Dåajmijes vuekie lea saemien vuekie
Håkan Rydving was the one who first made Sami researchers aware of Linda Tuhiwai Smith's groundbreaking book Decolonizing methoÂdologies. Much has been written, both before and after, about research on indigenous peoples' own terms. For years, Håkan himself had already practiced the princ...
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ftnovusforlagojs:oai:ojs.pkp.sfu.ca:article/1511 2023-05-15T18:10:14+02:00 Dåajmijes vuekie lea saemien vuekie Kappfjell, Leena Gaski, Harald 2018-06-25 application/pdf http://ojs.novus.no/index.php/DIN/article/view/1511 unknown Novus forlag http://ojs.novus.no/index.php/DIN/article/view/1511/1495 http://ojs.novus.no/index.php/DIN/article/view/1511 Opphavsrett 2018 Leena Kappfjell, Harald Gaski DIN - Tidsskrift for religion og kultur; Nr 2 (2018): Openheit/Rabasvuohta 2387-6735 1501-9934 Sami research Sami aesthetic Indigenous peoples Southern Sami info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion fagfellevurdert artikkel 2018 ftnovusforlagojs 2022-04-29T12:28:04Z Håkan Rydving was the one who first made Sami researchers aware of Linda Tuhiwai Smith's groundbreaking book Decolonizing methoÂdologies. Much has been written, both before and after, about research on indigenous peoples' own terms. For years, Håkan himself had already practiced the principle of learning indigenous peoples' languages and returning the results of the research, so in many ways, Smith's book became a confirmation of the legitimacy of what Sami researchers were doing, and of the necessity of having good allies in the execution of this practice. This short essay presents a Sami variant of indigenous research, namely dåajmijes vuekie, which is a proper aesthetic based on Sami uses of concepts and Sami understanding of this aesthetic on our own terms. This aesthetic is part of a larger movement, which in an international indigenous peoples' discourse contributes to the merging of tradition and innovation through the revitalization, rethematizing, and academizing of knowledge crucial for a decent life in accordance with norms that implies "to walk in beauty." This aesthetic turns an oral culture's ways of being together into writing from an academic, ethical, and community responsive perspective. The essay is written on purpose in Southern Sami, Håkan's second language of the heart! Article in Journal/Newspaper sami sami Novus - Online tidsskrifter (Novus forlag) |
institution |
Open Polar |
collection |
Novus - Online tidsskrifter (Novus forlag) |
op_collection_id |
ftnovusforlagojs |
language |
unknown |
topic |
Sami research Sami aesthetic Indigenous peoples Southern Sami |
spellingShingle |
Sami research Sami aesthetic Indigenous peoples Southern Sami Kappfjell, Leena Gaski, Harald Dåajmijes vuekie lea saemien vuekie |
topic_facet |
Sami research Sami aesthetic Indigenous peoples Southern Sami |
description |
Håkan Rydving was the one who first made Sami researchers aware of Linda Tuhiwai Smith's groundbreaking book Decolonizing methoÂdologies. Much has been written, both before and after, about research on indigenous peoples' own terms. For years, Håkan himself had already practiced the principle of learning indigenous peoples' languages and returning the results of the research, so in many ways, Smith's book became a confirmation of the legitimacy of what Sami researchers were doing, and of the necessity of having good allies in the execution of this practice. This short essay presents a Sami variant of indigenous research, namely dåajmijes vuekie, which is a proper aesthetic based on Sami uses of concepts and Sami understanding of this aesthetic on our own terms. This aesthetic is part of a larger movement, which in an international indigenous peoples' discourse contributes to the merging of tradition and innovation through the revitalization, rethematizing, and academizing of knowledge crucial for a decent life in accordance with norms that implies "to walk in beauty." This aesthetic turns an oral culture's ways of being together into writing from an academic, ethical, and community responsive perspective. The essay is written on purpose in Southern Sami, Håkan's second language of the heart! |
format |
Article in Journal/Newspaper |
author |
Kappfjell, Leena Gaski, Harald |
author_facet |
Kappfjell, Leena Gaski, Harald |
author_sort |
Kappfjell, Leena |
title |
Dåajmijes vuekie lea saemien vuekie |
title_short |
Dåajmijes vuekie lea saemien vuekie |
title_full |
Dåajmijes vuekie lea saemien vuekie |
title_fullStr |
Dåajmijes vuekie lea saemien vuekie |
title_full_unstemmed |
Dåajmijes vuekie lea saemien vuekie |
title_sort |
dåajmijes vuekie lea saemien vuekie |
publisher |
Novus forlag |
publishDate |
2018 |
url |
http://ojs.novus.no/index.php/DIN/article/view/1511 |
genre |
sami sami |
genre_facet |
sami sami |
op_source |
DIN - Tidsskrift for religion og kultur; Nr 2 (2018): Openheit/Rabasvuohta 2387-6735 1501-9934 |
op_relation |
http://ojs.novus.no/index.php/DIN/article/view/1511/1495 http://ojs.novus.no/index.php/DIN/article/view/1511 |
op_rights |
Opphavsrett 2018 Leena Kappfjell, Harald Gaski |
_version_ |
1766183009000620032 |