Visual Currencies: Reflections on Native American Photography

Visual Currencies in an edited collection of essays coming out of sessions held at the Native American Art Studies Association Conference, Phoenix, 2005. The seven contributors focus on the far-reaching influences of photography on Native American communities, and the possibilities that it currently...

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Bibliographic Details
Main Authors: Lidchi, Henrietta, Tsinhnahjinnie, Hulleah J.
Format: Book
Language:English
Published: NMS Enterprises 2009
Subjects:
Online Access:http://repository.nms.ac.uk/51/
http://repository.nms.ac.uk/51/1/51_Visual_Currencies.pdf
http://shop.nms.ac.uk/products/Visual-Currencies%3A-Reflections-on-Native-Photography.html
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spelling ftnmscotland:oai:repository.nms.ac.uk:51 2023-05-15T16:15:39+02:00 Visual Currencies: Reflections on Native American Photography Lidchi, Henrietta Tsinhnahjinnie, Hulleah J. Lidchi, Henrietta 2009 application/pdf http://repository.nms.ac.uk/51/ http://repository.nms.ac.uk/51/1/51_Visual_Currencies.pdf http://shop.nms.ac.uk/products/Visual-Currencies%3A-Reflections-on-Native-Photography.html en eng NMS Enterprises http://repository.nms.ac.uk/51/1/51_Visual_Currencies.pdf Lidchi, Henrietta <http://repository.nms.ac.uk/view/nmsauthors/Lidchi=3AHenrietta=3A=3A.html> and Tsinhnahjinnie, Hulleah J. (2009) Visual Currencies: Reflections on Native American Photography. NMS Enterprises, Edinburgh. ISBN 9781905267125 cc_by_nc_nd CC-BY-NC-ND TR Photography Book PeerReviewed 2009 ftnmscotland 2019-11-09T11:02:49Z Visual Currencies in an edited collection of essays coming out of sessions held at the Native American Art Studies Association Conference, Phoenix, 2005. The seven contributors focus on the far-reaching influences of photography on Native American communities, and the possibilities that it currently presents. The essays present issues at the root of contemporary photographic practice, within and beyond Native American and First Nations communities, exploring the values, or currencies, attributed to to photographs by practitioners and institutions. John Tagg has memorably described the history of photography as that of an insistent practice, and this aptly and vividly conveys the legacy of Native American and First Nations photography in its varied perspectives presented by the authors and contemporary photographers who have contributed to this edited volume. By focusing on institutional repositories and contemporary photographic practice, Visual Currencies invites reflection into the 'material turn'; specifically addressing the significance of early photographs and the impact of digital media, the relationship between artistic practice and archival resources, the enactment of sovereignty and the performance of memory, operating at an individual and communal level. Book First Nations Unknown
institution Open Polar
collection Unknown
op_collection_id ftnmscotland
language English
topic TR Photography
spellingShingle TR Photography
Lidchi, Henrietta
Tsinhnahjinnie, Hulleah J.
Visual Currencies: Reflections on Native American Photography
topic_facet TR Photography
description Visual Currencies in an edited collection of essays coming out of sessions held at the Native American Art Studies Association Conference, Phoenix, 2005. The seven contributors focus on the far-reaching influences of photography on Native American communities, and the possibilities that it currently presents. The essays present issues at the root of contemporary photographic practice, within and beyond Native American and First Nations communities, exploring the values, or currencies, attributed to to photographs by practitioners and institutions. John Tagg has memorably described the history of photography as that of an insistent practice, and this aptly and vividly conveys the legacy of Native American and First Nations photography in its varied perspectives presented by the authors and contemporary photographers who have contributed to this edited volume. By focusing on institutional repositories and contemporary photographic practice, Visual Currencies invites reflection into the 'material turn'; specifically addressing the significance of early photographs and the impact of digital media, the relationship between artistic practice and archival resources, the enactment of sovereignty and the performance of memory, operating at an individual and communal level.
author2 Lidchi, Henrietta
format Book
author Lidchi, Henrietta
Tsinhnahjinnie, Hulleah J.
author_facet Lidchi, Henrietta
Tsinhnahjinnie, Hulleah J.
author_sort Lidchi, Henrietta
title Visual Currencies: Reflections on Native American Photography
title_short Visual Currencies: Reflections on Native American Photography
title_full Visual Currencies: Reflections on Native American Photography
title_fullStr Visual Currencies: Reflections on Native American Photography
title_full_unstemmed Visual Currencies: Reflections on Native American Photography
title_sort visual currencies: reflections on native american photography
publisher NMS Enterprises
publishDate 2009
url http://repository.nms.ac.uk/51/
http://repository.nms.ac.uk/51/1/51_Visual_Currencies.pdf
http://shop.nms.ac.uk/products/Visual-Currencies%3A-Reflections-on-Native-Photography.html
genre First Nations
genre_facet First Nations
op_relation http://repository.nms.ac.uk/51/1/51_Visual_Currencies.pdf
Lidchi, Henrietta <http://repository.nms.ac.uk/view/nmsauthors/Lidchi=3AHenrietta=3A=3A.html> and Tsinhnahjinnie, Hulleah J. (2009) Visual Currencies: Reflections on Native American Photography. NMS Enterprises, Edinburgh. ISBN 9781905267125
op_rights cc_by_nc_nd
op_rightsnorm CC-BY-NC-ND
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