Ecocriticism and Lee Chang-Dong's Poetry
Combining ecocritical, political and film theory, this paper aims to analyse how the alienation of humans from nature under capitalism is depicted in Lee Chang-Dong’s 2010 movie Poetry. In a movie where humans lean towards passivity and biting their tongue, the nonhuman world seems to carry a deeper...
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Sveučilište u Splitu. Filozofski fakultet.
2024
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ftnulzagrebzir:oai:zir.nsk.hr:ffst_4356 2024-09-30T14:42:34+00:00 Ecocriticism and Lee Chang-Dong's Poetry Marević, Lucia Ryle, Simon John 2024 application/pdf https://zir.nsk.hr/islandora/object/ffst:4356 https://urn.nsk.hr/urn:nbn:hr:172:173996 https://repozitorij.svkst.unist.hr/islandora/object/ffst:4356 https://repozitorij.svkst.unist.hr/islandora/object/ffst:4356/datastream/PDF eng eng Sveučilište u Splitu. Filozofski fakultet. University of Split. Faculty of Humanities and Social Sciences. https://zir.nsk.hr/islandora/object/ffst:4356 https://urn.nsk.hr/urn:nbn:hr:172:173996 https://repozitorij.svkst.unist.hr/islandora/object/ffst:4356 https://repozitorij.svkst.unist.hr/islandora/object/ffst:4356/datastream/PDF http://rightsstatements.org/vocab/InC/1.0/ info:eu-repo/semantics/openAccess ecocriticism poetry humanity nature film capitalism alienation ekokritika poezija čovječanstvo priroda kapitalizam otuđenje HUMANISTIČKE ZNANOSTI. Filologija HUMANISTIC SCIENCES. Philology info:eu-repo/semantics/bachelorThesis text 2024 ftnulzagrebzir 2024-09-12T05:57:07Z Combining ecocritical, political and film theory, this paper aims to analyse how the alienation of humans from nature under capitalism is depicted in Lee Chang-Dong’s 2010 movie Poetry. In a movie where humans lean towards passivity and biting their tongue, the nonhuman world seems to carry a deeper meaning. Therefore, analysing film frames, camera movement, visual motifs and sounds helps to better understand the director’s message – that of humans growing apart from themselves and each other as a result of living in a capitalist society. Poetry’s main character Mija and her exploration of creative writing serves to exemplify how poetry stands as a bridge between humanity and nature, trying to bring the two estranged sides together again; and a cure for alienation, by making the individual notice and reflect on their surroundings. Kombinirajući teorije ekokritike, politike i filma, cilj ovog rada je analizirati kako je otuđenje ljudi i prirode pod kapitalizmom prikazano u filmu Poezija Lee Chang-Donga iz 2010. U filmu u kojem ljudi naginju pasivnosti i prešućivanju, čini se da neljudski svijet nosi dublje značenje. Stoga analiza filmskih kadrova, kretanja kamere, vizualnih motiva i zvukova pomaže boljem razumijevanju redateljeve poruke – da se ljudi odvajaju sami od sebe i jedni od drugih kao rezultat života u kapitalističkom društvu. Glavni lik Poezije Mija i njezino istraživanje kreativnog pisanja služi kao primjer kako poezija stoji kao most između čovječanstva i prirode, pokušavajući ponovno spojiti dvije otuđene strane. Također služi kao lijek za otuđenje, tjerajući pojedinca da primijeti i razmišlja o svojoj okolini. Bachelor Thesis sami Croatian Digital Theses Repository (National and University Library in Zagreb) |
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Open Polar |
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Croatian Digital Theses Repository (National and University Library in Zagreb) |
op_collection_id |
ftnulzagrebzir |
