The skulls and the dancing pig

In late 2017, protesting the ongoing forced slaughter of indigenous reindeer herds in Norway, a young Sámi artist traveled to Oslo to set up a “curtain” of some 400 reindeer skulls in front of the national parliament. The demonstration drew considerable attention, both nationally and internationally...

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Published in:Terrain
Main Author: Reinert, Hugo
Format: Article in Journal/Newspaper
Language:English
Published: Association Terrain 2019
Subjects:
Online Access:http://journals.openedition.org/terrain/18051
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spelling ftopenedition:oai:revues.org:terrain/18051 2023-05-15T18:11:54+02:00 The skulls and the dancing pig Reinert, Hugo 2019-05-14 http://journals.openedition.org/terrain/18051 en eng Association Terrain Terrain info:eu-repo/semantics/reference/issn/0760-5668 info:eu-repo/semantics/reference/issn/1777-5450 urn:doi:10.4000/terrain.18051 http://journals.openedition.org/terrain/18051 info:eu-repo/semantics/openAccess forced slaughter pastoral economy ecological demonstration Sami info:eu-repo/semantics/article article 2019 ftopenedition https://doi.org/10.4000/terrain.18051 2019-05-26T00:13:12Z In late 2017, protesting the ongoing forced slaughter of indigenous reindeer herds in Norway, a young Sámi artist traveled to Oslo to set up a “curtain” of some 400 reindeer skulls in front of the national parliament. The demonstration drew considerable attention, both nationally and internationally, and mobilized a complex range of historical resonances—from the first Sámi protests against the Alta hydroelectric project, half a century earlier, to the vast piles of bison skulls that accumulated during the US campaign against the Plains Indians in the 19th century. Situating the curtain in a context of chronic state violence, indigenous invisibility, and crisis biopolitics, the article examines the multiple apocalyptic logics summoned in the work. Article in Journal/Newspaper sami OpenEdition Alta Norway Slaughter ENVELOPE(-85.633,-85.633,-78.617,-78.617) Terrain 71
institution Open Polar
collection OpenEdition
op_collection_id ftopenedition
language English
topic forced slaughter
pastoral economy
ecological demonstration
Sami
spellingShingle forced slaughter
pastoral economy
ecological demonstration
Sami
Reinert, Hugo
The skulls and the dancing pig
topic_facet forced slaughter
pastoral economy
ecological demonstration
Sami
description In late 2017, protesting the ongoing forced slaughter of indigenous reindeer herds in Norway, a young Sámi artist traveled to Oslo to set up a “curtain” of some 400 reindeer skulls in front of the national parliament. The demonstration drew considerable attention, both nationally and internationally, and mobilized a complex range of historical resonances—from the first Sámi protests against the Alta hydroelectric project, half a century earlier, to the vast piles of bison skulls that accumulated during the US campaign against the Plains Indians in the 19th century. Situating the curtain in a context of chronic state violence, indigenous invisibility, and crisis biopolitics, the article examines the multiple apocalyptic logics summoned in the work.
format Article in Journal/Newspaper
author Reinert, Hugo
author_facet Reinert, Hugo
author_sort Reinert, Hugo
title The skulls and the dancing pig
title_short The skulls and the dancing pig
title_full The skulls and the dancing pig
title_fullStr The skulls and the dancing pig
title_full_unstemmed The skulls and the dancing pig
title_sort skulls and the dancing pig
publisher Association Terrain
publishDate 2019
url http://journals.openedition.org/terrain/18051
long_lat ENVELOPE(-85.633,-85.633,-78.617,-78.617)
geographic Alta
Norway
Slaughter
geographic_facet Alta
Norway
Slaughter
genre sami
genre_facet sami
op_relation info:eu-repo/semantics/reference/issn/0760-5668
info:eu-repo/semantics/reference/issn/1777-5450
urn:doi:10.4000/terrain.18051
http://journals.openedition.org/terrain/18051
op_rights info:eu-repo/semantics/openAccess
op_doi https://doi.org/10.4000/terrain.18051
container_title Terrain
container_issue 71
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