Public and intimate sociability in first nations and Métis fiddling
This article examines aboriginal fiddle music in the western Canadian province of Manitoba as it is enabled by two modes of musical sociability: face-to-face interactions between musical and social intimates, and “imagining” forms of sociability that generate musical publics. These modes of acquaint...
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2007
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| Online Access: | https://oro.open.ac.uk/9742/ |
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ftopenunivgb:oai:oro.open.ac.uk:9742 2024-09-09T19:40:27+00:00 Public and intimate sociability in first nations and Métis fiddling Dueck, Byron 2007-01 https://oro.open.ac.uk/9742/ unknown Dueck, Byron <https://oro.open.ac.uk/view/person/bd2367.html> (2007). Public and intimate sociability in first nations and Métis fiddling. Ethnomusicology, 51(1) pp. 30–63. Journal Item PeerReviewed 2007 ftopenunivgb 2024-06-19T00:21:14Z This article examines aboriginal fiddle music in the western Canadian province of Manitoba as it is enabled by two modes of musical sociability: face-to-face interactions between musical and social intimates, and “imagining” forms of sociability that generate musical publics. These modes of acquaintanceship have distinct implications for musical interactions and for the metrical and structural organization of fiddle tunes. Nevertheless, the two modes of sociability also interlace in myriad ways, as publicly circulating tunes and styles are embedded in intimate performance and daily life, and as expressions of musical intimacy are oriented to audiences of strangers. Article in Journal/Newspaper First Nations The Open University: Open Research Online (ORO) |
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The Open University: Open Research Online (ORO) |
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ftopenunivgb |
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unknown |
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This article examines aboriginal fiddle music in the western Canadian province of Manitoba as it is enabled by two modes of musical sociability: face-to-face interactions between musical and social intimates, and “imagining” forms of sociability that generate musical publics. These modes of acquaintanceship have distinct implications for musical interactions and for the metrical and structural organization of fiddle tunes. Nevertheless, the two modes of sociability also interlace in myriad ways, as publicly circulating tunes and styles are embedded in intimate performance and daily life, and as expressions of musical intimacy are oriented to audiences of strangers. |
| format |
Article in Journal/Newspaper |
| author |
Dueck, Byron |
| spellingShingle |
Dueck, Byron Public and intimate sociability in first nations and Métis fiddling |
| author_facet |
Dueck, Byron |
| author_sort |
Dueck, Byron |
| title |
Public and intimate sociability in first nations and Métis fiddling |
| title_short |
Public and intimate sociability in first nations and Métis fiddling |
| title_full |
Public and intimate sociability in first nations and Métis fiddling |
| title_fullStr |
Public and intimate sociability in first nations and Métis fiddling |
| title_full_unstemmed |
Public and intimate sociability in first nations and Métis fiddling |
| title_sort |
public and intimate sociability in first nations and métis fiddling |
| publishDate |
2007 |
| url |
https://oro.open.ac.uk/9742/ |
| genre |
First Nations |
| genre_facet |
First Nations |
| op_relation |
Dueck, Byron <https://oro.open.ac.uk/view/person/bd2367.html> (2007). Public and intimate sociability in first nations and Métis fiddling. Ethnomusicology, 51(1) pp. 30–63. |
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1809909755372634112 |