language |
English |
topic |
ecocriticism poetry humanity nature film capitalism alienation ekokritika poezija čovječanstvo priroda kapitalizam otuđenje HUMANISTIČKE ZNANOSTI. Filologija HUMANISTIC SCIENCES. Philology |
spellingShingle |
ecocriticism poetry humanity nature film capitalism alienation ekokritika poezija čovječanstvo priroda kapitalizam otuđenje HUMANISTIČKE ZNANOSTI. Filologija HUMANISTIC SCIENCES. Philology Marević, Lucia Ecocriticism and Lee Chang-Dong's Poetry |
topic_facet |
ecocriticism poetry humanity nature film capitalism alienation ekokritika poezija čovječanstvo priroda kapitalizam otuđenje HUMANISTIČKE ZNANOSTI. Filologija HUMANISTIC SCIENCES. Philology |
description |
Combining ecocritical, political and film theory, this paper aims to analyse how the alienation of humans from nature under capitalism is depicted in Lee Chang-Dong’s 2010 movie Poetry. In a movie where humans lean towards passivity and biting their tongue, the nonhuman world seems to carry a deeper meaning. Therefore, analysing film frames, camera movement, visual motifs and sounds helps to better understand the director’s message – that of humans growing apart from themselves and each other as a result of living in a capitalist society. Poetry’s main character Mija and her exploration of creative writing serves to exemplify how poetry stands as a bridge between humanity and nature, trying to bring the two estranged sides together again; and a cure for alienation, by making the individual notice and reflect on their surroundings. Kombinirajući teorije ekokritike, politike i filma, cilj ovog rada je analizirati kako je otuđenje ljudi i prirode pod kapitalizmom prikazano u filmu Poezija Lee Chang-Donga iz 2010. U filmu u kojem ljudi naginju pasivnosti i prešućivanju, čini se da neljudski svijet nosi dublje značenje. Stoga analiza filmskih kadrova, kretanja kamere, vizualnih motiva i zvukova pomaže boljem razumijevanju redateljeve poruke – da se ljudi odvajaju sami od sebe i jedni od drugih kao rezultat života u kapitalističkom društvu. Glavni lik Poezije Mija i njezino istraživanje kreativnog pisanja služi kao primjer kako poezija stoji kao most između čovječanstva i prirode, pokušavajući ponovno spojiti dvije otuđene strane. Također služi kao lijek za otuđenje, tjerajući pojedinca da primijeti i razmišlja o svojoj okolini. |
author2 |
Ryle, Simon John |
format |
Bachelor Thesis |
author |
Marević, Lucia |
author_facet |
Marević, Lucia |
author_sort |
Marević, Lucia |
title |
Ecocriticism and Lee Chang-Dong's Poetry |
title_short |
Ecocriticism and Lee Chang-Dong's Poetry |
title_full |
Ecocriticism and Lee Chang-Dong's Poetry |
title_fullStr |
Ecocriticism and Lee Chang-Dong's Poetry |
title_full_unstemmed |
Ecocriticism and Lee Chang-Dong's Poetry |
title_sort |
ecocriticism and lee chang-dong's poetry |
publisher |
Sveučilište u Splitu. Filozofski fakultet. |
publishDate |
2024 |
url |
https://zir.nsk.hr/islandora/object/ffst:4356 https://urn.nsk.hr/urn:nbn:hr:172:173996 https://repozitorij.svkst.unist.hr/islandora/object/ffst:4356 https://repozitorij.svkst.unist.hr/islandora/object/ffst:4356/datastream/PDF |
genre |
sami |
genre_facet |
sami |
op_relation |
https://zir.nsk.hr/islandora/object/ffst:4356 https://urn.nsk.hr/urn:nbn:hr:172:173996 https://repozitorij.svkst.unist.hr/islandora/object/ffst:4356 https://repozitorij.svkst.unist.hr/islandora/object/ffst:4356/datastream/PDF |
op_rights |
http://rightsstatements.org/vocab/InC/1.0/ info:eu-repo/semantics/openAccess |
_version_ |
1811644552725921792 |