“Black Matters”: Race and Literary History in Mat Johnson’s Pym

After being denied tenure for expanding his teaching of race and literary history beyond exclusively African American texts, Chris Jaynes, the protagonist of Mat Johnson’s novel Pym (2011), sets out to retrace the voyage from Edgar Allan Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantuck...

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Published in:European journal of American studies
Main Author: Wilks, Jennifer M.
Format: Article in Journal/Newspaper
Language:unknown
Published: European Association for American Studies 2016
Subjects:
Pym
Online Access:http://ejas.revues.org/11523
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spelling ftopenedition:oai:revues.org:ejas/11523 2023-05-15T13:57:03+02:00 “Black Matters”: Race and Literary History in Mat Johnson’s Pym Wilks, Jennifer M. 2016-06-02 http://ejas.revues.org/11523 unknown European Association for American Studies European journal of American studies urn:doi:10.4000/ejas.11523 http://ejas.revues.org/11523 Creative Commons License info:eu-repo/semantics/openAccess 19th century 21st century Edgar Allan Poe literary history Mat Johnson Playing in the Dark Pym race The Narrative of Arthur Gordon Pym of Nantucket Toni Morrison United States info:eu-repo/semantics/article article 2016 ftopenedition https://doi.org/10.4000/ejas.11523 2017-03-09T00:26:40Z After being denied tenure for expanding his teaching of race and literary history beyond exclusively African American texts, Chris Jaynes, the protagonist of Mat Johnson’s novel Pym (2011), sets out to retrace the voyage from Edgar Allan Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket. This essay examines how Johnson uses Jaynes’ own shipwreck—he and his crew are stranded in Antarctica—to posit the history of race in the United States as a national disaster that overdetermines contemporary social dynamics. Using intertextuality and satire, Johnson follows Toni Morrison’s precedent in depicting blackness and whiteness as constructs that are inextricably bound and that cannot be understood one without the other. Central to this claim are Johnson’s mirroring of the progressive, 21st-century African American Jaynes with his narrative foil: the pickled, ancient Anglo American Arthur Gordon Pym. I contend that Johnson not only revisits Morrison’s argument but also expands upon it; for, as Jaynes and his fellow characters confront the thorny legacy of race and racism in the United States, they must also face a future in which the country’s changing demographics will render questions of identity more, rather than less, complicated. Article in Journal/Newspaper Antarc* Antarctica OpenEdition Morrison ENVELOPE(-63.533,-63.533,-66.167,-66.167) Nantucket ENVELOPE(-61.917,-61.917,-74.583,-74.583) European journal of American studies 11 1
institution Open Polar
collection OpenEdition
op_collection_id ftopenedition
language unknown
topic 19th century
21st century
Edgar Allan Poe
literary history
Mat Johnson
Playing in the Dark
Pym
race
The Narrative of Arthur Gordon Pym of Nantucket
Toni Morrison
United States
spellingShingle 19th century
21st century
Edgar Allan Poe
literary history
Mat Johnson
Playing in the Dark
Pym
race
The Narrative of Arthur Gordon Pym of Nantucket
Toni Morrison
United States
Wilks, Jennifer M.
“Black Matters”: Race and Literary History in Mat Johnson’s Pym
topic_facet 19th century
21st century
Edgar Allan Poe
literary history
Mat Johnson
Playing in the Dark
Pym
race
The Narrative of Arthur Gordon Pym of Nantucket
Toni Morrison
United States
description After being denied tenure for expanding his teaching of race and literary history beyond exclusively African American texts, Chris Jaynes, the protagonist of Mat Johnson’s novel Pym (2011), sets out to retrace the voyage from Edgar Allan Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket. This essay examines how Johnson uses Jaynes’ own shipwreck—he and his crew are stranded in Antarctica—to posit the history of race in the United States as a national disaster that overdetermines contemporary social dynamics. Using intertextuality and satire, Johnson follows Toni Morrison’s precedent in depicting blackness and whiteness as constructs that are inextricably bound and that cannot be understood one without the other. Central to this claim are Johnson’s mirroring of the progressive, 21st-century African American Jaynes with his narrative foil: the pickled, ancient Anglo American Arthur Gordon Pym. I contend that Johnson not only revisits Morrison’s argument but also expands upon it; for, as Jaynes and his fellow characters confront the thorny legacy of race and racism in the United States, they must also face a future in which the country’s changing demographics will render questions of identity more, rather than less, complicated.
format Article in Journal/Newspaper
author Wilks, Jennifer M.
author_facet Wilks, Jennifer M.
author_sort Wilks, Jennifer M.
title “Black Matters”: Race and Literary History in Mat Johnson’s Pym
title_short “Black Matters”: Race and Literary History in Mat Johnson’s Pym
title_full “Black Matters”: Race and Literary History in Mat Johnson’s Pym
title_fullStr “Black Matters”: Race and Literary History in Mat Johnson’s Pym
title_full_unstemmed “Black Matters”: Race and Literary History in Mat Johnson’s Pym
title_sort “black matters”: race and literary history in mat johnson’s pym
publisher European Association for American Studies
publishDate 2016
url http://ejas.revues.org/11523
long_lat ENVELOPE(-63.533,-63.533,-66.167,-66.167)
ENVELOPE(-61.917,-61.917,-74.583,-74.583)
geographic Morrison
Nantucket
geographic_facet Morrison
Nantucket
genre Antarc*
Antarctica
genre_facet Antarc*
Antarctica
op_relation urn:doi:10.4000/ejas.11523
http://ejas.revues.org/11523
op_rights Creative Commons License
info:eu-repo/semantics/openAccess
op_doi https://doi.org/10.4000/ejas.11523
container_title European journal of American studies
container_volume 11
container_issue 1
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