urban wear with a Native perspective. Anishinabek culture is examined, culminating in a series of clothing designs. |
author2 |
Marks, Andrea Peters, Kurt Gallagher, Christine Oregon State University. Honors College |
format |
Thesis |
author |
Southall, Neebinnaukzhik |
spellingShingle |
Southall, Neebinnaukzhik Then and Now : Asserting Anishinabek Identity Through Indigenized Apparel |
author_facet |
Southall, Neebinnaukzhik |
author_sort |
Southall, Neebinnaukzhik |
title |
Then and Now : Asserting Anishinabek Identity Through Indigenized Apparel |
title_short |
Then and Now : Asserting Anishinabek Identity Through Indigenized Apparel |
title_full |
Then and Now : Asserting Anishinabek Identity Through Indigenized Apparel |
title_fullStr |
Then and Now : Asserting Anishinabek Identity Through Indigenized Apparel |
title_full_unstemmed |
Then and Now : Asserting Anishinabek Identity Through Indigenized Apparel |
title_sort |
then and now : asserting anishinabek identity through indigenized apparel |
publisher |
Oregon State University |
url |
https://ir.library.oregonstate.edu/concern/honors_college_theses/3j333445m |
genre |
anishina* |
genre_facet |
anishina* |
op_relation |
https://ir.library.oregonstate.edu/concern/honors_college_theses/3j333445m |
op_rights |
All rights reserved |
_version_ |
1810482649297321984 |