Historic dyes analysis: method developments and new applications in cultural heritage

A review of the main natural dyes (particularly yellow flavonoids and red anthraquinones) and proteinaceous substrates used in Historical Tapestries and North American porcupine quill work was undertaken, and is summarised in Chapter 1. The analysis of natural dyes which have been used on museum art...

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Main Author: Troalen, Lore
Format: Thesis
Language:unknown
Published: 2013
Subjects:
Online Access:http://repository.nms.ac.uk/1083/
https://www.era.lib.ed.ac.uk/handle/1842/11717
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spelling ftnmscotland:oai:repository.nms.ac.uk:1083 2023-05-15T17:41:53+02:00 Historic dyes analysis: method developments and new applications in cultural heritage Troalen, Lore 2013-03-29 http://repository.nms.ac.uk/1083/ https://www.era.lib.ed.ac.uk/handle/1842/11717 unknown Troalen, Lore <http://repository.nms.ac.uk/view/nmsauthors/Troalen=3ALore=3A=3A.html> (2013) Historic dyes analysis: method developments and new applications in cultural heritage. Doctoral thesis, University of Edinburgh. QD Chemistry Thesis NonPeerReviewed 2013 ftnmscotland 2019-11-09T11:03:18Z A review of the main natural dyes (particularly yellow flavonoids and red anthraquinones) and proteinaceous substrates used in Historical Tapestries and North American porcupine quill work was undertaken, and is summarised in Chapter 1. The analysis of natural dyes which have been used on museum artefacts other than textiles has received little systematic study, particularly those of non-European origin. In this research, the use of Ultra Performance Liquid Chromatography (UPLC) for study of natural dyes found on historical textiles and ethnographical objects decorated with porcupine quill work is explored; this required a transfer of existing analytical protocols and methodology. The advantages of using Ultra Performance Liquid Chromatography (UPLC) was evaluated through a method development based on the separation and quantification of ten flavonoid and anthraquinone dyes as described in Chapter 2. These methods were then applied to the characterisation of the dye sources found on a group of sixteenth century historical tapestries which form an important part of the Burrell Collection in Glasgow and are believed to have been manufactured in an English workshop (Chapter 3) and also to the analysis of some late nineteenth century North American porcupine quill work from a collection owned by National Museums Scotland (Chapter 5); allowing exciting conclusions to be drawn in each case about the range of dyestuffs used in their manufacture. The second aim of this research was the development of methodology for the non-invasive quantification of metal ion residues on porcupine quill substrates. This was achieved through a comparative study of reference porcupine quills prepared in-house with dyebaths containing a range of metal ion concentrations (copper and tin). The concentration of metal ions sorbed by the porcupine quills was then quantified with Inductively Coupled Plasma (ICP) coupled to Optical Emission Spectrometry (OES) and non-invasive Particle Induced X-Ray Emission analysis (PIXE) coupled with Rutherford Backscattering Spectrometry (RBS) as described in Chapter 4. The responses provided by the different methods were compared and they were then applied to the study of micro-samples collected from mid-nineteenth century Northern Athapaskan porcupine quill work. Unexpectedly, the use of UPLC analysis and RBS-PIXE analysis allowed the characterisation of traded European natural dyes used with metallic mordants (copper and tin) on these samples, highlighting how European contact impacted on traditional Athapaskan porcupine quill work in the late nineteenth century (Chapter 5). Thesis Northern Athapaskan Unknown
institution Open Polar
collection Unknown
op_collection_id ftnmscotland
language unknown
topic QD Chemistry
spellingShingle QD Chemistry
Troalen, Lore
Historic dyes analysis: method developments and new applications in cultural heritage
topic_facet QD Chemistry
description A review of the main natural dyes (particularly yellow flavonoids and red anthraquinones) and proteinaceous substrates used in Historical Tapestries and North American porcupine quill work was undertaken, and is summarised in Chapter 1. The analysis of natural dyes which have been used on museum artefacts other than textiles has received little systematic study, particularly those of non-European origin. In this research, the use of Ultra Performance Liquid Chromatography (UPLC) for study of natural dyes found on historical textiles and ethnographical objects decorated with porcupine quill work is explored; this required a transfer of existing analytical protocols and methodology. The advantages of using Ultra Performance Liquid Chromatography (UPLC) was evaluated through a method development based on the separation and quantification of ten flavonoid and anthraquinone dyes as described in Chapter 2. These methods were then applied to the characterisation of the dye sources found on a group of sixteenth century historical tapestries which form an important part of the Burrell Collection in Glasgow and are believed to have been manufactured in an English workshop (Chapter 3) and also to the analysis of some late nineteenth century North American porcupine quill work from a collection owned by National Museums Scotland (Chapter 5); allowing exciting conclusions to be drawn in each case about the range of dyestuffs used in their manufacture. The second aim of this research was the development of methodology for the non-invasive quantification of metal ion residues on porcupine quill substrates. This was achieved through a comparative study of reference porcupine quills prepared in-house with dyebaths containing a range of metal ion concentrations (copper and tin). The concentration of metal ions sorbed by the porcupine quills was then quantified with Inductively Coupled Plasma (ICP) coupled to Optical Emission Spectrometry (OES) and non-invasive Particle Induced X-Ray Emission analysis (PIXE) coupled with Rutherford Backscattering Spectrometry (RBS) as described in Chapter 4. The responses provided by the different methods were compared and they were then applied to the study of micro-samples collected from mid-nineteenth century Northern Athapaskan porcupine quill work. Unexpectedly, the use of UPLC analysis and RBS-PIXE analysis allowed the characterisation of traded European natural dyes used with metallic mordants (copper and tin) on these samples, highlighting how European contact impacted on traditional Athapaskan porcupine quill work in the late nineteenth century (Chapter 5).
format Thesis
author Troalen, Lore
author_facet Troalen, Lore
author_sort Troalen, Lore
title Historic dyes analysis: method developments and new applications in cultural heritage
title_short Historic dyes analysis: method developments and new applications in cultural heritage
title_full Historic dyes analysis: method developments and new applications in cultural heritage
title_fullStr Historic dyes analysis: method developments and new applications in cultural heritage
title_full_unstemmed Historic dyes analysis: method developments and new applications in cultural heritage
title_sort historic dyes analysis: method developments and new applications in cultural heritage
publishDate 2013
url http://repository.nms.ac.uk/1083/
https://www.era.lib.ed.ac.uk/handle/1842/11717
genre Northern Athapaskan
genre_facet Northern Athapaskan
op_relation Troalen, Lore <http://repository.nms.ac.uk/view/nmsauthors/Troalen=3ALore=3A=3A.html> (2013) Historic dyes analysis: method developments and new applications in cultural heritage. Doctoral thesis, University of Edinburgh.
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