Objects as Identity markers - Ways of mediating the past in a South Sámi and Norse borderland

Museums have several means of communicating with their audiences. The problems discussed here concern how local museums interact with their audience when the past they want to portray is multiple, complex and sometimes disputed. It is based on an analysis of three exhibitions in local museums situat...

Full description

Bibliographic Details
Main Author: Swensen, Grete
Format: Article in Journal/Newspaper
Language:English
Published: University of Leicester, School of Museum Studies 2017
Subjects:
Online Access:http://hdl.handle.net/11250/2502068
https://journals.le.ac.uk/ojs1/index.php/mas/article/view/834/780
id ftniku:oai:niku.brage.unit.no:11250/2502068
record_format openpolar
spelling ftniku:oai:niku.brage.unit.no:11250/2502068 2023-05-15T18:23:27+02:00 Objects as Identity markers - Ways of mediating the past in a South Sámi and Norse borderland Swensen, Grete 2017 application/pdf http://hdl.handle.net/11250/2502068 https://journals.le.ac.uk/ojs1/index.php/mas/article/view/834/780 eng eng University of Leicester, School of Museum Studies Norges forskningsråd: 212882 Museum & Society. 2017, 15 (2), 236-256. urn:issn:1479-8360 http://hdl.handle.net/11250/2502068 https://journals.le.ac.uk/ojs1/index.php/mas/article/view/834/780 cristin:1447635 Navngivelse-Ikkekommersiell-IngenBearbeidelse 4.0 Internasjonal http://creativecommons.org/licenses/by-nc-nd/4.0/deed.no © 2017 Grete Swensen CC-BY-NC-ND 236-256 15 Museum & Society 2 disputed heritage identity markers South Sámi perceptions of the past museum exhibitions Journal article Peer reviewed 2017 ftniku 2021-07-20T18:18:55Z Museums have several means of communicating with their audiences. The problems discussed here concern how local museums interact with their audience when the past they want to portray is multiple, complex and sometimes disputed. It is based on an analysis of three exhibitions in local museums situated in a region where archaeological findings indicate that the South Sámi have been present since the Late Neolithic and the Bronze Age. It highlights the various ways in which the pluralistic past in the region is being portrayed by asking whether its history appears as neutralized, i.e. transmitted in passive impartial terms, or is exoticized, repressed or mediated through other images. The one common identity marker the three exhibitions share, although portrayed in different ways and with different effects, is the gåetie, a turf hut in common use in the South Sámi region. A tendency to neutralize the multiple and complex past in the South Sámi region takes place, either by operating in a form of ‘timeless past‘ or by referring to a shared ‘far away past‘ as fishers and hunters. By barely mentioning cultural encounters, the South Sámi and the Norse are primarily presented as ethnic groups who have lived isolated and independent of each other publishedVersion Article in Journal/Newspaper South Sámi Norwegian Institute for Cultural Heritage Research (NIKU): Brage
institution Open Polar
collection Norwegian Institute for Cultural Heritage Research (NIKU): Brage
op_collection_id ftniku
language English
topic disputed heritage
identity markers
South Sámi
perceptions of the past
museum exhibitions
spellingShingle disputed heritage
identity markers
South Sámi
perceptions of the past
museum exhibitions
Swensen, Grete
Objects as Identity markers - Ways of mediating the past in a South Sámi and Norse borderland
topic_facet disputed heritage
identity markers
South Sámi
perceptions of the past
museum exhibitions
description Museums have several means of communicating with their audiences. The problems discussed here concern how local museums interact with their audience when the past they want to portray is multiple, complex and sometimes disputed. It is based on an analysis of three exhibitions in local museums situated in a region where archaeological findings indicate that the South Sámi have been present since the Late Neolithic and the Bronze Age. It highlights the various ways in which the pluralistic past in the region is being portrayed by asking whether its history appears as neutralized, i.e. transmitted in passive impartial terms, or is exoticized, repressed or mediated through other images. The one common identity marker the three exhibitions share, although portrayed in different ways and with different effects, is the gåetie, a turf hut in common use in the South Sámi region. A tendency to neutralize the multiple and complex past in the South Sámi region takes place, either by operating in a form of ‘timeless past‘ or by referring to a shared ‘far away past‘ as fishers and hunters. By barely mentioning cultural encounters, the South Sámi and the Norse are primarily presented as ethnic groups who have lived isolated and independent of each other publishedVersion
format Article in Journal/Newspaper
author Swensen, Grete
author_facet Swensen, Grete
author_sort Swensen, Grete
title Objects as Identity markers - Ways of mediating the past in a South Sámi and Norse borderland
title_short Objects as Identity markers - Ways of mediating the past in a South Sámi and Norse borderland
title_full Objects as Identity markers - Ways of mediating the past in a South Sámi and Norse borderland
title_fullStr Objects as Identity markers - Ways of mediating the past in a South Sámi and Norse borderland
title_full_unstemmed Objects as Identity markers - Ways of mediating the past in a South Sámi and Norse borderland
title_sort objects as identity markers - ways of mediating the past in a south sámi and norse borderland
publisher University of Leicester, School of Museum Studies
publishDate 2017
url http://hdl.handle.net/11250/2502068
https://journals.le.ac.uk/ojs1/index.php/mas/article/view/834/780
genre South Sámi
genre_facet South Sámi
op_source 236-256
15
Museum & Society
2
op_relation Norges forskningsråd: 212882
Museum & Society. 2017, 15 (2), 236-256.
urn:issn:1479-8360
http://hdl.handle.net/11250/2502068
https://journals.le.ac.uk/ojs1/index.php/mas/article/view/834/780
cristin:1447635
op_rights Navngivelse-Ikkekommersiell-IngenBearbeidelse 4.0 Internasjonal
http://creativecommons.org/licenses/by-nc-nd/4.0/deed.no
© 2017 Grete Swensen
op_rightsnorm CC-BY-NC-ND
_version_ 1766203039593529344