Dåajmijes vuekie lea saemien vuekie

Håkan Rydving was the one who first made Sami researchers aware of Linda Tuhiwai Smith's groundbreaking book Decolonizing metho­dologies. Much has been written, both before and after, about research on indigenous peoples' own terms. For years, Håkan himself had already practiced the princ...

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Main Authors: Kappfjell, Leena, Gaski, Harald
Format: Article in Journal/Newspaper
Language:unknown
Published: Novus forlag 2018
Subjects:
Online Access:http://ojs.novus.no/index.php/DIN/article/view/1511
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spelling ftnovusforlagojs:oai:ojs.pkp.sfu.ca:article/1511 2023-05-15T18:10:14+02:00 Dåajmijes vuekie lea saemien vuekie Kappfjell, Leena Gaski, Harald 2018-06-25 application/pdf http://ojs.novus.no/index.php/DIN/article/view/1511 unknown Novus forlag http://ojs.novus.no/index.php/DIN/article/view/1511/1495 http://ojs.novus.no/index.php/DIN/article/view/1511 Opphavsrett 2018 Leena Kappfjell, Harald Gaski DIN - Tidsskrift for religion og kultur; Nr 2 (2018): Openheit/Rabasvuohta 2387-6735 1501-9934 Sami research Sami aesthetic Indigenous peoples Southern Sami info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion fagfellevurdert artikkel 2018 ftnovusforlagojs 2022-04-29T12:28:04Z Håkan Rydving was the one who first made Sami researchers aware of Linda Tuhiwai Smith's groundbreaking book Decolonizing metho­dologies. Much has been written, both before and after, about research on indigenous peoples' own terms. For years, Håkan himself had already practiced the principle of learning indigenous peoples' languages and returning the results of the research, so in many ways, Smith's book became a confirmation of the legitimacy of what Sami researchers were doing, and of the necessity of having good allies in the execution of this practice. This short essay presents a Sami variant of indigenous research, namely dåajmijes vuekie, which is a proper aesthetic based on Sami uses of concepts and Sami understanding of this aesthetic on our own terms. This aesthetic is part of a larger movement, which in an international indigenous peoples' discourse contributes to the merging of tradition and innovation through the revitalization, rethematizing, and academizing of knowledge crucial for a decent life in accordance with norms that implies "to walk in beauty." This aesthetic turns an oral culture's ways of being together into writing from an academic, ethical, and community responsive perspective. The essay is written on purpose in Southern Sami, Håkan's second language of the heart! Article in Journal/Newspaper sami sami Novus - Online tidsskrifter (Novus forlag)
institution Open Polar
collection Novus - Online tidsskrifter (Novus forlag)
op_collection_id ftnovusforlagojs
language unknown
topic Sami research
Sami aesthetic
Indigenous peoples
Southern Sami
spellingShingle Sami research
Sami aesthetic
Indigenous peoples
Southern Sami
Kappfjell, Leena
Gaski, Harald
Dåajmijes vuekie lea saemien vuekie
topic_facet Sami research
Sami aesthetic
Indigenous peoples
Southern Sami
description Håkan Rydving was the one who first made Sami researchers aware of Linda Tuhiwai Smith's groundbreaking book Decolonizing metho­dologies. Much has been written, both before and after, about research on indigenous peoples' own terms. For years, Håkan himself had already practiced the principle of learning indigenous peoples' languages and returning the results of the research, so in many ways, Smith's book became a confirmation of the legitimacy of what Sami researchers were doing, and of the necessity of having good allies in the execution of this practice. This short essay presents a Sami variant of indigenous research, namely dåajmijes vuekie, which is a proper aesthetic based on Sami uses of concepts and Sami understanding of this aesthetic on our own terms. This aesthetic is part of a larger movement, which in an international indigenous peoples' discourse contributes to the merging of tradition and innovation through the revitalization, rethematizing, and academizing of knowledge crucial for a decent life in accordance with norms that implies "to walk in beauty." This aesthetic turns an oral culture's ways of being together into writing from an academic, ethical, and community responsive perspective. The essay is written on purpose in Southern Sami, Håkan's second language of the heart!
format Article in Journal/Newspaper
author Kappfjell, Leena
Gaski, Harald
author_facet Kappfjell, Leena
Gaski, Harald
author_sort Kappfjell, Leena
title Dåajmijes vuekie lea saemien vuekie
title_short Dåajmijes vuekie lea saemien vuekie
title_full Dåajmijes vuekie lea saemien vuekie
title_fullStr Dåajmijes vuekie lea saemien vuekie
title_full_unstemmed Dåajmijes vuekie lea saemien vuekie
title_sort dåajmijes vuekie lea saemien vuekie
publisher Novus forlag
publishDate 2018
url http://ojs.novus.no/index.php/DIN/article/view/1511
genre sami
sami
genre_facet sami
sami
op_source DIN - Tidsskrift for religion og kultur; Nr 2 (2018): Openheit/Rabasvuohta
2387-6735
1501-9934
op_relation http://ojs.novus.no/index.php/DIN/article/view/1511/1495
http://ojs.novus.no/index.php/DIN/article/view/1511
op_rights Opphavsrett 2018 Leena Kappfjell, Harald Gaski
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