管弦樂曲"鯨聲幻想曲"及其創作之探討

• Main Authors: 傅蓉, Fu, Rong, 梁銘越, Liang Ming-Yueh
• Other Authors: 應用藝術研究所
• Format: Thesis
• Language: Chinese
• Published: 1996
• Subjects: 座頭鯨; 重複性; 過程; Humpback Whale; repitition; process
• Online Access: http://hdl.handle.net/11536/62280; http://140.113.39.130/cdrfb3/record/nctu/#NT850509024

本論文由兩個部份組成, 第一部份為管弦樂曲" 鯨聲幻想曲 " 在創 作理念上的陳述與探討, 第二部份則為管弦樂曲 " 鯨聲幻想曲 ". 創 作理念的陳述部份共分為五章:第一章為樂曲創作動機的敘述. 第二章為 座頭鯨音 樂語音符號的探討. 第三章為為探討結構與內容的關聯性, 及 重複性在音樂發展上的探討. 第四章為將" 鯨聲幻想曲 " 在創作理念的 實踐上, 作一簡要及重點式的陳述. 第五章則為 本論文的總結. 在 樂曲部份: 全曲為一標題音樂,在段落上共分為一前序及三個段落.全曲是 依標題名 稱作為段落發展的依據, 以實踐一個學生所感悟的鯨聲幻想世 界. This thesis consists of two parts:The first is the presentation of the ideas and compoition of the work. The second is the commposition of the orchestral work " Whale Fantaia ". The essay is arranged in five chapters. The first chapter introduces the ideasand concepts of the musical composition. The second chapter discusses the spectro-geaphic analysis in Humpbackwhales' songs. The third chapter discusses the relation-ship between the structure and content of the music. And the repitition in musicdevelopment. The forth chapter describes in detail the composition mmethods in thework. The fifth chapter is the summary of the thesis. The composition, which includes an introduction and three sections. And it is a theme music. The composition developes and expresses by the themes to decribes the fantastic whales' world that I had imagined.